Author: STEPHEN. BAYLEY
Publisher: Circa
ISBN: 9781911422501
Category : Photography
Languages : en
Pages : 0
Book Description
- New edition of Stephen Bayley's classic text - a Times Book of the Year, 2016 - Expanded to include the tragic stories of Princess Diana and Ayrton Senna - Softback edition with deluxe binding - perfect as a gift Cars have a talismanic quality. No other manufactured object has the same disturbing allure. More emotions are involved in cars and car design than in any other product: vanity, cupidity, greed, social competitiveness and cultural modelling. But when all this perverse promise ends in catastrophe, these same talismanic qualities acquire an extra dimension. The car crash is a defining phenomenon of popular culture. Death Drive is both an appreciative essay about the historic place of the automobile in the modern imagination and a detailed exploration of the circumstances of 24 celebrity car crashes, from Isadora Duncan in an Amilcar, in 1927, to Helmut Newton in a Cadillac, in 2004. The author concludes by confronting the imminent demise of the car itself.
Death Drive
Author: STEPHEN. BAYLEY
Publisher: Circa
ISBN: 9781911422501
Category : Photography
Languages : en
Pages : 0
Book Description
- New edition of Stephen Bayley's classic text - a Times Book of the Year, 2016 - Expanded to include the tragic stories of Princess Diana and Ayrton Senna - Softback edition with deluxe binding - perfect as a gift Cars have a talismanic quality. No other manufactured object has the same disturbing allure. More emotions are involved in cars and car design than in any other product: vanity, cupidity, greed, social competitiveness and cultural modelling. But when all this perverse promise ends in catastrophe, these same talismanic qualities acquire an extra dimension. The car crash is a defining phenomenon of popular culture. Death Drive is both an appreciative essay about the historic place of the automobile in the modern imagination and a detailed exploration of the circumstances of 24 celebrity car crashes, from Isadora Duncan in an Amilcar, in 1927, to Helmut Newton in a Cadillac, in 2004. The author concludes by confronting the imminent demise of the car itself.
Publisher: Circa
ISBN: 9781911422501
Category : Photography
Languages : en
Pages : 0
Book Description
- New edition of Stephen Bayley's classic text - a Times Book of the Year, 2016 - Expanded to include the tragic stories of Princess Diana and Ayrton Senna - Softback edition with deluxe binding - perfect as a gift Cars have a talismanic quality. No other manufactured object has the same disturbing allure. More emotions are involved in cars and car design than in any other product: vanity, cupidity, greed, social competitiveness and cultural modelling. But when all this perverse promise ends in catastrophe, these same talismanic qualities acquire an extra dimension. The car crash is a defining phenomenon of popular culture. Death Drive is both an appreciative essay about the historic place of the automobile in the modern imagination and a detailed exploration of the circumstances of 24 celebrity car crashes, from Isadora Duncan in an Amilcar, in 1927, to Helmut Newton in a Cadillac, in 2004. The author concludes by confronting the imminent demise of the car itself.
The Death Drive
Author: Niklas Hageback
Publisher: Gaudium
ISBN: 1592110711
Category : Psychology
Languages : en
Pages : 225
Book Description
Sigmund Freud’s death drive remains among the most controversial concepts in psychoanalysis, something which post-Freudians never could reach consensus on. Over time, it fell into oblivion. Recent developments, however, have actualized the interest in the death drive as political upheavals and turmoil lead to societal breakdowns that, according to reigning academic theory, should not exist. It has become a burning and contentious topic. Existing conflict theories generally unmask structural factors considered as explanatory root causes, whether social, economic, or political in nature, but, typically, these factors may have been in place for decades. These models consistently fail to identify the triggers that ignite abrupt change and what heralds it. Anecdotally, a certain self-destructive sentiment seems to suddenly hold sway, where the established order, the status quo, simply must be destroyed, and the psychological urges to do so are too great to resist. But why would individuals or collectives elect a self-destructive path, which on a superficial level seems to conflict with the survival instinct and the assumption of perpetual human progress? Thus, the question must be posed: are these manifestations of the death drive? The Death Drive: Why Societies Self-Destruct offers an explanatory framework and methodology to predict periods of destruction that often have grim effects on societies, taking as its starting point the controversial death drive concept. The book provides a model to understand and forecast the seemingly irrational destructive human forces that hold such great and sinister influence on world affairs.
Publisher: Gaudium
ISBN: 1592110711
Category : Psychology
Languages : en
Pages : 225
Book Description
Sigmund Freud’s death drive remains among the most controversial concepts in psychoanalysis, something which post-Freudians never could reach consensus on. Over time, it fell into oblivion. Recent developments, however, have actualized the interest in the death drive as political upheavals and turmoil lead to societal breakdowns that, according to reigning academic theory, should not exist. It has become a burning and contentious topic. Existing conflict theories generally unmask structural factors considered as explanatory root causes, whether social, economic, or political in nature, but, typically, these factors may have been in place for decades. These models consistently fail to identify the triggers that ignite abrupt change and what heralds it. Anecdotally, a certain self-destructive sentiment seems to suddenly hold sway, where the established order, the status quo, simply must be destroyed, and the psychological urges to do so are too great to resist. But why would individuals or collectives elect a self-destructive path, which on a superficial level seems to conflict with the survival instinct and the assumption of perpetual human progress? Thus, the question must be posed: are these manifestations of the death drive? The Death Drive: Why Societies Self-Destruct offers an explanatory framework and methodology to predict periods of destruction that often have grim effects on societies, taking as its starting point the controversial death drive concept. The book provides a model to understand and forecast the seemingly irrational destructive human forces that hold such great and sinister influence on world affairs.
Capitalism and the Death Drive
Author: Byung-Chul Han
Publisher: John Wiley & Sons
ISBN: 1509545026
Category : Philosophy
Languages : en
Pages : 129
Book Description
What we call growth today is in fact a tumorous growth, a cancerous proliferation which is disrupting the social organism. These tumours endlessly metastasize and grow with an inexplicable, deadly vitality. At a certain point this growth is no longer productive, but rather destructive. Capitalism passed this point long ago. Its destructive forces cause not only ecological and social catastrophes but also mental collapse. The destructive compulsion to perform combines self-affirmation and self-destruction in one. We optimize ourselves to death. Brutal competition ends in destruction. It produces an emotional coldness and indifference towards others as well as towards one’s own self. The devastating consequences of capitalism suggest that a death drive is at work. Freud initially introduced the death drive hesitantly, but later admitted that he ‘couldn’t think beyond it’ as the idea of the death drive became increasingly central to his thought. Today, it is impossible to think about capitalism without considering the death drive.
Publisher: John Wiley & Sons
ISBN: 1509545026
Category : Philosophy
Languages : en
Pages : 129
Book Description
What we call growth today is in fact a tumorous growth, a cancerous proliferation which is disrupting the social organism. These tumours endlessly metastasize and grow with an inexplicable, deadly vitality. At a certain point this growth is no longer productive, but rather destructive. Capitalism passed this point long ago. Its destructive forces cause not only ecological and social catastrophes but also mental collapse. The destructive compulsion to perform combines self-affirmation and self-destruction in one. We optimize ourselves to death. Brutal competition ends in destruction. It produces an emotional coldness and indifference towards others as well as towards one’s own self. The devastating consequences of capitalism suggest that a death drive is at work. Freud initially introduced the death drive hesitantly, but later admitted that he ‘couldn’t think beyond it’ as the idea of the death drive became increasingly central to his thought. Today, it is impossible to think about capitalism without considering the death drive.
The Death Drive
Author: Rob Weatherill
Publisher: Rob Weatherill
ISBN: 9781900877145
Category : Family & Relationships
Languages : en
Pages : 276
Book Description
The third book in the new 'Encyclopaedia of Psychoanalysis' series. This book will be of interest to all those students and professionals alike who might have come to question consoling notions of therapy as leaving something important and central to Freud's thinking, his often neglected second reference point, the death drive.
Publisher: Rob Weatherill
ISBN: 9781900877145
Category : Family & Relationships
Languages : en
Pages : 276
Book Description
The third book in the new 'Encyclopaedia of Psychoanalysis' series. This book will be of interest to all those students and professionals alike who might have come to question consoling notions of therapy as leaving something important and central to Freud's thinking, his often neglected second reference point, the death drive.
Cultures of the Death Drive
Author: Esther Sánchez-Pardo
Publisher: Duke University Press
ISBN: 9780822330455
Category : Family & Relationships
Languages : en
Pages : 510
Book Description
DIVA study of melancholia, sexuality, and representation in literary and visual texts that can be read at the crossroads of psychoanalysis and the arts in modernism./div
Publisher: Duke University Press
ISBN: 9780822330455
Category : Family & Relationships
Languages : en
Pages : 510
Book Description
DIVA study of melancholia, sexuality, and representation in literary and visual texts that can be read at the crossroads of psychoanalysis and the arts in modernism./div
Death and Mastery
Author: Benjamin Y. Fong
Publisher: Columbia University Press
ISBN: 0231542615
Category : Philosophy
Languages : en
Pages : 239
Book Description
The first philosophers of the Frankfurt School famously turned to the psychoanalytic theories of Sigmund Freud to supplement their Marxist analyses of ideological subjectification. Since the collapse of their proposed "marriage of Marx and Freud," psychology and social theory have grown apart to the impoverishment of both. Returning to this union, Benjamin Y. Fong reconstructs the psychoanalytic "foundation stone" of critical theory in an effort to once again think together the possibility of psychic and social transformation. Drawing on the work of Hans Loewald and Jacques Lacan, Fong complicates the famous antagonism between Eros and the death drive in reference to a third term: the woefully undertheorized drive to mastery. Rejuvenating Freudian metapsychology through the lens of this pivotal concept, he then provides fresh perspective on Theodor Adorno, Max Horkheimer, and Herbert Marcuse's critiques of psychic life under the influence of modern cultural and technological change. The result is a novel vision of critical theory that rearticulates the nature of subjection in late capitalism and renews an old project of resistance.
Publisher: Columbia University Press
ISBN: 0231542615
Category : Philosophy
Languages : en
Pages : 239
Book Description
The first philosophers of the Frankfurt School famously turned to the psychoanalytic theories of Sigmund Freud to supplement their Marxist analyses of ideological subjectification. Since the collapse of their proposed "marriage of Marx and Freud," psychology and social theory have grown apart to the impoverishment of both. Returning to this union, Benjamin Y. Fong reconstructs the psychoanalytic "foundation stone" of critical theory in an effort to once again think together the possibility of psychic and social transformation. Drawing on the work of Hans Loewald and Jacques Lacan, Fong complicates the famous antagonism between Eros and the death drive in reference to a third term: the woefully undertheorized drive to mastery. Rejuvenating Freudian metapsychology through the lens of this pivotal concept, he then provides fresh perspective on Theodor Adorno, Max Horkheimer, and Herbert Marcuse's critiques of psychic life under the influence of modern cultural and technological change. The result is a novel vision of critical theory that rearticulates the nature of subjection in late capitalism and renews an old project of resistance.
On the Destruction and Death Drives
Author: Andre Green
Publisher: Phoenix Publishing House
ISBN: 1800130937
Category : Psychology
Languages : en
Pages : 225
Book Description
'Living with the idea of bearing a death-force fundamentally directed at oneself is hardly easy to admit. It is less so in any case than the idea that we are all murderers, that we are ever ready to plead legitimate defence or the need to survive so as to strike out at another.' Andre Green, from the Foreword What drives men to kill and self-destruct? On the Death and Destruction Drives traces the introduction and development of the controversial concept of the "death drive", from the work of Freud (1920-1938) to the main contributions of classical and post-Freudian authors, including Ferenczi, Klein, Bion, Winnicott, and Lacan. Shedding light on non-neurotic phenomena and structures, such as anorexia, bulimia, depression, suicide, criminal behaviour, Andre Green offers a new perspective on the relationship between the life drive (Eros) and the death drive (Thanatos). Andre Green was a key figure in contemporary psychoanalysis, who embraced philosophy and an international outlook to enhance psychoanalytic theory. This book was one of his last works, originally published in French as Pourquoi les pulsions de destruction ou de mort? in 2012. Green's defence of one of Freud's most daring revisions of his drive theory remains relevant to psychoanalytic work today, and it is an honour to bring this excellent translation to the English-speaking world. To enhance its worth, the book includes an introduction from translator Steven Jaron to clarify certain technical terms and situate the book within Green's oeuvre. This book is an important contribution to the development of psychoanalytic theory and essential reading for all trainee and practising psychoanalysts.
Publisher: Phoenix Publishing House
ISBN: 1800130937
Category : Psychology
Languages : en
Pages : 225
Book Description
'Living with the idea of bearing a death-force fundamentally directed at oneself is hardly easy to admit. It is less so in any case than the idea that we are all murderers, that we are ever ready to plead legitimate defence or the need to survive so as to strike out at another.' Andre Green, from the Foreword What drives men to kill and self-destruct? On the Death and Destruction Drives traces the introduction and development of the controversial concept of the "death drive", from the work of Freud (1920-1938) to the main contributions of classical and post-Freudian authors, including Ferenczi, Klein, Bion, Winnicott, and Lacan. Shedding light on non-neurotic phenomena and structures, such as anorexia, bulimia, depression, suicide, criminal behaviour, Andre Green offers a new perspective on the relationship between the life drive (Eros) and the death drive (Thanatos). Andre Green was a key figure in contemporary psychoanalysis, who embraced philosophy and an international outlook to enhance psychoanalytic theory. This book was one of his last works, originally published in French as Pourquoi les pulsions de destruction ou de mort? in 2012. Green's defence of one of Freud's most daring revisions of his drive theory remains relevant to psychoanalytic work today, and it is an honour to bring this excellent translation to the English-speaking world. To enhance its worth, the book includes an introduction from translator Steven Jaron to clarify certain technical terms and situate the book within Green's oeuvre. This book is an important contribution to the development of psychoanalytic theory and essential reading for all trainee and practising psychoanalysts.
Death-Drive
Author: Robert Rowland Smith
Publisher: Edinburgh University Press
ISBN: 0748641718
Category : Art
Languages : en
Pages : 233
Book Description
Robert Rowland Smith takes Freud's work on the death-drive and compares it with other philosophies of death - Pascal, Heidegger and Derrida in particular. He also applies it in a new way to literature and art - to Shakespeare, Rothko and Katharina Fritsch, among others. He asks whether artworks are dead or alive, if artistic creativity isn't actually a form of destruction, and whether our ability to be seduced by fine words means we don't put our selves at risk of death. In doing so, he proposes a new theory of aesthetics in which artworks and literary texts have a death-drive of their own, not least by their defining ability to turn away from all that is real, and where the effects of the death-drive mean that we are constantly living in imaginary, rhetorical or 'artistic' worlds. The book also provides a valuable introduction to the rich tradition of work on the death-drive since Freud.Key Features* Includes a general introduction to the death-drive* Presents an original theory of aesthetics* Analyses both theoretical and clinical psychoanalysis* Offers in-depth treatment of Freud* Provides an overview of philosophies of death
Publisher: Edinburgh University Press
ISBN: 0748641718
Category : Art
Languages : en
Pages : 233
Book Description
Robert Rowland Smith takes Freud's work on the death-drive and compares it with other philosophies of death - Pascal, Heidegger and Derrida in particular. He also applies it in a new way to literature and art - to Shakespeare, Rothko and Katharina Fritsch, among others. He asks whether artworks are dead or alive, if artistic creativity isn't actually a form of destruction, and whether our ability to be seduced by fine words means we don't put our selves at risk of death. In doing so, he proposes a new theory of aesthetics in which artworks and literary texts have a death-drive of their own, not least by their defining ability to turn away from all that is real, and where the effects of the death-drive mean that we are constantly living in imaginary, rhetorical or 'artistic' worlds. The book also provides a valuable introduction to the rich tradition of work on the death-drive since Freud.Key Features* Includes a general introduction to the death-drive* Presents an original theory of aesthetics* Analyses both theoretical and clinical psychoanalysis* Offers in-depth treatment of Freud* Provides an overview of philosophies of death
No Future
Author: Lee Edelman
Publisher: Duke University Press
ISBN: 0822385988
Category : Social Science
Languages : en
Pages : 206
Book Description
In this searing polemic, Lee Edelman outlines a radically uncompromising new ethics of queer theory. His main target is the all-pervasive figure of the child, which he reads as the linchpin of our universal politics of “reproductive futurism.” Edelman argues that the child, understood as innocence in need of protection, represents the possibility of the future against which the queer is positioned as the embodiment of a relentlessly narcissistic, antisocial, and future-negating drive. He boldly insists that the efficacy of queerness lies in its very willingness to embrace this refusal of the social and political order. In No Future, Edelman urges queers to abandon the stance of accommodation and accede to their status as figures for the force of a negativity that he links with irony, jouissance, and, ultimately, the death drive itself. Closely engaging with literary texts, Edelman makes a compelling case for imagining Scrooge without Tiny Tim and Silas Marner without little Eppie. Looking to Alfred Hitchcock’s films, he embraces two of the director’s most notorious creations: the sadistic Leonard of North by Northwest, who steps on the hand that holds the couple precariously above the abyss, and the terrifying title figures of The Birds, with their predilection for children. Edelman enlarges the reach of contemporary psychoanalytic theory as he brings it to bear not only on works of literature and film but also on such current political flashpoints as gay marriage and gay parenting. Throwing down the theoretical gauntlet, No Future reimagines queerness with a passion certain to spark an equally impassioned debate among its readers.
Publisher: Duke University Press
ISBN: 0822385988
Category : Social Science
Languages : en
Pages : 206
Book Description
In this searing polemic, Lee Edelman outlines a radically uncompromising new ethics of queer theory. His main target is the all-pervasive figure of the child, which he reads as the linchpin of our universal politics of “reproductive futurism.” Edelman argues that the child, understood as innocence in need of protection, represents the possibility of the future against which the queer is positioned as the embodiment of a relentlessly narcissistic, antisocial, and future-negating drive. He boldly insists that the efficacy of queerness lies in its very willingness to embrace this refusal of the social and political order. In No Future, Edelman urges queers to abandon the stance of accommodation and accede to their status as figures for the force of a negativity that he links with irony, jouissance, and, ultimately, the death drive itself. Closely engaging with literary texts, Edelman makes a compelling case for imagining Scrooge without Tiny Tim and Silas Marner without little Eppie. Looking to Alfred Hitchcock’s films, he embraces two of the director’s most notorious creations: the sadistic Leonard of North by Northwest, who steps on the hand that holds the couple precariously above the abyss, and the terrifying title figures of The Birds, with their predilection for children. Edelman enlarges the reach of contemporary psychoanalytic theory as he brings it to bear not only on works of literature and film but also on such current political flashpoints as gay marriage and gay parenting. Throwing down the theoretical gauntlet, No Future reimagines queerness with a passion certain to spark an equally impassioned debate among its readers.
Psychoanalytic Reflections on The Freudian Death Drive
Author: Rossella Valdrè
Publisher: Routledge
ISBN: 0429756240
Category : Psychology
Languages : en
Pages : 338
Book Description
Psychoanalytic Reflections on The Freudian Death Drive is a highly accessible book that investigates the relevance, complexity and originality of a hugely controversial Freudian concept which, the author argues, continues to exert enormous influence on modernity and plays an often-imperceptible role in the violence and so-called "sad passions" of contemporary society. With examples from cinema, literature and the consulting room, the book’s four chapters – theory, the clinic, art and contemporaneity – investigate every angle, usually little explored, of the death drive: its "positive" functions, such as its contribution to subjectification; its ambiguous relationship with sublimation; the clues it provides about transgenerational matters; and its effects on the feminine. This is not a book about aggression, a type of extroflection of the death drive made visible, studied and striking; rather, it is about the derivatives of the pulsion that changes in the clinic, in life, in society, in artistic forms. With bold and innovative concepts and by making connections to film and books, Rossella Valdrè unequivocally argues that the contemporary clinic is a clinic of the death drive. Psychoanalytic Reflections on The Freudian Death Drive seeks to relaunch the debate on a controversial and neglected concept and will appeal to psychoanalysts and psychoanalytic psychotherapists. Today’s renewed interest in the Freudian death drive attests to its extraordinary ability to explain both "new" pathologies and socio-economic phenomena.
Publisher: Routledge
ISBN: 0429756240
Category : Psychology
Languages : en
Pages : 338
Book Description
Psychoanalytic Reflections on The Freudian Death Drive is a highly accessible book that investigates the relevance, complexity and originality of a hugely controversial Freudian concept which, the author argues, continues to exert enormous influence on modernity and plays an often-imperceptible role in the violence and so-called "sad passions" of contemporary society. With examples from cinema, literature and the consulting room, the book’s four chapters – theory, the clinic, art and contemporaneity – investigate every angle, usually little explored, of the death drive: its "positive" functions, such as its contribution to subjectification; its ambiguous relationship with sublimation; the clues it provides about transgenerational matters; and its effects on the feminine. This is not a book about aggression, a type of extroflection of the death drive made visible, studied and striking; rather, it is about the derivatives of the pulsion that changes in the clinic, in life, in society, in artistic forms. With bold and innovative concepts and by making connections to film and books, Rossella Valdrè unequivocally argues that the contemporary clinic is a clinic of the death drive. Psychoanalytic Reflections on The Freudian Death Drive seeks to relaunch the debate on a controversial and neglected concept and will appeal to psychoanalysts and psychoanalytic psychotherapists. Today’s renewed interest in the Freudian death drive attests to its extraordinary ability to explain both "new" pathologies and socio-economic phenomena.