Harvard Dictionary of Music

Harvard Dictionary of Music PDF Author: Willi Apel
Publisher: Harvard University Press
ISBN: 9780674375017
Category : Music
Languages : en
Pages : 968

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Book Description
Contains nearly 1000 pages of precise and accessible information on all musical subjects.

Harvard Dictionary of Music

Harvard Dictionary of Music PDF Author: Willi Apel
Publisher: Harvard University Press
ISBN: 9780674375017
Category : Music
Languages : en
Pages : 968

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Book Description
Contains nearly 1000 pages of precise and accessible information on all musical subjects.

Diccionario Harvard de la musica

Diccionario Harvard de la musica PDF Author: Don Michael Randel
Publisher:
ISBN:
Category :
Languages : es
Pages : 0

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The Harvard Dictionary of Music

The Harvard Dictionary of Music PDF Author: Don Michael Randel
Publisher: Harvard University Press
ISBN: 9780674011632
Category : Music
Languages : en
Pages : 1020

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Book Description
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.

Harvard Dictionary of Music

Harvard Dictionary of Music PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Harvard Dictionary of Music

Harvard Dictionary of Music PDF Author: Willi Apel
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 833

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The Harvard Dictionary of Music

The Harvard Dictionary of Music PDF Author: Willi Apel
Publisher:
ISBN: 9780435810009
Category : Music
Languages : en
Pages : 0

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The Harvard Biographical Dictionary of Music

The Harvard Biographical Dictionary of Music PDF Author: Don Michael Randel
Publisher: Harvard University Press
ISBN: 9780674372993
Category : Biography & Autobiography
Languages : en
Pages : 1048

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Book Description
Biographaical dictionary emphisizes classicaland art music; also gives ample attention to the classics as well as Jazz, Blues, rock and pop, and hymns and showtunes across the ages.

The New Harvard Dictionary of Music

The New Harvard Dictionary of Music PDF Author: Don Michael Randel
Publisher:
ISBN:
Category :
Languages : en
Pages : 942

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Book Description


The New Harvard Dictionary of Music

The New Harvard Dictionary of Music PDF Author: Don Michael Randel
Publisher: Belknap Press
ISBN:
Category : Music
Languages : en
Pages : 978

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Book Description
Revised edition of Harvard dictionary of music.

 PDF Author: Joe Conzo
Publisher: AuthorHouse
ISBN: 1452082812
Category :
Languages : en
Pages : 510

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Book Description
Joe Conzo and David A. Perez luminously recreate the life of widely acclaimed Afro-Cuban and jazz musician Tito Puente in the biography "Mambo Diablo - My Journey with Tito Puente." The authors chronicle the life of the popular and combative New York Puerto Rican multi talented musician and entertainer who climbed from his obscure and poor environment in East Harlem (El Barrio), New York to international fame and recognition. Countless stories have been written about Tito Puente's percussive musical abilities, but rarely has the talent, intuition, mishaps and controversies been presented in a vivid and personal biography. Joe Conzo was Tito's close friend, confidant and chronicler for nearly 40 years - no one was closer to Tito or knew him better, not even his family. Joe tells the story of a man and his music the way it has never been told. David A. Perez sets down Joe's personal recollections and fits them into the context of the social milieu and revolving world. Hundreds of articles have been written about Puente, and three books Powell, Josephine. Tito Puente - When The Drums are Dreaming, Authorhouse, 2007 (Information re: Tito is based on her conversations with Tito Puente. The book is self-published and chronicles many of his activities on the West Coast. There are many inconsistencies, mis-quotes, and errors of fact.) Loza, Steven. Tito Puente and the Making of Latin Music, University of Illinois Press, 1999 (A technical work that is based on interviews with people who knew Tito. The life of Puente is glanced over; the musicians he worked with are almost overlooked. Joe Conzo is among those interviewed.)Payne, Jim. Tito Puente - The King of Latin Music, Hudson Music, 2000. (Is presented as an overview of Tito Puente's music and includes a DVD with footage of Tito discussing his 50-year career. Joe Conzo provided much of the information for this endeavor.) record some of his achievements. None of them touch on the personal life of the man, expose his weaknesses, reveal his intensity for perfection, and describe the musical brilliance in such a delicate and personal way. Joe and David reveal the inner Tito Puente through his music, his musical associations and present a man that is more than a flamboyant percussionist. Tito played piano - and he played it well. Tito played the saxophone and often sat in the sax section of his orchestra. Tito played the vibes and had an incomparable style that was exciting, romantic and jazzy. He composed about 500 tunes, probably more. And, yet in the realm of American jazz historians, writers and critics ignore, brush over and avoid the importance of Tito's music and his contributions. A prime example of this is Ken Burn's television documentary about jazz - he virtually ignores Afro-Cuban music, Afro-Cuban jazz. Joe and David reveal Tito's rightful place in the history of music and give an unbiased, on-the-mark portrait of Puente's complexities like no book before it. Author and journalist Pete Hamill sets the stage for the journey in the preface.