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Author: Pierre Cabanne
Publisher: Da Capo Press
ISBN: 0786749717
Category : Art
Languages : en
Pages : 158
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Book Description
With an introduction by Robert Motherwell and an appreciation by Jasper Johns "Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art. . . "In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said. "The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage-'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.' "He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.' "The art community feels Duchamp's presence and his absence. He has changed the condition of being here."--Jasper Johns, from Marcel Duchamp: An Appreciation
Author: Pierre Cabanne
Publisher: Da Capo Press
ISBN: 0786749717
Category : Art
Languages : en
Pages : 158
Get Book
Book Description
With an introduction by Robert Motherwell and an appreciation by Jasper Johns "Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art. . . "In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said. "The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage-'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.' "He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.' "The art community feels Duchamp's presence and his absence. He has changed the condition of being here."--Jasper Johns, from Marcel Duchamp: An Appreciation
Author: Pierre Cabanne
Publisher:
ISBN: 9780500610015
Category : Art, Modern
Languages : en
Pages : 136
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Book Description
""Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where l"
Author: David Cottington
Publisher: Manchester University Press
ISBN: 9780719050046
Category : Art
Languages : en
Pages : 350
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Book Description
Cubism was the most influential artistic movement of the 20th century, yet just what cubism was, or stood for, is still in dispute. This book offers a way beyond this confusion through a narrative of cubism's beginnings, consolidation and dissemination.
Author: Marcel Duchamp
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Calvin Tomkins
Publisher:
ISBN: 9781936440399
Category : Artists
Languages : en
Pages : 0
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Book Description
In 1964, Calvin Tomkins spent a number of afternoons interviewing Marcel Duchamp in his apartment in New York City. It reveals him to be a man and an artist whose playful principles toward living freed him to make art that was as unpredictable, complex, and surprising as life itself
Author: Caroline Cros
Publisher: Reaktion Books
ISBN: 9781861892621
Category : Art
Languages : en
Pages : 204
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Book Description
A fresh account of Marcel Duchamp that includes much material on his life after he stopped making art.
Author: Rudolf E. Kuenzli
Publisher: MIT Press
ISBN: 9780262610728
Category : Art
Languages : en
Pages : 276
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Book Description
Artist of the Century. These eleven illustrated essays explore the structure and meaning of Duchamp's work as part of an ongoing critical enterprise that has just begun.
Author: Jennifer Gough-Cooper
Publisher: Atlas Press (GB)
ISBN:
Category : Art
Languages : en
Pages : 32
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Book Description
Illustrations by Andre Raffray A must for Duchamp devotees everywhere, this little introduction to the life and works of Marcel Duchamp was originally published to accompany a Duchamp retrospective at the Pompidou Centre. Modelled on a children's book, it contains 12 delicious dead-pan full-page colour illustrations of events in Duchamp's life with an equally tongue-in-cheek, but entirely accurate, biography.
Author: Dorothy M. Kosinski
Publisher:
ISBN: 9780300109269
Category : Art
Languages : en
Pages : 111
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Book Description
This book traces the visual and conceptual relationships evident in the works of Marcel Duchamp (1887—1968), Joseph Cornell (1903—1972), Jasper Johns (b. 1930), and Robert Rauschenberg (b. 1925). Although scholars have previously explored the biographical contact between these four artists, this is the first close look at the aesthetic consequences of their interactions. Dorothy Kosinski argues for a notion of dialogic exchange rather than influence, noting a number of shared characteristics in these artists’ works including iconography (for example, appropriation of Leonardo’s Mona Lisa), process (assemblage and collage), form (boxes), integration of text into the visual field (sardonic subtitles, nonsense inscriptions, etc.), and shared fascination with simple machines. Featuring around 50 major works by these pivotal artists, including Duchamp’s Green Box and Johns’s Device, Dialogues reveals the complex and rich exchange manifested in their art.
Author: Harry Dodge
Publisher: Penguin
ISBN: 0525506209
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
A New York Times Book Review Editors' Choice One of LitHub's Most Anticipated Books of 2020 An expansive, radiant, and genre-defying investigation into bonding—and how we are shaped by forces we cannot fully know Is love a force akin to gravity? A kind of invisible fabric which enables communications through space and time? Artist Harry Dodge finds himself contemplating such questions as his father declines from dementia and he rekindles a bewildering but powerful relationship with his birth mother. A meteorite Dodge orders on eBay becomes a mysterious catalyst for a reckoning with the vital forces of matter, the nature of consciousness, and the bafflements of belonging. Structured around a series of formative, formidable coincidences in Dodge’s life, My Meteorite journeys with stylistic bravura from Barthes to Blade Runner, from punk to Pale Fire. It is a wild, incandescent book that creates a literary universe of its own. Blending the personal and the philosophical, the raw and the surreal, the transgressive and the heartbreaking, Harry Dodge revitalizes our world, illuminating the magic just under the surface of daily life.
