A Decade of American Printmaking PDF Download
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Author: Kneeland McNulty
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Kneeland McNulty
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Niagara Art Center (Niagara Falls, N.Y.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Author: Allan L. Edmunds
Publisher: Hudson Hills
ISBN: 9781555952419
Category : Art
Languages : en
Pages : 252
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Book Description
This comprehensive volume features exciting and cultrually diverse serigraphs, offset lithographs, and mixed media prints from the Bradywine Workshop
Author: Kneeland McNulty
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Adrienne L. Childs
Publisher: Pomegranate Communications
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
"The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora at the University of Maryland has organized an exhibition of prints by David C. Driskell, scheduled to open in October 2007 at its new facility in the heart of the College Park campus and planned to travel to several other venues." --book jacket
Author: Marianna Kistler Beach Museum of Art
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 268
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Book Description
In 1910, Bertha Jaques co-founded the Chicago Society of Etchers and helped launch a revival of American fine art printmaking. In the decades following, women artists produced some of the most compelling images in U.S. printmaking history and helped advance the medium technically and stylistically. Paths to the Press examines American women artists' contributions to printmaking in the U.S. during the early to mid twentieth century. It features work by internationally and nationally recognized figures such as Isabel Bishop, Louise Nevelson, and Elizabeth Catlett; well-known regional figures such as Chicago artist Bertha Jaques, New Mexico artist Gener Kloss, and Louisiana artist Caroline Durieux; and relatively unknown printmakers such as Chicago artist Fritzi Brod, San Franciscan Pele deLappe, and Texan Mary Bonner. The contributors include David Acton, Nancy E. Green, Melanie Herzog, Helen Langa, Bill North, Mark Pascale, and Mark B. Pohlad.
Author: Helen Langa
Publisher: Univ of California Press
ISBN: 0520231554
Category : Art
Languages : en
Pages : 352
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Author: Huntington Museum of Art (Huntington, W. Va.)
Publisher:
ISBN:
Category : Prints
Languages : en
Pages : 8
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Author: James Watrous
Publisher: Madison, Wis. : University of Wisconsin Press
ISBN:
Category : Art
Languages : en
Pages : 362
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Book Description
In this blend of cultural history and survey of printmaking, Watrous traces the roots and evolution of the art from American etching and wood-engraving of the late 19th century through Joseph Pennell's industrial-age prints, the urban genre of John Sloan, George Bellows, and Edward Hopper, the Federally-funded Depression-era graphic art projects, the post-World War II avante-garde trends to the innovations that flourished later in the century. His story is one of prints, people, and events, covering the printmakers, their artistic conceptions and works, curators, dealers, collectors, critics, printers, workshops and exhibitions, and the roles played by elites and the masses. Prints reproduced include those by James Whistler, Mary Cassatt, Max Weber, Jasper Johns, Robert Rauschenberg, and Roy Lichtenstein and Mauricio Lasansky. ISBN 0-299-09680-7 : $40.00 (For use only in the library).
Author: Stephanie Schrader
Publisher: Getty Publications
ISBN: 1606066277
Category : Art
Languages : en
Pages : 120
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Book Description
An engaging look at early twentieth-century American printmaking, which frequently focused on the crowded, chaotic, and gritty modern city. In the first half of the twentieth century, a group of American artists influenced by the painter and teacher Robert Henri aimed to reject the pretenses of academic fine art and polite society. Embracing the democratic inclusiveness of the Progressive movement, these artists turned to making prints, which were relatively inexpensive to produce and easy to distribute. For their subject matter, the artists mined the bustling activity and stark realities of the urban centers in which they lived and worked. Their prints feature sublime towering skyscrapers and stifling city streets, jazzy dance halls and bleak tenement interiors—intimate and anonymous everyday scenes that addressed modern life in America. True Grit examines a rich selection of prints by well-known figures like George Bellows, Edward Hopper, Joseph Pennell, and John Sloan as well as lesser-known artists such as Ida Abelman, Peggy Bacon, Miguel Covarrubias, and Mabel Dwight. Written by three scholars of printmaking and American art, the essays present nuanced discussions of gender, class, literature, and politics, contextualizing the prints in the rapidly changing milieu of the first decades of twentieth-century America.
