Diccionario enciclopédico de la música en Cuba PDF Download
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Author: Radamés Giro
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : es
Pages : 322
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Book Description
Author: Radamés Giro
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : es
Pages : 322
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Book Description
Author: Radamés Giro
Publisher:
ISBN:
Category :
Languages : es
Pages :
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Book Description
Author: Alicia Valdés Cantero
Publisher: RUTH
ISBN: 9591113226
Category : Reference
Languages : es
Pages : 361
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Book Description
"El Diccionario de mujeres notables en la música cubana nos enorgullece y nos llena de satisfacción. Es un nuevo sol refulgente para nuestra música, por eso felicito a su autora a nombre de los músicos y la cultura de este país". (Harold Gramatges). "Todos nosotros, músicos, mujeres músicos y no, debemos mucho a la tenacidad, a la fe y a la gran preparación y madurez profesional de Alicia. Con su Diccionario de mujeres notables en la música cubana, ella nos ha entregado una parte de su vida y nos ha hecho un regalo especial: ha devuelto vida a las mujeres cubanas que han contribuido a la historia del mundo musical cubano, y, sobre todo, ha escrito un libro que se convertirá en centro de referencia para generaciones de músicos, intérpretes, compositores y profesores en el futuro. ¡Gracias de todo corazón, Alicia! ¡Gracias, Cuba, por este documento único y esencial!". (Patricia Adkins-Chiti).
Author: Helio Orovio
Publisher:
ISBN:
Category : Cuba
Languages : es
Pages : 452
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Book Description
Author: Jose Rosa
Publisher: Lulu.com
ISBN: 1387594044
Category : History
Languages : en
Pages : 132
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Book Description
""The History of Music From Cuba, The Caribbean, South America and the United States"" A deeper study of music history from: "Cuba", "Puerto Rico", "South America" and the United States. Also covering topics such as: "The Cuban Timba", "The History of Rock and Roll". If you really want to learn more about the history of North America and South America Music, This Book is a MUST HAVE.
Author: Dawn Duke
Publisher: Rutgers University Press
ISBN: 1684484405
Category : Literary Criticism
Languages : en
Pages : 425
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Book Description
Who are the Black heroines of Latin America and the Caribbean? Where do we turn for models of transcendence among women of African ancestry in the region? In answer to the historical dearth of such exemplars, Mayaya Rising explores and celebrates the work of writers who intentionally center powerful female cultural archetypes. In this inventive analysis, Duke proposes three case studies and a corresponding womanist methodology through which to study and rediscover these figures. The musical Cuban-Dominican sisters and former slaves Teodora and Micaela Ginés inspired Aida Cartagena Portalatin’s epic poem Yania tierra; the Nicaraguan matriarch of the May Pole, “Miss Lizzie,” figures prominently in four anthologies from the country’s Bluefields region; and the iconic palenqueras of Cartagena, Colombia are magnified in the work of poets María Teresa Ramírez Neiva and Mirian Díaz Pérez. In elevating these figures and foregrounding these works, Duke restores and repairs the scholarly record.
Author: Helio Orovio Diaz
Publisher:
ISBN:
Category : Music
Languages : es
Pages : 0
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Book Description
Author: Rebecca M. Bodenheimer
Publisher: Univ. Press of Mississippi
ISBN: 1626746842
Category : Music
Languages : en
Pages : 328
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Book Description
Derived from the nationalist writings of José Martí, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities. This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book--including rumba, timba, eastern Cuban folklore, and son--are examples of the intersections between regional identity formation, racialized notions of place, and music-making.
Author: Robert L. Adams Jr.
Publisher: Routledge
ISBN: 1317850467
Category : Social Science
Languages : en
Pages : 184
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Book Description
This volume considers the African Diaspora through the underexplored Afro-Latino experience in the Caribbean and South America. Utilizing both established and emerging approaches such as feminism and Atlantic studies, the authors explore the production of historical and contemporary identities and cultural practices within and beyond the boundaries of the nation-state. Rewriting the African Diaspora in the Caribbean and Latin America illustrates how far the fields of Afro-Latino and African Diaspora studies have advanced beyond the Herskovits and Frazier debates of the 1940s. The book’s arguments complicate Herskovits’ insistence on Black culture being an exclusive reflection of African survivals, as well as Frazier’s counter-claim of African American culture being a result of slavery and colonialism. This collection of thought-provoking essays extends the concepts of diaspora and transnationalism, forcing the reader to reassess their present limitations as interpretive tools. In the process, Afro-Latinos are rendered visible as national actors and transnational citizens. This book was originally published as a special issue of African and Black Diaspora.
Author: Alejandro L. Madrid
Publisher: Oxford University Press
ISBN: 0199965811
Category : Music
Languages : en
Pages : 288
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Book Description
Initially branching out of the European contradance tradition, the danzón first emerged as a distinct form of music and dance among black performers in nineteenth-century Cuba. By the early twentieth-century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. A fundamentally hybrid music and dance complex, it reflects the fusion of European and African elements and had a strong influence on the development of later Latin dance traditions as well as early jazz in New Orleans. Danzón: Circum-Caribbean Dialogues in Music and Dance studies the emergence, hemisphere-wide influence, and historical and contemporary significance of this music and dance phenomenon. Co-authors Alejandro L. Madrid and Robin D. Moore take an ethnomusicological, historical, and critical approach to the processes of appropriation of the danzón in new contexts, its changing meanings over time, and its relationship to other musical forms. Delving into its long history of controversial popularization, stylistic development, glorification, decay, and rebirth in a continuous transnational dialogue between Cuba and Mexico as well as New Orleans, the authors explore the production, consumption, and transformation of this Afro-diasporic performance complex in relation to global and local ideological discourses. By focusing on interactions across this entire region as well as specific local scenes, Madrid and Moore underscore the extent of cultural movement and exchange within the Americas during the late nineteenth and early twentieth-centuries, and are thereby able to analyze the danzón, the dance scenes it has generated, and the various discourses of identification surrounding it as elements in broader regional processes. Danzón is a significant addition to the literature on Latin American music, dance, and expressive culture; it is essential reading for scholars, students, and fans of this music alike.
