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Author: David Tunley
Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au
ISBN: 0734037872
Category : Music
Languages : en
Pages : 222
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Book Description
Born in Tasmania, the Australian pianist Eileen Joyce was destined for the great concert halls of the world and a career that established her at the international pinnacle of twentieth-century pianism. In-depth essays in this book examine her studies in Germany, her appearances as a glamorous concert artist, her starring roles on film, her fascination with the harpsichord and embrace of early music, and her many acclaimed recordings. With listings of Joyce’s concerto and solo recital repertoire and the most complete discography to date, this is an informative new account of the extraordinary career of a consummate artist.
Author: David Tunley
Publisher: Lyrebird Press lyrebirdpress.music.unimelb.edu.au
ISBN: 0734037872
Category : Music
Languages : en
Pages : 222
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Book Description
Born in Tasmania, the Australian pianist Eileen Joyce was destined for the great concert halls of the world and a career that established her at the international pinnacle of twentieth-century pianism. In-depth essays in this book examine her studies in Germany, her appearances as a glamorous concert artist, her starring roles on film, her fascination with the harpsichord and embrace of early music, and her many acclaimed recordings. With listings of Joyce’s concerto and solo recital repertoire and the most complete discography to date, this is an informative new account of the extraordinary career of a consummate artist.
Author: Kate Guthrie
Publisher: Oxford University Press
ISBN: 0197523935
Category : History
Languages : en
Pages : 633
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Book Description
The Oxford Handbook of Music and the Middlebrow takes a fresh look at the history of nineteenth- and twentieth-century music. Offering an alternative to the traditional focus on either highbrow modernism on the one hand or lowbrow popular music on the other, its novel view centers on the wealth of previously overlooked products and practices that bridged the space between these cultural extremes. While seminal attempts to recover middlebrow culture came from literary critics and historians, middlebrow studies is now a burgeoning field within musicology. As the first essay collection on this topic, this handbook has two aims: first, it seeks to explore the middlebrow as a historical phenomenon, excavating the kinds of critical writings, marketing practices, and compositional styles with which it was associated. By reanimating a range of musical practices and products--from symphonic concerts to Broadway musicals, opera criticism to rock journalism, and modern jazz to pop-rock--the contributors investigate how artists, critics, and audiences breached the divide from both above and below. In the process, the handbook chapters push the boundaries of middlebrow studies and demonstrate the category's relevance outside of the mid-twentieth-century Anglophone world by delving into the nineteenth century, interrogating the present day, and looking to Germany, Russia, and beyond. The handbook's second aim is to complicate the disciplinary divisions that have flowed from the entrenched oppositions between high and low genres. Breaking new ground by bringing together scholars of classical and popular music, these chapters trace common middlebrow themes across traditional disciplinary boundaries. Across this broad vista, contributors account for the kinds of syntheses, overlaps, and juxtapositions that made the cultural middle such a richly textured and endlessly contested terrain.
Author: David Tunley
Publisher:
ISBN: 9780734037862
Category : Pianists
Languages : en
Pages :
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Book Description
Author: Stephen Siek
Publisher:
ISBN: 9780578728483
Category :
Languages : en
Pages : 676
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Book Description
British pianist and teacher Tobias Matthay (1858-1945) believed that science could unlock the secrets of artistic success, and thus began a program of musical instruction, theorizing, and writing on piano technique that bespoke his reverence for observation and reasoning in artistic piano performance. His students eventually included major concert pianists of the post-World War I era, such as York Bowen, Dame Myra Hess, Sir Clifford Curzon, Harriet Cohen, Eileen Joyce, and Dame Moura Lympany, all of whom advanced British pianism in the 20th century.In England's Piano Sage, scholar and pianist Stephen Siek tells the story of Matthay, who began teaching at London's Royal Academy of Music in 1880 and two decades later had so many students that he was prompted to open his own piano school in London. After World War I, student enrollments approached some 500 students, and no conservatory in the world was then producing so many finished pianists. By 1925 his towering status in Britain reached across the Atlantic with the founding of the American Matthay Association, and the adoption of his ideas by Yale and Juilliard. From these heights, Matthay's reputation would experience a precipitous fall, from his forced resignation from the Royal Academy to the barrage of criticism attacking his theories.Rich in detail, Siek's book chronicles the personal and professional story of a remarkable man whose monumental achievements now largely lay forgotten, but clearly deserve a second look. In this comprehensive biography, Siek offers a modern reassessment of Matthay's contributions, exploring not only the great piano theorist's life but also his musical compositions, writings on piano technique, relationship to the Royal Academy of Music, his successful piano school on London's Wimpole Street, and the many world-famous pianists he would come to train on both sides of the Atlantic.
Author: Virginia Loh-Hagan
Publisher: Sleeping Bear Press
ISBN: 1534146245
Category : Juvenile Fiction
Languages : en
Pages : 36
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Book Description
2020 Feather Quill Reviewer's Choice Award Mei hates springtime. Why? Because it's only in the spring that Nian, a fierce dragon, is able to leave his mountain prison under the sea to terrorize the local village. When the villagers hear the rumblings of Nian's hungry stomach, they know that winter has ended and spring is coming. But this year on the night before the first day of spring, a magical warrior visits Mei in her dreams. He tells Mei that it is her destiny to face and defeat Nian. But she must do it within 15 days or the dragon will be free forever. Author Virginia Loh-Hagan (PoPo's Lucky Chinese New Year) gives this retelling of the Nian legend an original twist, while explaining the origins of Chinese New Year traditions.
Author: Ralph P. Locke
Publisher: Univ of California Press
ISBN: 9780520083950
Category : Social Science
Languages : en
Pages : 384
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Book Description
"The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture."--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music "Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art."--Richard Crawford, author of The American Musical Landscape "We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music."--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America
Author: Paul Watt
Publisher: Boydell & Brewer
ISBN: 1783271906
Category : Biography & Autobiography
Languages : en
Pages : 276
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Book Description
Frontcover -- Contents -- List of Figures -- Preface and Acknowledgements -- Chronology of Newman's Life and Works -- Abbreviations -- 1 Ernest Newman and the Challenge of Critical Biography -- PART I The Freethought Years -- 2 Formation of a Critical Sensibility: The 1880s and 1890s -- 3 Social, Literary and Musical Criticism: 1893-1897 -- 4 A Rationalist Manifesto: Pseudo-Philosophy at the end of the Nineteenth Century, 1897 -- 5 Music History and the Comparative Method: Gluck and the Opera, 1895 -- PART II The Mainstream Years -- 6 From Manchester to Moscow: Essays on Music, 1900-1920 -- 7 'The World of Music': Essays in the Sunday Times, 1920-1958 -- 8 Biographical and Musicological Tensions: The Man Liszt, 1934 -- 9 Sceptical and Transforming: Books on Wagner, 1899-1959 -- 10 Conclusion: Ernest Newman Remembered -- Appendix: Newman's Freethought Lectures, 1894-1896 -- Bibliography -- Index
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1014
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Book Description
Author: Judith Lorber
Publisher: Yale University Press
ISBN: 9780300064971
Category : History
Languages : en
Pages : 446
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Book Description
In this pathbreaking book, a well-known feminist and sociologist--who is also the Founding Editor of Gender & Society--challenges our most basic assumptions about gender. Judith Lorber views gender as wholly a product of socialization subject to human agency, organization, and interpretation. In her new paradigm, gender is an institution comparable to the economy, the family, and religion in its significance and consequences. Drawing on many schools of feminist scholarship and on research from anthropology, history, sociology, social psychology, sociolinguistics, and cultural studies, Lorber explores different paradoxes of gender: --why we speak of only two "opposite sexes" when there is such a variety of sexual behaviors and relationships; --why transvestites, transsexuals, and hermaphrodites do not affect the conceptualization of two genders and two sexes in Western societies; --why most of our cultural images of women are the way men see them and not the way women see themselves; --why all women in modern society are expected to have children and be the primary caretaker; --why domestic work is almost always the sole responsibility of wives, even when they earn more than half the family income; --why there are so few women in positions of authority, when women can be found in substantial numbers in many occupations and professions; --why women have not benefited from major social revolutions. Lorber argues that the whole point of the gender system today is to maintain structured gender inequality--to produce a subordinate class (women) that can be exploited as workers, sexual partners, childbearers, and emotional nurturers. Calling into question the inevitability and necessity of gender, she envisions a society structured for equality, where no gender, racial ethnic, or social class group is allowed to monopolize economic, educational, and cultural resources or the positions of power.
Author: Edward W. Said
Publisher: Harvard University Press
ISBN: 9780674003026
Category : Biography & Autobiography
Languages : en
Pages : 664
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Book Description
With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. This long-awaited collection of literary and cultural essays offers evidence of how much the fully engaged critical mind can contribute to the reservoir of value, thought, and action essential to our lives and culture.
