Author: Joann Skrypzak
Publisher: Chazen Museum of Art
ISBN: 9780932900968
Category : Art
Languages : en
Pages : 110
Book Description
Barbara Buenger traces the development of Viennese modernism from turn-of-the-century Jugendstil (as Art Nouveau was known in German-speaking countries) to early twentieth-century Expressionism, and interwar Art Deco. This exhibition catalogue features 103 fine and decorative art works produced by the Vienna Secession and Wiener Werkstatte movements between the 1890s and 1930s. The fully illustrated catalog features textiles, furniture, ceramics, paintings and prints, books, metalwork, glass, and a variety of other objects from a private midwestern collection. Distributed for theChazen Museum of Art, University of Wisconsin Madison "
Design, Vienna, 1890s to 1930s
Author: Joann Skrypzak
Publisher: Chazen Museum of Art
ISBN: 9780932900968
Category : Art
Languages : en
Pages : 110
Book Description
Barbara Buenger traces the development of Viennese modernism from turn-of-the-century Jugendstil (as Art Nouveau was known in German-speaking countries) to early twentieth-century Expressionism, and interwar Art Deco. This exhibition catalogue features 103 fine and decorative art works produced by the Vienna Secession and Wiener Werkstatte movements between the 1890s and 1930s. The fully illustrated catalog features textiles, furniture, ceramics, paintings and prints, books, metalwork, glass, and a variety of other objects from a private midwestern collection. Distributed for theChazen Museum of Art, University of Wisconsin Madison "
Publisher: Chazen Museum of Art
ISBN: 9780932900968
Category : Art
Languages : en
Pages : 110
Book Description
Barbara Buenger traces the development of Viennese modernism from turn-of-the-century Jugendstil (as Art Nouveau was known in German-speaking countries) to early twentieth-century Expressionism, and interwar Art Deco. This exhibition catalogue features 103 fine and decorative art works produced by the Vienna Secession and Wiener Werkstatte movements between the 1890s and 1930s. The fully illustrated catalog features textiles, furniture, ceramics, paintings and prints, books, metalwork, glass, and a variety of other objects from a private midwestern collection. Distributed for theChazen Museum of Art, University of Wisconsin Madison "
Design, Vienna, 1890s to 1930s
Author: Joann Skrypzak
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 27
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 27
Book Description
Design Vienna
Author: Joann Skrypzak
Publisher:
ISBN: 9780932900968
Category :
Languages : en
Pages : 103
Book Description
Publisher:
ISBN: 9780932900968
Category :
Languages : en
Pages : 103
Book Description
Art & design in Vienna
Author:
Publisher:
ISBN:
Category : Art, Austrian
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Art, Austrian
Languages : en
Pages : 64
Book Description
Art & Design in Vienna, 1900-1930
Author: Boetie (Firm)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
Book Description
Austrian Information
Author:
Publisher:
ISBN:
Category : Austria
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category : Austria
Languages : en
Pages : 212
Book Description
Art & Design in Vienna: 1900-1930
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 24
Book Description
The Viennese Café and Fin-de-Siècle Culture
Author: Charlotte Ashby
Publisher: Berghahn Books
ISBN: 0857457659
Category : History
Languages : en
Pages : 256
Book Description
The Viennese café was a key site of urban modernity around 1900. In the rapidly growing city it functioned simultaneously as home and workplace, affording opportunities for both leisure and intellectual exchange. This volume explores the nature and function of the coffeehouse in the social, cultural, and political world of fin-de-siècle Vienna. Just as the café served as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna at the beginning of the twentieth century. Contributions are drawn from the fields of social and cultural history, literary studies, Jewish studies and art, and architectural and design history. A fresh perspective is also provided by a selection of comparative articles exploring coffeehouse culture elsewhere in Eastern Europe.
Publisher: Berghahn Books
ISBN: 0857457659
Category : History
Languages : en
Pages : 256
Book Description
The Viennese café was a key site of urban modernity around 1900. In the rapidly growing city it functioned simultaneously as home and workplace, affording opportunities for both leisure and intellectual exchange. This volume explores the nature and function of the coffeehouse in the social, cultural, and political world of fin-de-siècle Vienna. Just as the café served as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna at the beginning of the twentieth century. Contributions are drawn from the fields of social and cultural history, literary studies, Jewish studies and art, and architectural and design history. A fresh perspective is also provided by a selection of comparative articles exploring coffeehouse culture elsewhere in Eastern Europe.
Vienna 1900-1930. Art in Th Home
Author:
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 0
Book Description
"Textiles, Fashion, and Design Reform in Austria-Hungary Before the First World War "
Author: Rebecca Houze
Publisher: Routledge
ISBN: 1351546872
Category : Art
Languages : en
Pages : 588
Book Description
Filling a critical gap in Vienna 1900 studies, this book offers a new reading of fin-de-si?e culture in the Austro-Hungarian Monarchy by looking at the unusual and widespread preoccupation with embroidery, fabrics, clothing, and fashion - both literally and metaphorically. The author resurrects lesser known critics, practitioners, and curators from obscurity, while also discussing the textile interests of better known figures, notably Gottfried Semper and Alois Riegl. Spanning the 50-year life of the Dual Monarchy, this study uncovers new territory in the history of art history, insists on the crucial place of women within modernism, and broadens the cultural history of Habsburg Central Europe by revealing the complex relationships among art history, women, and Austria-Hungary. Rebecca Houze surveys a wide range of materials, from craft and folk art to industrial design, and includes overlooked sources-from fashion magazines to World's Fair maps, from exhibition catalogues to museum lectures, from feminist journals to ethnographic collections. Restoring women to their place at the intersection of intellectual and artistic debates of the time, this book weaves together discourses of the academic, scientific, and commercial design communities with middle-class life as expressed through popular culture.
Publisher: Routledge
ISBN: 1351546872
Category : Art
Languages : en
Pages : 588
Book Description
Filling a critical gap in Vienna 1900 studies, this book offers a new reading of fin-de-si?e culture in the Austro-Hungarian Monarchy by looking at the unusual and widespread preoccupation with embroidery, fabrics, clothing, and fashion - both literally and metaphorically. The author resurrects lesser known critics, practitioners, and curators from obscurity, while also discussing the textile interests of better known figures, notably Gottfried Semper and Alois Riegl. Spanning the 50-year life of the Dual Monarchy, this study uncovers new territory in the history of art history, insists on the crucial place of women within modernism, and broadens the cultural history of Habsburg Central Europe by revealing the complex relationships among art history, women, and Austria-Hungary. Rebecca Houze surveys a wide range of materials, from craft and folk art to industrial design, and includes overlooked sources-from fashion magazines to World's Fair maps, from exhibition catalogues to museum lectures, from feminist journals to ethnographic collections. Restoring women to their place at the intersection of intellectual and artistic debates of the time, this book weaves together discourses of the academic, scientific, and commercial design communities with middle-class life as expressed through popular culture.