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Author: Agnes Gayraud
Publisher: MIT Press
ISBN: 1913029603
Category : Philosophy
Languages : en
Pages : 481
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Book Description
A philosophical exploration of pop music that reveals a rich, self-reflexive art form with unsuspected depths. In the first major philosophical treatise on the subject, Agnès Gayraud explores all the paradoxes of pop—its inauthentic authenticity, its mass production of emotion and personal resonance, its repetitive novelty, its precision engineering of seduction—and calls for pop (in its broadest sense, encompassing all genres of popular recorded music) to be recognized as a modern, technologically mediated art form to rank alongside cinema and photography. In a thoroughgoing engagement with Adorno's fierce critique of "standardized light popular music," Dialectic of Pop tracks the transformations of the pop form and its audience over the course of the twentieth century, from Hillbilly to Beyoncé, from Lead Belly to Drake. Inseparable from the materiality of its technical media, indifferent and intractable to the perspectives of high culture, pop subverts notions of authenticity and inauthenticity, original and copy, aura and commodity, medium and message. Gayraud demonstrates that, far from being the artless and trivial mass-produced pabulum denigrated by Adorno, pop is a rich, self-reflexive artform that recognises its own contradictions, incorporates its own productive negativity, and often flourishes by thinking "against itself." Dialectic of Pop sings the praises of pop as a constitutively impure form resulting from the encounter between industrial production and the human predilection for song, and diagnoses the prospects for twenty-first century pop as it continues to adapt to ever-changing technological mediations.
Author: Agnes Gayraud
Publisher: MIT Press
ISBN: 1913029603
Category : Philosophy
Languages : en
Pages : 481
Get Book Here
Book Description
A philosophical exploration of pop music that reveals a rich, self-reflexive art form with unsuspected depths. In the first major philosophical treatise on the subject, Agnès Gayraud explores all the paradoxes of pop—its inauthentic authenticity, its mass production of emotion and personal resonance, its repetitive novelty, its precision engineering of seduction—and calls for pop (in its broadest sense, encompassing all genres of popular recorded music) to be recognized as a modern, technologically mediated art form to rank alongside cinema and photography. In a thoroughgoing engagement with Adorno's fierce critique of "standardized light popular music," Dialectic of Pop tracks the transformations of the pop form and its audience over the course of the twentieth century, from Hillbilly to Beyoncé, from Lead Belly to Drake. Inseparable from the materiality of its technical media, indifferent and intractable to the perspectives of high culture, pop subverts notions of authenticity and inauthenticity, original and copy, aura and commodity, medium and message. Gayraud demonstrates that, far from being the artless and trivial mass-produced pabulum denigrated by Adorno, pop is a rich, self-reflexive artform that recognises its own contradictions, incorporates its own productive negativity, and often flourishes by thinking "against itself." Dialectic of Pop sings the praises of pop as a constitutively impure form resulting from the encounter between industrial production and the human predilection for song, and diagnoses the prospects for twenty-first century pop as it continues to adapt to ever-changing technological mediations.
Author: Christian Thorne
Publisher: Harvard University Press
ISBN: 9780674054738
Category : Philosophy
Languages : en
Pages : 398
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Book Description
In this wide-ranging, ambitious, and engaging study, Christian Thorne confronts the history and enduring legacy of anti-foundationalist thought. Anti-foundationalism--the skeptical line of thought that contends our beliefs cannot be authoritatively grounded and that most of what passes for knowledge is a sham--has become one of the dominant positions in contemporary criticism. Thorne argues that despite its ascendance, anti-foundationalism is wrong. In The Dialectic of Counter-Enlightenment, he uses deft readings of a range of texts to offer new perspectives on the ongoing clash between philosophy and comprehensive doubt. The problem with anti-foundationalism is not, as is often thought, that it radiates uncertainty or will unglue the university, but instead that it is a system of thought--with set habits that generate unearned certainties. The shelves are full of histories of modern philosophy, but the history of the resistance to philosophical thought remains to be told. At its heart, The Dialectic of Counter-Enlightenment is a plea not to take doubt at its word--a plea for the return of a vanished philosophical intelligence and for the retirement of an anti-Enlightenment thinking that commits, over and over again, the very crimes that it lays at Enlightenment's door.
Author: Sumanth Gopinath
Publisher: MIT Press
ISBN: 0262019159
Category : Business & Economics
Languages : en
Pages : 393
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Book Description
The rise and fall of the ringtone industry and its effect on mobile entertainment, music, television, film, and politics. A decade ago, the customizable ringtone was ubiquitous. Almost any crowd of cell phone owners could produce a carillon of tinkly, beeping, synthy, musicalized ringer signals. Ringtones quickly became a multi-billion-dollar global industry and almost as quickly faded away. In The Ringtone Dialectic, Sumanth Gopinath charts the rise and fall of the ringtone economy and assesses its effect on cultural production. Gopinath describes the technical and economic structure of the ringtone industry, considering the transformation of ringtones from monophonic, single-line synthesizer files to polyphonic MIDI files to digital sound files and the concomitant change in the nature of capital and rent accumulation within the industry. He discusses sociocultural practices that seemed to wane as a result of these shifts, including ringtone labor, certain forms of musical notation and representation, and the creation of musical and artistic works quoting ringtones. Gopinath examines “declines,” “reversals,” and “revivals” of cultural forms associated with the ringtone and its changes, including the Crazy Frog fad, the use of ringtones in political movements (as in the Philippine “Gloriagate” scandal), the ringtone's narrative function in film and television (including its striking use in the films of the Chinese director Jia Zhangke), and the ringtone's relation to pop music (including possible race and class aspects of ringtone consumption). Finally, Gopinath considers the attempt to rebrand ringtones as “mobile music” and the emergence of cloud computing.
Author: John Molyneux
Publisher: Haymarket Books
ISBN: 1642592137
Category : Art
Languages : en
Pages : 240
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Book Description
To the question of &lquo;what is art?&rquo;, it is often simply responded that art is whatever is produced by the artist. For John Molyneux, this clearly circular answer is deeply unsatisfying. In a tour de force spanning renaissance Italy and the Dutch Republic to contemporary leading figures, The Dialectics of Art instead approaches its subject matter as a distinct field of creative human labour that emerges alongside and in opposition to the alienation and commodification brought about by capitalism. The pieces and individuals Molyneux examines — from Michelangelo’s Slaves to Rembrandts Jewish Bride to the vast drip paintings of Jackson Pollock – are presented as embodying the social contradictions of their times, giving art an inherently political relevance. In its relationship of creative and dialectical tension to prevailing social relationships and norms, such art points beyond the existing order of things, hinting at a potential future society not based on alienated labour in which creative production becomes the property and practice of all.
Author: David Sudnow
Publisher: MIT Press
ISBN: 9780262691611
Category : Language Arts & Disciplines
Languages : en
Pages : 180
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Book Description
This is David Sudnow's classic account of how his hands learned to improvise jazz on the piano. David Sudnow is the author of Passing On and editor of Studies in Social Interaction. Since writing this book, he has developed a piano training method based on its insights.
Author: Hanns-Werner Heister
Publisher: Springer Nature
ISBN: 3662629070
Category : Technology & Engineering
Languages : en
Pages : 745
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Book Description
This book unfolds the manifold, complex and intertwined relations between Fuzzy Logic and music in a first comprehensive overview on this topic: systematically as an outline, as completely as possible, in the aspects of Fuzzy Logic in this relation, and especially in music as a process with three main phases, five anthropological layers, and thirteen forms of existence of the art work (Classics, Jazz, Pop, Folklore). Being concerned with the ontological, gnoseological, psychological, and (music-) aesthetical status and the relative importance of different phenomena of relationship between music and Fuzzy Logic, the explication follows the four main principles (with five phenotypes) of Fuzzy Logic with respect to music: similarity, sharpening 1 as filtering, sharpening 2 as crystallization, blurring, and variation. The book reports on years of author’s research on topics that have been only little explored so far in the area of Music and Fuzzy Logic. It merges concepts of music analysis with fuzzy logical modes of thinking, in a unique way that is expected to attract both specialists of music and specialists of Fuzzy Logic, and also non-specialists in both fields. The book introduces the concept of dialectic between sharpening and – conscious – “blurring”. In turn, some important aspects of this dialectic are discussed, placing them in an historical dimension, and ending in the postulation of a 'musical turn' in the sciences, with some important reflections concerning a “Philosophy of Fuzzy Logic”. Moreover, a production-oriented thinking is borrowed from fuzzy logic to musicology in this book, opening new perspectives in music, and possibly also in other artistic fields.
Author: Robert Winston Witkin
Publisher: Psychology Press
ISBN: 9780415268257
Category : Philosophy
Languages : en
Pages : 212
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Book Description
Unpacks Adorno's critique of popular culture in an engagingly, looking at the development of theories of authority, commodification and negative dialectics. Goes on to consider Adorno's writing on specific aspects of popular culture.
Author: Mortimer Jerome Adler
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 288
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Book Description
Author: Tom Donovan
Publisher: Algora Publishing
ISBN: 1628941642
Category : Philosophy
Languages : en
Pages : 178
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Book Description
In their Dialectic of Enlightenment, Horkheimer and Adorno set out to "explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism." Philosophy teacher Tom Donovan (PhD UCRiverside) offers a fresh reading of that classic text showing that it is first and foremost a critique of the metaphysical urge. Describing our world of "stupid consumption, mindless entertainment, and perverted games and relationships" he notes, "these sorts of games have no end game, as fantasy spectators never really win, and yet they don’t see it because they are too busy watching the other lose. This is the secret of class society. As long as there is someone below you, then lack of reconciliation doesn’t hurt so badly." Citing the Super Bowl, Clippers owner Donald Sterling, basketball players like LeBron James, plus the Kardashians, mega churches, and comedians like Jon Stewart, Donovan gives us a new understanding of our age and how the broken threads that are today’s Capitalism, religion, and sports contribute to unraveling the fabric of Modernity. Against readings that claim that Dialectic of Enlightenment is a simple critique of instrumental reason that ultimately undermines rationality itself, Dr. Donovan argues that the real critique is aimed at the metaphysical urge itself. As such, rationality itself is not the target of attack nor is the notion of enlightenment. Taking Adorno's and Horkheimer's example of the Marquis de Sade, the author observes, "…Sade can only find pleasure in domination. The fear of the outside has morphed into fear of a reconciled world, fear of a world where everyone treats each other as ends in themselves. A society like this can tolerate porn but not socialism, a society like this won’t miss the ice-caps but wouldn't miss the Super Bowl, a society like this lets civilization sink into barbarism so long as they can watch The Bachelor. Stylistically this book attempts to rationally mimic the fragmentary nature of Dialectic of Enlightenment so that through form and content the argument of the book will emerge dialectically. Readers will see that Dialectic of Enlightenment actually offers a positive conception of enlightenment and a philosophical instance of the use of dialectics. The book is for readers interested in critiques of capitalism and religion, and sports in America, as well as Marxism and Critical Theory. It will intrigue academics interested in the Frankfurt School and the idea of the "Metaphysical Urge."
Author: Slavoj Zizek
Publisher: MIT Press
ISBN: 9780262740159
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
Slavoj Žižek, a leading intellectual in the new social movements that are sweeping Eastern Europe, provides a virtuoso reading of Jacques Lacan. Žižek inverts current pedagogical strategies to explain the difficult philosophical underpinnings of the French theoretician and practician who revolutionized our view of psychoanalysis. He approaches Lacan through the motifs and works of contemporary popular culture, from Hitchcock's Vertigo to Stephen King's Pet Sematary, from McCullough's An Indecent Obsession to Romero's Return of the Living Dead—a strategy of "looking awry" that recalls the exhilarating and vital experience of Lacan. Žižek discovers fundamental Lacanian categories the triad Imaginary/Symbolic/Real, the object small a, the opposition of drive and desire, the split subject—at work in horror fiction, in detective thrillers, in romances, in the mass media's perception of ecological crisis, and, above all, in Alfred Hitchcock's films. The playfulness of Žižek's text, however, is entirely different from that associated with the deconstructive approach made famous by Derrida. By clarifying what Lacan is saying as well as what he is not saying, Žižek is uniquely able to distinguish Lacan from the poststructuralists who so often claim him.
