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Author: Javier Jiménez
Publisher: Parramón Paidotribo
ISBN: 8434243806
Category : Architecture
Languages : es
Pages : 416
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Book Description
Este libro explica cómo dar forma a la pluralidad gráfica en el dibujo que deben realizar los diseñadores de interiores: bocetos, croquis, acotados, explicaciones de ideas a clientes, resolución de dificultades constructivas . . . Los capítulos siguen el orden de un proyecto de diseño de interiores. Tras la representación de la realidad mediante un sistema acotado y unívoco, surgen los primeros y sugerentes trazos a veces sólo inteligibles por el diseñador, pero de gran sensibilidad y belleza. Sigue la presentación del proyecto al cliente, donde se despliegan todas las posibilidades gráficas, comunicativas y expresivas, por medio de volúmenes, sombras, luces, texturas, colores y ambientación para explicarlo. Finalmente, se describen los métodos para que los diferentes industriales puedan llevan a cabo su trabajo y el proyecto resulte un éxito.
Author: Javier Jiménez
Publisher: Parramón Paidotribo
ISBN: 8434243806
Category : Architecture
Languages : es
Pages : 416
Get Book Here
Book Description
Este libro explica cómo dar forma a la pluralidad gráfica en el dibujo que deben realizar los diseñadores de interiores: bocetos, croquis, acotados, explicaciones de ideas a clientes, resolución de dificultades constructivas . . . Los capítulos siguen el orden de un proyecto de diseño de interiores. Tras la representación de la realidad mediante un sistema acotado y unívoco, surgen los primeros y sugerentes trazos a veces sólo inteligibles por el diseñador, pero de gran sensibilidad y belleza. Sigue la presentación del proyecto al cliente, donde se despliegan todas las posibilidades gráficas, comunicativas y expresivas, por medio de volúmenes, sombras, luces, texturas, colores y ambientación para explicarlo. Finalmente, se describen los métodos para que los diferentes industriales puedan llevan a cabo su trabajo y el proyecto resulte un éxito.
Author:
Publisher:
ISBN: 9788434243064
Category : Education
Languages : es
Pages : 0
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Book Description
Author: Javier Jiménez Catalán
Publisher:
ISBN: 9788434235267
Category : Art
Languages : es
Pages : 192
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Book Description
Este libro explica cómo dar forma a la pluralidad gráfica en el dibujo que deben realizar los diseñadores de interiores: bocetos, croquis acotados, explicaciones de ideas a clientes, resolución de dificultades constructivas... Los capítulos siguen el orden de un proyecto de diseño de interiores. Tras la representación de la realidad mediante un sistema acotado y unívoco, surgen los primeros y sugerentes trazos a veces sólo inteligibles por el diseñador, pero de gran sensiblilidad y belleza. Sigue la presentación del proyecto al cliente, donde se despliegan todas las posibilidades gráficas, comunicativas y expresivas, por medio de volúmenes, sombras, luces, texturas, colores y ambientación para explicarlo. Finalmente, se describen los métodos para que los diferentes industriales puedan llevar a cabo su trabajo y el proyecto resulte un éxito.
Author: Frederick Ernest Giesecke
Publisher: Pearson Educación
ISBN: 9789702608110
Category : Computers
Languages : en
Pages : 670
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Book Description
This completely rewritten adaptation of Giesecke utilizes an abundance of hands-on activities and clear step-by-step descriptions to teach users freehand sketching and visualization skills for engineering graphics. The eighth edition features reorganized, consolidated coverage of Solid Modeling, new drawing problems, and fully proofed drawings. Other chapter topics include design and graphic communication, introduction to cad and solid modeling, freehand sketching and lettering techniques, geometric construction and modeling basics, multi-view sketching and projection, pictorial sketching, sectional views, dimensioning, and tolerancing, For individuals interested in the fields of technical drawing and engineering graphics.
Author: David Ross Scheer
Publisher: Routledge
ISBN: 1317803043
Category : Architecture
Languages : en
Pages : 258
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Book Description
The Death of Drawing explores the causes and effects of the epochal shift from drawing to computation as the chief design and communication medium in architecture. Drawing both framed the thinking of architects and organized the design and construction process to place architects at its center. Its displacement by building information modeling (BIM) and computational design recasts both the terms in which architects think and their role in building production. Author David Ross Scheer explains that, whereas drawing allowed architects to represent ideas in form, BIM and computational design simulate experience, making building behavior or performance the primary object of design. The author explores many ways in which this displacement is affecting architecture: the dominance of performance criteria in the evaluation of design decisions; the blurring of the separation of design and construction; the undermining of architects’ authority over their projects by automated information sharing; the elimination of the human body as the common foundation of design and experience; the transformation of the meaning of geometry when it is performed by computers; the changing nature of design when it requires computation or is done by a digitally-enabled collaboration. Throughout the book, Scheer examines both the theoretical bases and the practical consequences of these changes. The Death of Drawing is a clear-eyed account of the reasons for and consequences of the displacement of drawing by computational media in architecture. Its aim is to give architects the ability to assess the impact of digital media on their own work and to see both the challenges and opportunities of this historic moment in the history of their discipline.
Author: Miguel Falomir Faus
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 228
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Book Description
Table of contents: I. Tintoretto and the Venetian Culture and Religious Environment Paul Hills, Tintoretto and Venetian Gothic - Augusto Gentili, Tintoretto in contesto tra politica e religion - Benjamin Paul, Archaism and Pauline Spirituality in Jacopo Tintoretto's Crucifixion for SS. Cosma e Damiano - Tom Nichols, False Gods: Tintoretto's Mythologies as Anti-poesie - Bernard Aikema, La casta Susanna II. Tintoretto and the Art of his Time Philip Cottrell, Painters in Practice: Tintoretto, Bassano and the Studio of Bonifacio de' Pitati - Roland Krischel, Jacopo Tintoretto and Giulio Romano - Miguel Falomir, Tintoretto y Tiziano - David Rosand, Tintoretto and Veronese: Style, Personality, Class - Jose Alvarez Lopera, Sobre Tintoretto y el Greco - Stefania Mason, Domenico Tintoretto e l'eredita della bottega III. Connoisseurship Robert Echols and Frederick Ilchman, Toward a New Tintoretto Catalogue, with a Checklist of Revised Attributions and a New Chronology IV. Technique and Conservation Erasmus Weddigen, The Works of Tintoretto: Sewn, Designed, Patched and Cut. The Uncertainty of Canvas Measurements - Ana Gonzalez Mozo, El concepto de dibujo en Jacopo Tintoretto: analisis de los recursos tecnicos utilizados en algunos cuadros del Museo Nacional del Prado - Robert Wald, Tintoretto's Vienna Susannah and the Elders. History, Technique and Restoration V. Theory and Collecting Maria H. Loh, Huomini della nostra eta. Tintoretto's Preposterous Modernity - Almuneda Perez de Tuleda, Coleccionismo de Tintoretto en Espana en torno a 1600 - Linda Borean, Jacopo Tintoretto nelle collezioni veneziane del Sei e Settecento - Leticia de Frutos, Tintoretto en las colecciones del marques del Carpio y del Almirante de Castilla.
Author: Otfried Höffe
Publisher: John Wiley & Sons
ISBN: 0745694772
Category : Political Science
Languages : en
Pages : 329
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Book Description
Otfried Höffe is one of the foremost political philosophers in Europe today. In this major work, already a classic in continental Europe, he re-examines philosophical discourse on justice - from Classical Greece to the present day. Höffe confronts what he sees as the two major challenges to any theory of justice: the legal, positivist claim that there are no standards of justice external to legal systems; and the anarchist claim that justice demands the rejection and abolition of all legal and state systems. Höffe sets out to continue the 'philosophical project of modernity', the legitimation of human rights, and their guarantee by the state, while at the same time rehabilitating the classical theory of political justice represented by Plato and Aristotle. He questions the success of the positivists in avoiding extra-legal normative claims, and casts doubt on the plausibility of their criticism of the Natural Law tradition. Most anarchists, he argues, rely on an uncritical assumption that social institutions other than states and legal orders do not coerce. In Höffe's view, some coercion is unavoidable, and the grounds for its justification must be examined. Principles of justice will be those principles which define fundamental rights, and which must be enforced if rights are to be respected.
Author: Caroline Woolard
Publisher:
ISBN: 9780578506890
Category :
Languages : en
Pages : 430
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Book Description
Trade School was a non-traditional learning space where students bartered with teachers. Anyone could teach a class. Students signed up for classes by agreeing to bring a barter item that the teacher requested. From 2009-2019, Trade School became an international network of local, self-organized chapters that reached over 22,000 people globally. Each chapter coordinated the exchange of knowledge for barter items and services.
Author: Rodrigo Pérez de Arce
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773526204
Category : Architecture
Languages : en
Pages : 178
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Book Description
"The School of Architecture at the Catholic University of Valparaiso, Chile, underwent a transformation in 1952 when a group of young architects led by Alberto Cruz began teaching at the school. The Valparaiso School, as it became known, acquired an international reputation for its radical stance and its commitment to dialogue between architects and other disciplines. From 1970 onwards, it began to focus much of its research and design activity on the Open City project, which had been created by a group of architects, artists and poets with a vision of a city with "no master plan, no imposed ordering devices, and no hierarchical networks of infrastructure." Originally set up as a laboratory-type environment, this alternative community has since become a place of residence and work for like-minded people. Valparaiso School: Open City Group provides an insight into this radical experiment in urban development through a series of essays and photographs."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Adrian Forty
Publisher: Reaktion Books
ISBN: 1861899335
Category : Architecture
Languages : en
Pages : 338
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Book Description
Concrete has been used in arches, vaults, and domes dating as far back as the Roman Empire. Today, it is everywhere—in our roads, bridges, sidewalks, walls, and architecture. For each person on the planet, nearly three tons of concrete are produced every year. Used almost universally in modern construction, concrete has become a polarizing material that provokes intense loathing in some and fervent passion in others. Focusing on concrete’s effects on culture rather than its technical properties, Concrete and Culture examines the ways concrete has changed our understanding of nature, of time, and even of material. Adrian Forty concentrates not only on architects’ responses to concrete, but also takes into account the role concrete has played in politics, literature, cinema, labor-relations, and arguments about sustainability. Covering Europe, North and South America, and the Far East, Forty examines the degree that concrete has been responsible for modernist uniformity and the debates engendered by it. The first book to reflect on the global consequences of concrete, Concrete and Culture offers a new way to look at our environment over the past century.
