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Author: Center for Advanced Study in the Visual Arts (U.S.)
Publisher: Ngw-Stud Hist Art
ISBN:
Category : Art
Languages : en
Pages : 442
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Book Description
Proceedings of the symposium "Dialogues in art history" organized by the Center for Advanced study in the Visual Arts, National Gallery of Art and sponsored by the Paul Mellon Fund. The symposium was held April 21-22, 2005, in Washington, D.C.
Author: Center for Advanced Study in the Visual Arts (U.S.)
Publisher: Ngw-Stud Hist Art
ISBN:
Category : Art
Languages : en
Pages : 442
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Book Description
Proceedings of the symposium "Dialogues in art history" organized by the Center for Advanced study in the Visual Arts, National Gallery of Art and sponsored by the Paul Mellon Fund. The symposium was held April 21-22, 2005, in Washington, D.C.
Author: Joost Keizer
Publisher: BRILL
ISBN: 9004212043
Category : History
Languages : en
Pages : 423
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Book Description
Including contributions by historians of early modern European art, architecture, and literature, this book examines the transformative force of the vernacular over time and different regions, as well as the way the concept of the vernacular itself changes in the period.
Author: Simon Partner
Publisher: Columbia University Press
ISBN: 0231559100
Category : History
Languages : en
Pages : 203
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Book Description
Kawai Koume (1804–1889) was an accomplished poet and painter and a wife, mother, and grandmother in a lower-ranking samurai family in the provincial castle town of Wakayama. She was an eyewitness to many of the key events leading up to the Meiji Restoration and the radical changes that followed, including the famine of 1837, the great earthquake of 1854, the cholera epidemic of 1859, and the departure of samurai to fight in the civil wars of the 1860s. For more than fifty years, she kept a diary recording her family’s daily life—meals and expenses, visitors and the weather, small-town gossip and news of momentous events. Through Koume’s eyes and words, Simon Partner opens a window on social, economic, and cultural life amid some of the most dramatic periods of Japan’s transformative nineteenth century. Koume’s World vividly portrays the everyday activities, social interactions, information networks, cultural production, and household economy of a samurai family across the Tokugawa-Meiji divide. Partner’s narrative offers a remarkably detailed portrait of the dynamic working life of a female artist and household manager while also giving a regional perspective on the upheavals surrounding the Meiji Restoration. A compelling microhistorical study of gender, economy, and society in nineteenth-century Japan, Koume’s World is a compelling account of how one woman experienced both mundane routines and drastic social transformations.
Author: Joseph L. Clarke
Publisher: University of Pittsburgh Press
ISBN: 0822988038
Category : Architecture
Languages : en
Pages : 325
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Book Description
A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public. Echo’s Chambers explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment.
Author: Walter Melion
Publisher: BRILL
ISBN: 9004346465
Category : Art
Languages : en
Pages : 812
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Book Description
Ut pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-1700 examines the related themes of lovemaking and image-making in the visual arts of Europe, China, Japan, and Persia. The term ‘reflexive’ is here used to refer to images that invite reflection not only on their form, function, and meaning, but also on their genesis and mode of production. Early modern artists often fashioned reflexive images and effigies of this kind, that appraise love by exploring the lineaments of the pictorial or sculptural image, and complementarily, appraise the pictorial or sculptural image by exploring the nature of love. Hence the book’s epigraph—ut pictura amor—‘as is a picture, so is love’.
Author: Sharron Gu
Publisher: McFarland
ISBN: 0786488271
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Chinese, one of the oldest active languages, evolved over 5,000 years. As such, it makes for a fascinating case study in the development of language. This cultural history of Chinese demonstrates that the language grew and responded to its music and visual expression in a manner very similar to contemporary English and other Western languages. Within Chinese cultural history lie the answers to numerous questions that have haunted scholars for decades: How does language relate to worldview? What would happen to law after its language loses absolute binding power? How do music, visual, and theatrical images influence literature? By presenting Chinese not as a system of signs but as the history of a community, this study shows how language has expanded the scope of Chinese imagination and offers a glimpse into the future of younger languages throughout the world.
Author: Ewa Lajer-Burcharth
Publisher: Princeton University Press
ISBN: 0691170126
Category : Art
Languages : en
Pages : 312
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Book Description
A new interpretation of the development of artistic modernity in eighteenth-century France What can be gained from considering a painting not only as an image but also a material object? How does the painter’s own experience of the process of making matter for our understanding of both the painting and its maker? The Painter’s Touch addresses these questions to offer a radical reinterpretation of three paradigmatic French painters of the eighteenth century. In this beautifully illustrated book, Ewa Lajer-Burcharth provides close readings of the works of François Boucher, Jean-Siméon Chardin, and Jean-Honoré Fragonard, entirely recasting our understanding of these painters’ practice. Using the notion of touch, she examines the implications of their strategic investment in materiality and sheds light on the distinct contribution of painting to the culture of the Enlightenment. Lajer-Burcharth traces how the distinct logic of these painters’ work—the operation of surface in Boucher, the deep materiality of Chardin, and the dynamic morphological structure in Fragonard—contributed to the formation of artistic identity. Through the notion of touch, she repositions these painters in the artistic culture of their time, shifting attention from institutions such as the academy and the Salon to the realms of the market, the medium, and the body. Lajer-Burcharth analyzes Boucher’s commercial tact, Chardin’s interiorized craft, and Fragonard’s materialization of eros. Foregrounding the question of experience—that of the painters and of the people they represent—she shows how painting as a medium contributed to the Enlightenment’s discourse on the self in both its individual and social functions. By examining what paintings actually “say” in brushstrokes, texture, and paint, The Painter’s Touch transforms our understanding of the role of painting in the emergence of modernity and provides new readings of some of the most important and beloved works of art of the era.
Author: Jie Shi
Publisher: Columbia University Press
ISBN: 0231549202
Category : Social Science
Languages : en
Pages : 407
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Book Description
Among hundreds of thousands of ancient graves and tombs excavated to date in China, the Mancheng site stands out for its unparalleled complexity and richness. It features juxtaposed burials of the first king and queen of the Zhongshan kingdom (dated late second century BCE). The male tomb occupant, King Liu Sheng (d. 113 BCE), was sent by his father, Emperor Jing (r. 157–141 BCE), to rule the Zhongshan kingdom near the northern frontier of the Western Han Empire, neighboring the nomadic Xiongnu confederation. Modeling Peace interprets Western Han royal burial as a political ideology by closely reading the architecture and funerary content of this site and situating it in the historical context of imperialization in Western Han China. Through a study of both the archaeological materials and related received and excavated texts, Jie Shi demonstrates that the Mancheng site was planned and designed as a unity of religious, gender, and intercultural concerns. The site was built under the supervision of the future occupants of the royal tomb, who used these burials to assert their political ideology based on Huang-Lao and Confucian thought: a good ruler is one who pacifies himself, his family, and his country. This book is the first scholarly monograph on an undisturbed and fully excavated early Chinese royal burial site.
Author: SaraF. Matthews-Grieco
Publisher: Routledge
ISBN: 1351570455
Category : Art
Languages : en
Pages : 534
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Book Description
In Renaissance and early modern Europe, various constellations of phenomena-ranging from sex scandals to legal debates to flurries of satirical prints-collectively demonstrate, at different times and places, an increased concern with cuckoldry, impotence and adultery. This concern emerges in unusual events (such as scatological rituals of house-scorning), appears in neglected sources (such as drawings by Swiss mercenary soldier-artists), and engages innovative areas of inquiry (such as the intersection between medical theory and Renaissance comedy). Interdisciplinary analytical tools are here deployed to scrutinize court scandals and decipher archival documents. Household recipes, popular literary works and a variety of visual media are examined in the light of contemporary sexual culture and contextualized with reference to current social and political issues. The essays in this volume reveal the central importance of sexuality and sexual metaphor for our understanding of European history, politics and culture, and emphasize the extent to which erotic presuppositions underpinned the early modern world.
Author: Brian A. Brown
Publisher: Walter de Gruyter
ISBN: 1614510350
Category : Art
Languages : en
Pages : 842
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Book Description
This volume assembles more than 30 articles focusing on the visual, material, and environmental arts of the Ancient Near East. Specific case studies range temporally from the fourth millennium up to the Hellenistic period and geographically from Iran to the eastern Mediterranean. Contributions apply innovative theoretical and methodological approaches to archaeological evidence and critically examine the historiography of the discipline itself. Not intended to be comprehensive, the volume instead captures a cross-section of the field of Ancient Near Eastern art history as its stands in the second decade of the twenty-first century. The volume will be of value to scholars working in the Ancient Near East as well as others interested in newer art historical and anthropological approaches to visual culture.
