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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 646
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 646
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Book Description
Author: Alice Maria Dougan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1018
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Book Description
Author: John Denison Champlin
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 448
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Book Description
Author: Emmanuel Bénézit
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 948
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Book Description
Author: James David Draper
Publisher: Metropolitan Museum of Art
ISBN: 1588390993
Category : Modeling
Languages : fr
Pages : 342
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Book Description
European sculptors of the Neoclassical period often modelled their works in clay before producing finished pieces in marble. This book offers a comprehensive overview of Neoclassical terracotta models by European artists, featuring the works of0. Pajou, Houdon, and Canova, among many others.
Author: Mario Praz
Publisher: [London] : Collins
ISBN:
Category : Devil in literature
Languages : en
Pages : 532
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Book Description
Mario Paz has, in the Romantic Agony, acutely analyzed the effect of the traditions of Byron and De Sade upon poets and painters from 1800 to 1900. It is the analysis of a mood in literature. The mood may ve been transient, but it was widespread, and it was expressed in dreams of "luxurious cruelties," "fatal women," corpse-passions, and the sinful agonies of delight. Professo Praz has described the whole Romantic literature under one of its most characteristic aspects, that of erotic sensibility.
Author: Donald Drew Egbert
Publisher: Bloomsbury Academic
ISBN:
Category : Art
Languages : en
Pages : 916
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Book Description
Author: Philostratus (the Athenian)
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
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Book Description
Author: Gustav Mahler
Publisher: Orion
ISBN:
Category : Composers
Languages : en
Pages : 256
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Book Description
Author: Forest Pyle
Publisher: Stanford University Press
ISBN: 0804728623
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
To demonstrate his thesis, the author undertakes critical re-readings of four major Romantic authors - Coleridge, Wordsworth, Shelley, and Keats - and shows how the legacy of ideology and imagination is reflected in the novels of George Eliot. He shows that for each of these writers, the imagination is neither a faculty that can be presumed nor one idea among others; it is something that must be theorized and, in Coleridge's words, "instituted." Once instituted, Coleridge asserts, the imagination can address England's fundamental social antagonisms and help restore national unity. More pointedly, the institution of the imagination is the cornerstone of a "revolution in philosophy" that would prevent the importation of a more radical - and more French - political revolution.
