Author: Adrian Curtin
Publisher: Manchester University Press
ISBN: 1526124726
Category : Performing Arts
Languages : en
Pages : 360
Book Description
This book analyses representations of death and dying in modern Western theatre from the late nineteenth century onward, examining how and why historically informed conceptions of mortality are dramatized and staged.
Death in modern theatre
Author: Adrian Curtin
Publisher: Manchester University Press
ISBN: 1526124726
Category : Performing Arts
Languages : en
Pages : 360
Book Description
This book analyses representations of death and dying in modern Western theatre from the late nineteenth century onward, examining how and why historically informed conceptions of mortality are dramatized and staged.
Publisher: Manchester University Press
ISBN: 1526124726
Category : Performing Arts
Languages : en
Pages : 360
Book Description
This book analyses representations of death and dying in modern Western theatre from the late nineteenth century onward, examining how and why historically informed conceptions of mortality are dramatized and staged.
The Death of Character
Author: Elinor Fuchs
Publisher: Indiana University Press
ISBN: 0253113474
Category : Performing Arts
Languages : en
Pages : 238
Book Description
"Extremely well written, and exceedingly well informed, this is a work that opens a variety of important questions in sophisticated and theoretically nuanced ways. It is hard to imagine a better tour guide than Fuchs for a trip through the last thirty years of, as she puts it, what we used to call the 'avant-garde.'" —Essays in Theatre ". . . an insightful set of theoretical 'takes' on how to think about theatre before and theatre after modernism." —Theatre Journal "In short, for those who never experienced a 'postmodern swoon,' Elinor Fuchs is an excellent informant." —Performing Arts Journal ". . . a thoughtful, highly readable contribution to the evolving literature on theatre and postmodernism." —Modern Drama "A work of bold theoretical ambition and exceptional critical intelligence. . . . Fuchs combines mastery of contemporary cultural theory with a long and full participation in American theater culture: the result is a long-needed, long-awaited elaboration of a new theatrical paradigm." —Una Chaudhuri, New York University "What makes this book exceptional is Fuchs' acute rehearsal of the stranger unnerving events of the last generation that have—in the cross-reflections of theory—determined our thinking about theater. She seems to have seen and absorbed them all." —Herbert Blau, Center for Twentieth Century Studies, University of Wisconsin, Milwaukee "Surveying the extraordinary scene of the postmodern American theater, Fuchs boldly frames key issues of subjectivity and performance with the keenest of critical eyes for the compelling image and the telling gesture." —Joseph Roach, Tulane University " . . . Fuchs makes an exceptionally lucid and eloquent case for the value and contradictions in postmodern theater." —Alice Rayner, Stanford University "Arguably the most accessible yet learned road map to what remains for many impenetrable territoryan obligatory addition to all academic libraries serving upper-division undertgraduates and above." —Choice "A systematic, comprehensive and historically-minded assessment of what, precisely, 'post-modern theatre' is, anyway." —American Theatre In this engrossing study, Elinor Fuchs explores the multiple worlds of theater after modernism. While The Death of Character engages contemporary cultural and aesthetic theory, Elinor Fuchs always speaks as an active theater critic. Nine of her Village Voice and American Theatre essays conclude the volume. They give an immediate, vivid account of contemporary theater and theatrical culture written from the front of rapid cultural change.
Publisher: Indiana University Press
ISBN: 0253113474
Category : Performing Arts
Languages : en
Pages : 238
Book Description
"Extremely well written, and exceedingly well informed, this is a work that opens a variety of important questions in sophisticated and theoretically nuanced ways. It is hard to imagine a better tour guide than Fuchs for a trip through the last thirty years of, as she puts it, what we used to call the 'avant-garde.'" —Essays in Theatre ". . . an insightful set of theoretical 'takes' on how to think about theatre before and theatre after modernism." —Theatre Journal "In short, for those who never experienced a 'postmodern swoon,' Elinor Fuchs is an excellent informant." —Performing Arts Journal ". . . a thoughtful, highly readable contribution to the evolving literature on theatre and postmodernism." —Modern Drama "A work of bold theoretical ambition and exceptional critical intelligence. . . . Fuchs combines mastery of contemporary cultural theory with a long and full participation in American theater culture: the result is a long-needed, long-awaited elaboration of a new theatrical paradigm." —Una Chaudhuri, New York University "What makes this book exceptional is Fuchs' acute rehearsal of the stranger unnerving events of the last generation that have—in the cross-reflections of theory—determined our thinking about theater. She seems to have seen and absorbed them all." —Herbert Blau, Center for Twentieth Century Studies, University of Wisconsin, Milwaukee "Surveying the extraordinary scene of the postmodern American theater, Fuchs boldly frames key issues of subjectivity and performance with the keenest of critical eyes for the compelling image and the telling gesture." —Joseph Roach, Tulane University " . . . Fuchs makes an exceptionally lucid and eloquent case for the value and contradictions in postmodern theater." —Alice Rayner, Stanford University "Arguably the most accessible yet learned road map to what remains for many impenetrable territoryan obligatory addition to all academic libraries serving upper-division undertgraduates and above." —Choice "A systematic, comprehensive and historically-minded assessment of what, precisely, 'post-modern theatre' is, anyway." —American Theatre In this engrossing study, Elinor Fuchs explores the multiple worlds of theater after modernism. While The Death of Character engages contemporary cultural and aesthetic theory, Elinor Fuchs always speaks as an active theater critic. Nine of her Village Voice and American Theatre essays conclude the volume. They give an immediate, vivid account of contemporary theater and theatrical culture written from the front of rapid cultural change.
Death, the One and the Art of Theatre
Author: Howard Barker
Publisher: Psychology Press
ISBN: 9780415349864
Category : Drama
Languages : en
Pages : 120
Book Description
The latest collection of Barker's philosophical musings on theatre, this volume includes speculations, deductions, prose poems & poetic apercus, which cast a unique light on the nature of tragedy, eroticism, love & theatre.
Publisher: Psychology Press
ISBN: 9780415349864
Category : Drama
Languages : en
Pages : 120
Book Description
The latest collection of Barker's philosophical musings on theatre, this volume includes speculations, deductions, prose poems & poetic apercus, which cast a unique light on the nature of tragedy, eroticism, love & theatre.
The Theatre of Death
Author: Jennifer Woodward
Publisher: Boydell & Brewer Ltd
ISBN: 0851157041
Category : History
Languages : en
Pages : 286
Book Description
English royal funeral ceremony from Mary, Queen of Scots to James I gives fascinating insight into the relationship between power and ritual at the renaissance court.
Publisher: Boydell & Brewer Ltd
ISBN: 0851157041
Category : History
Languages : en
Pages : 286
Book Description
English royal funeral ceremony from Mary, Queen of Scots to James I gives fascinating insight into the relationship between power and ritual at the renaissance court.
Eroticism and Death in Theatre and Performance
Author: Karoline Gritzner
Publisher: Univ of Hertfordshire Press
ISBN: 9781902806921
Category : Literary Collections
Languages : en
Pages : 292
Book Description
The essays brought together in this collection offer new perspectives on the eros/death relation in a wide selection of dramatic texts, theatrical practices and cultural performances.
Publisher: Univ of Hertfordshire Press
ISBN: 9781902806921
Category : Literary Collections
Languages : en
Pages : 292
Book Description
The essays brought together in this collection offer new perspectives on the eros/death relation in a wide selection of dramatic texts, theatrical practices and cultural performances.
The Risk Theatre Model of Tragedy
Author: Edwin Wong
Publisher: FriesenPress
ISBN: 1525537555
Category : Drama
Languages : en
Pages : 363
Book Description
WHEN YOU LEAST EXPECT IT, BIRNAM WOOD COMES TO DUNSINANE HILL The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events. In this book, classicist Edwin Wong shows how tragedy imitates reality: heroes, by taking inordinate risks, trigger devastating low-probability, high-consequence outcomes. Such a theatre forces audiences to ask themselves a most timely question---what happens when the perfect bet goes wrong? Not only does Wong reinterpret classic tragedies from Aeschylus to O’Neill through the risk theatre lens, he also invites dramatists to create tomorrow’s theatre. As the world becomes increasingly unpredictable, the most compelling dramas will be high-stakes tragedies that dramatize the unintended consequences of today's risk takers who are taking us past the point of no return.
Publisher: FriesenPress
ISBN: 1525537555
Category : Drama
Languages : en
Pages : 363
Book Description
WHEN YOU LEAST EXPECT IT, BIRNAM WOOD COMES TO DUNSINANE HILL The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events. In this book, classicist Edwin Wong shows how tragedy imitates reality: heroes, by taking inordinate risks, trigger devastating low-probability, high-consequence outcomes. Such a theatre forces audiences to ask themselves a most timely question---what happens when the perfect bet goes wrong? Not only does Wong reinterpret classic tragedies from Aeschylus to O’Neill through the risk theatre lens, he also invites dramatists to create tomorrow’s theatre. As the world becomes increasingly unpredictable, the most compelling dramas will be high-stakes tragedies that dramatize the unintended consequences of today's risk takers who are taking us past the point of no return.
Death of England
Author: Roy Williams
Publisher: Bloomsbury Publishing
ISBN: 1350167908
Category : Performing Arts
Languages : en
Pages : 50
Book Description
He wanted you to be a better man. He wanted to be a better man himself. He was lied to. Just like you are being lied to. A family in mourning. A man in crisis After the death of his dad, Michael is powerless and angry. In a state of heartbreak, he confronts the difficult truths about his father's legacy and the country that shaped him. At the funeral, unannounced and unprepared, Michael decides it is time to speak. Death of England is a powerful new monologue play by Roy Williams and Clint Dyer that explores family feelings and a country on the brink. This edition was published to coincide with the world premiere at the National Theatre, London, in 2020.
Publisher: Bloomsbury Publishing
ISBN: 1350167908
Category : Performing Arts
Languages : en
Pages : 50
Book Description
He wanted you to be a better man. He wanted to be a better man himself. He was lied to. Just like you are being lied to. A family in mourning. A man in crisis After the death of his dad, Michael is powerless and angry. In a state of heartbreak, he confronts the difficult truths about his father's legacy and the country that shaped him. At the funeral, unannounced and unprepared, Michael decides it is time to speak. Death of England is a powerful new monologue play by Roy Williams and Clint Dyer that explores family feelings and a country on the brink. This edition was published to coincide with the world premiere at the National Theatre, London, in 2020.
Chicago Death Trap
Author: Nat Brandt
Publisher: SIU Press
ISBN: 080932721X
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
A blow-by-blow account of the deadliest fire in American history retraces the final days of the Iroquois Theatre in Chicago, a supposedly indestructible building that burned killing more than six hundred people.
Publisher: SIU Press
ISBN: 080932721X
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
A blow-by-blow account of the deadliest fire in American history retraces the final days of the Iroquois Theatre in Chicago, a supposedly indestructible building that burned killing more than six hundred people.
The Early Modern Corpse and Shakespeare's Theatre
Author: Susan Zimmerman
Publisher:
ISBN: 9780748633630
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
This book explores the relationship of the public theatre to the question of what constituted the 'dead' in early modern English culture within a theoretical framework that makes use of history, psychoanalysis and anthropology.
Publisher:
ISBN: 9780748633630
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
This book explores the relationship of the public theatre to the question of what constituted the 'dead' in early modern English culture within a theoretical framework that makes use of history, psychoanalysis and anthropology.
Emblems of Mortality
Author: Clayton G. MacKenzie
Publisher: University Press of America
ISBN: 9780761816607
Category : Art
Languages : en
Pages : 216
Book Description
In our own age, the engagement with death has been discretely narrowed into a brief process of formal commemoration and burial, but in Shakespeare's time it was ritualized into the very fabric of everyday life, where the reminders of death, the journey to the grave, and the moment of expiry were all central to the cultural engagement with mortality in post-Reformation England. Inevitably, this way of seeing the world impacted the writing of Shakespeare and his contemporaries, not only in relation to the intellectual content of the drama but with regard to its visual impressions as well. Emblems of Mortality explores the relationship between Shakespeare's theatre and popular memento mori and funereal iconography of the Renaissance, combining cultural studies and historicism with semiotic analysis of period iconography. Through close reading of Elizabethan signs and sign systems with attention to historical context, the work seeks to demonstrate the quality and intention of some of Shakespeare's theatrical designs in a way that will appeal to scholars of drama and students of Shakespeare's work.
Publisher: University Press of America
ISBN: 9780761816607
Category : Art
Languages : en
Pages : 216
Book Description
In our own age, the engagement with death has been discretely narrowed into a brief process of formal commemoration and burial, but in Shakespeare's time it was ritualized into the very fabric of everyday life, where the reminders of death, the journey to the grave, and the moment of expiry were all central to the cultural engagement with mortality in post-Reformation England. Inevitably, this way of seeing the world impacted the writing of Shakespeare and his contemporaries, not only in relation to the intellectual content of the drama but with regard to its visual impressions as well. Emblems of Mortality explores the relationship between Shakespeare's theatre and popular memento mori and funereal iconography of the Renaissance, combining cultural studies and historicism with semiotic analysis of period iconography. Through close reading of Elizabethan signs and sign systems with attention to historical context, the work seeks to demonstrate the quality and intention of some of Shakespeare's theatrical designs in a way that will appeal to scholars of drama and students of Shakespeare's work.