Democratic Rage; or, Louis the Unfortunate. A tragedy [in five acts and in verse]. PDF Download
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![Democratic Rage; or, Louis the Unfortunate. A tragedy [in five acts and in verse]. PDF](https://books.google.com/books/content/images/frontcover/eUdgAAAAcAAJ?fife=w150-h200)
Author: William PRESTON (M.R.I.A.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
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![Democratic Rage; or, Louis the Unfortunate. A tragedy [in five acts and in verse]. PDF](https://books.google.com/books/content/images/frontcover/eUdgAAAAcAAJ?fife=w80-h100)
Author: William PRESTON (M.R.I.A.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 100
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Book Description
Author: William Preston
Publisher:
ISBN:
Category : France
Languages : en
Pages : 116
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Author: Terence Allan Hoagwood
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637432
Category : Drama
Languages : en
Pages : 252
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Book Description
The present volume attempts a systematic explanation of various dimensions of Romantic drama by foregrounding both the theoretical and practical questions bearing on Romantic drama in its historical situation. In this effort, the volume intentionally gravitates toward discussion of lesser-known works of the period, rather than such major dramas as Manfred or Prometheus Unbound. This is because the poetic dramas by Byron and Shelley have already been the subject of many useful historicist investigations, and also because lesser-known works - for instance, the dramas of Scott, Wordsworth's Borderers, and the many revolutionary and counter-revolutionary dramas of the period - provide avenues into historical and ideological issues that cannot be adequately addressed by exclusive attention to dramas long recognized as canonical.
Author: Sarah Burdett
Publisher: Springer Nature
ISBN: 3031154746
Category : Literary Criticism
Languages : en
Pages : 299
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This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
Author:
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 710
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Author:
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 692
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 686
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 690
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Author: Henry William Meikle
Publisher:
ISBN:
Category : France
Languages : en
Pages : 348
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Author:
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 678
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