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Author: Thomas Mann
Publisher:
ISBN:
Category : Foreign Language Study
Languages : de
Pages : 190
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Author: Thomas Mann
Publisher:
ISBN:
Category : Foreign Language Study
Languages : de
Pages : 190
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Book Description
Author: Laura Otis
Publisher: JHU Press
ISBN: 9780801865275
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
Defying the traditional boundary between science and the humanities, she concludes by proposing a notion of identity based on relations and connections.
Author: Caroline Joan (Kay) S. Picart
Publisher: BRILL
ISBN: 9004494944
Category : Literary Criticism
Languages : en
Pages : 181
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Book Description
Traditional interpretations of Thomas Mann's relation to Nietzsche's writings plot out a simple relation of earlier adulation and later rejection. The book argues that Mann's disavowal of Nietzsche's influence was, in the words of T.J. Reed, a necessary political act when the repudiation of Nietzsche's more hysterical doctrines required such a response. Using a genealogical method, the book traces how Mann labors ambivalently under the shadow of Nietzsche's writings on his own political artistry through a detailed analysis of Mann's Death in Venice, Dr. Faustus, the Joseph tetralogy, and Confessions of Felix Krull, Confidence Man. Using the recurring Nietzschean themes of eroticism, death, music, and laughter as a guide, it arrives at a rough picture of how Mann both takes up and discontinues Nietzsche's poetic heritage. The book derives the vision of the interrelationships binding these four leitmotiv elements from Dürer's magic square as depicted in Melancholia I. The link with Dürer is far from arbitrary because Mann directly aligned Nietzschean insight with Dürer's world of passion, sympathy with suffering, the macabre stench of rotting flesh, and Faustian melancholy.
Author: Matthias Konzett
Publisher: Routledge
ISBN: 1135941297
Category : Literary Criticism
Languages : en
Pages : 3105
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Book Description
Designed to provide English readers of German literature the opportunity to familiarize themselves with both the established canon and newly emerging literatures that reflect the concerns of women and ethnic minorities, the Encyclopedia of German Literature includes more than 500 entries on writers, individual work, and topics essential to an understanding of this rich literary tradition. Drawing on the expertise of an international group of experts, the essays in the encyclopedia reflect developments of the latest scholarship in German literature, culture, and history and society. In addition to the essays, author entries include biographies and works lists; and works entries provide information about first editions, selected critical editions, and English-language translations. All entries conclude with a list of further readings.
Author: Harry C. Rutledge
Publisher: University of Georgia Press
ISBN: 0820332666
Category : Literary Criticism
Languages : en
Pages : 174
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Book Description
In The Guernica Bull, Harry C. Rutledge examines the use of classical motifs in twentieth-century literature, art, and drama. From the echoes of Plato's dialogues at the heart of Thomas Mann's Death in Venice to the retelling of the story of Harmodius and Aristogiton--a story with grim parallels to Nazi Germany--in Marguerite Yourcenar's Léna, these modern works are a testament to both the creativity of modern artists and the versatility and timelessness of classical themes. Rutledge finds the ideal meshing of classical images and modern sensibility in Pablo Picasso's Guernica. The most startling classical image in the painting is the bull, a Cubist face staring out from the canvas at the viewer, unmoved by the scene of death and destruction around him. A symbol of the intense violence and disorder which has characterized this century, Picasso's Minoan bull is, at the same time, a symbol of creative potency and artistic achievement. The classical tradition in our era is, Rutledge suggests, multi-faceted, much like the Cubist paintings which view human beings as if through a prism, in all their infinite variety and beauty. The legacy of the Greeks and Romans is both stimulus and resource for modern artists, as evidenced by the meticulous historical reconstruction in Yourcenar's Mémoires d'Hadrien, the recreation of an ancient setting in modern terms in Jean Cocteau's The Infernal Machine and T. S. Eliot's The Family Reunion, and the influence of classical monuments and landscapes in the poetry of Frederick Nicklaus, James Dickey, and Richard Wilbur. Modern artists have often found an affinity between themselves and the ancients. In the Greek and Roman works that, through their clarity and brevity, have transcended time and place, contemporary writers and painters perceive the essence of the infinite, which is the challenge in any artistic endeavor. Showing how some modernists have met this challenge, The Guernica Bull explores the ancient antecedents of several of the most distinctive twentieth-century masterpieces.
Author: Gundula Sharman
Publisher: Camden House
ISBN: 9781571132451
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
A study of six modern reworkings of classic works of German literature. A "literary reworking" is a fictional work based on an earlier, usually canonical, literary work. Gundula M. Sharman considers six twentieth-century examples of this phenomenon in German literature, including Peter Schneider's Lenz as a reworking of Georg Büchner's novella of the same title, Ulrich Plenzdorf's Die neuen Leiden des jungen W. as a reworking of Goethe's Werther, Wolfgang Koeppen's Der Tod in Rom, based on Thomas Mann's Der Tod in Venedig, and three other pairs of reworkings/original works from the genres of drama, the novella, and the novel. The indebtedness of such reworkings to the original works is openly acknowledged -- often inthe title -- and this invites the reader to draw comparisons and to note contrasts between reworking and original. The twentieth-century author's interpretation and the reader's reception of the older work merge to form a subtextof the reworking, giving rise to a third narrative in the reader's imagination. The better the reader knows the literary model, the more multi-faceted the reworking appears. The purpose of each reworking is unique. One may demonstrate how much the world has changed since the publication of the original, while another argues that society has not changed at all. One may be conceived as an anti-work to the original, while another serves to endorse its message. Common to all reworkings, however, is a gain in historical depth, and in each case themes and issues arise from the relationship of reworking to original that are not immediately apparent when the reworking is considered on itsown. Gundula M. Sharman teaches in the German Department at the University of Aberdeen, Scotland.
Author: Leanne Dawson
Publisher: Boydell & Brewer
ISBN: 1571139656
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
Contributions exploring the representation and reality of LGBTQ+ individuals and issues in historical and contemporary German-speaking culture.
Author: T. J. Reed
Publisher: Clarendon Press
ISBN: 019158973X
Category : Literary Criticism
Languages : en
Pages : 493
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Book Description
T.J. Reed's study has long established itself as the standard work in English on Thomas mann, and offers as comprehensive a view of Mann's fiction and thought as is available in any language. It is based on a coherent close reading of Mann's oeuvre, literary and political, and also on manuscripts and sources, and was part of the first phase of literary scholarship that opened up the resources of the Zurich Thomas Mann Archive. Further documents that have appeared since then - Mann's diaries, notebooks, and other correspondences - have not fundamentally altered the individual interpretations or the overall picture the study offers, and in some respects have emphatically confirmed them. A further chapter added to this edition covers the new documentation, gives a vigorous account of the main curents in Mann scholarship and criticism over the last two decades suggesting how we should now see the writer, the man, and the political figure, and above all the complex relationship between the three.
Author: Ritchie Robertson
Publisher: Cambridge University Press
ISBN: 1139826077
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Key dimensions of Thomas Mann's writing and life are explored in this collection of specially commissioned essays. In addition to introductory chapters on all the main works of fiction, the essays and diaries, there are four chapters examining Mann's oeuvre in relation to major themes. These thematic explorations include his position as a realistic writer concerned with the history of his own times and as a commentator on German and American politics; his controversial reputation as an intellectual novelist; the literary techniques that enabled his challenging fictions to appeal to a wide audience; and the homosexual subtext running through his fiction and diaries. A final chapter looks at the pitfalls of translating Mann into English. The essays are well supported by supplementary material including a chronology of the period and detailed guides to further reading. Altogether the volume provides an invaluable resource for scholars and students.
Author: Ellis Shookman
Publisher: Bloomsbury Publishing USA
ISBN: 031305262X
Category : Literary Criticism
Languages : en
Pages : 169
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Book Description
Death in Venice, by Nobel Prize-winning author Thomas Mann, is one of the most popular and widely taught works of German literature. It is also a complex work of art that challenges its readers. This reference is a convenient guide to the novella. In addition to providing a plot summary, the volume helps students and general readers discover the literary and intellectual qualities of Mann's famous story. The guide alsos surveys Mann's life and works, compares Death in Venice to Mann's other fiction, as well as to works by other writers, summarizes the events Mann relates, and discusses the genesis, editions, and English translations of his novella. Mann's literary and non-literary influences are considered, along with his narrative style, and the historical, cultural, and sociological factors surrounding Death in Venice. The guide also explains how the issues Mann treated remain current today, and reviews the critical and scholarly reception of his text.
