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Author: Vladimir Vladimirovich Nabokov
Publisher: Univ of California Press
ISBN: 0520220803
Category : Biography & Autobiography
Languages : en
Pages : 400
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Book Description
These letters outline the mutual affection and closeness of the two writers, but also reveal the slow crescendo of mutual resentment, mistrust and rejection."--BOOK JACKET.
Author: Vladimir Vladimirovich Nabokov
Publisher: Univ of California Press
ISBN: 0520220803
Category : Biography & Autobiography
Languages : en
Pages : 400
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Book Description
These letters outline the mutual affection and closeness of the two writers, but also reveal the slow crescendo of mutual resentment, mistrust and rejection."--BOOK JACKET.
Author: Ross Wilson
Publisher: Oxford University Press
ISBN: 0198881134
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Critical Forms is an account of the generic forms in which literary criticism has been undertaken. It examines chiefly Anglophone literary criticism, with comparative discussion of French and German material, from around 1750 to the present and examines prefaces, selections and anthologies, reviews, lectures, dialogues, letters, and life-writing. Though not intended to be an exhaustive history of the period, Critical Forms begins in the mid-eighteenth century with the emergence of something like the forms (chiefly, the essay and the treatise) in which criticism is still predominantly practised. In order at least to complicate this predominance, the book documents an abiding plurality in the forms of literary critical writing in the subsequent period, leading up to the present. Ross Wilson both questions the status of the essay and treatise as the 'natural' forms of literary criticism and shows that the history of literary criticism is much more formally various and innovative than the usual ways of recounting that history as a succession of schools and movements would allow. Critical Forms harbours the hope that it will make available a wider array of forms for the practice of literary criticism today; it is this hope that licenses its own experiments in critical form.
Author: Catharine Theimer Nepomnyashchy
Publisher: Academic Studies PRess
ISBN:
Category : Literary Criticism
Languages : en
Pages : 407
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Book Description
This volume includes many of the best essays by Catharine Theimer Nepomnyashchy (1951-2015), one of the most original scholars of Russian culture of her generation. Nepomnyashchy’s broad interests ranged from Pushkin to contemporary Russian popular culture. Her work speaks to issues that remain central to Slavic studies today, including imperialist impulses and rhetoric in Russian culture; the resiliency and post-Soviet afterlife of Stalinist mythic and cultic formulas; and problems connected with dissent, censorship, and displacement. In addition to some of Nepomnyashchy’s best previously published scholarly work, this volume includes excerpts from The Politics of Tradition: Rerooting Russian Literature After Stalin, the book manuscript that Nepomnyashchy was working on in the last years of her life.
Author: Boriana Alexandrova
Publisher: Springer Nature
ISBN: 3030362795
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
What if our notions of the nation as a site of belonging, the home as a safe place, or the mother tongue as a means to fluent comprehension did not apply? What if fluency were a hindrance, whilst our differences and contradictions held the keys to radical new ways of knowing? Taking inspiration from the practice of language learning and translation, this book explores the extraordinary creative possibilities, politics, and ethics of adopting a multilingual approach to reading. Its case study, James Joyce’s Finnegans Wake (1939), is a text in equal measures exhilarating and exasperating: an unhinged portrait of European modernist debates on transculturalism and globalisation, here considered on the backdrop of current discourses on migration, race, gender, and neurodiversity. This book offers a fresh perspective on the illuminating, if perplexing, work of a beloved European modernist, whilst posing questions far beyond Joyce: on negotiating difference in an increasingly globalised world; on braving the difficulty of relating across languages and cultures; and ultimately on imagining possible futures where multilingual literature can empower us to read, relate, and conceptualise differently.
Author: Brian Boyd
Publisher: Columbia University Press
ISBN: 0231530293
Category : Literary Criticism
Languages : en
Pages : 473
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Book Description
At the age of twenty-one, Brian Boyd wrote a thesis on Vladimir Nabokov that the famous author called "brilliant." After gaining exclusive access to the writer's archives, he wrote a two-part, award-winning biography, Vladimir Nabokov: The Russian Years (1990) and Vladimir Nabokov: The American Years (1991). This collection features essays written by Boyd since completing the biography, incorporating material he gleaned from his research as well as new discoveries and formulations. Boyd confronts Nabokov's life, career, and legacy; his art, science, and thought; his subtle humor and puzzle-like storytelling; his complex psychological portraits; and his inheritance from, reworking of, and affinities with Shakespeare, Pushkin, Tolstoy, and Machado de Assis. Boyd offers new ways of reading Nabokov's best English-language works: Lolita, Pale Fire, Ada, and the unparalleled autobiography, Speak, Memory, and he discloses otherwise unknown information about the author's world. Sharing his personal reflections, Boyd recounts the adventures, hardships, and revelations of researching Nabokov's biography and his unusual finds in the archives, including materials still awaiting publication. The first to focus on Nabokov's metaphysics, Boyd cautions against their being used as the key to unlock all of the author's secrets, showing instead the many other rooms in Nabokov's castle of fiction that need exploring, such as his humor, narrative invention, and psychological insight into characters and readers alike. Appreciating Nabokov as novelist, memoirist, poet, translator, scientist, and individual, Boyd helps us understand more than ever the author's multifaceted genius.
Author: Stephen Hardwick Blackwell
Publisher: Yale University Press
ISBN: 0300194552
Category : Art
Languages : en
Pages : 336
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Book Description
This volume reproduces 154 of Russian-American novelist and entomologist Vladimir Nabokov's drawings, few of which have ever been seen in public, and presents essays by ten leading scientists and Nabokov scholars. The contributors underscore the significance of Nabokov's drawings as scientific documents, evaluate his visionary contributions to evolutionary biology and systematics, and offer insights into his unique artistic perception and creativity. Showcasing color drawings of butterflies' distinctive markings and anatomy as well, all as part of his work at the American Museum of Natural History and Harvard's Museum of Comparative Zoology.
Author: Siggy Frank
Publisher: Cambridge University Press
ISBN: 1107015456
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Drawing on a wealth of unpublished archival material, this study offers a comprehensive assessment of the importance of theatrical performance in Vladimir Nabokov's thinking and writing. Siggy Frank provides fresh insights into Nabokov's wider aesthetics and arrives at new readings of his narrative fiction. As well as emphasising the importance of theatrical performance to our understanding of Nabokov's texts, she demonstrates that the theme of theatricality runs through the central concerns of Nabokov's art and life: the nature of fiction, the relationship between the author and his fictional world, textual origin and derivation, authorial control and textual property, literary appropriations and adaptations, and finally the transformation of the writer himself from the Russian émigré writer Sirin to the American novelist Nabokov.
Author: Richard Locke
Publisher: Columbia University Press
ISBN: 0231527993
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
The ten novels explored in Critical Children portray children so vividly that their names are instantly recognizable. Richard Locke traces the 130-year evolution of these iconic child characters, moving from Oliver Twist, David Copperfield, and Pip in Great Expectations to Tom Sawyer and Huckleberry Finn; from Miles and Flora in The Turn of the Screw to Peter Pan and his modern American descendant, Holden Caulfield; and finally to Lolita and Alexander Portnoy. "It's remarkable," writes Locke, "that so many classic (or, let's say, unforgotten) English and American novels should focus on children and adolescents not as colorful minor characters but as the intense center of attention." Despite many differences of style, setting, and structure, they all enlist a particular child's story in a larger cultural narrative. In Critical Children, Locke describes the ways the children in these novels have been used to explore and evade large social, psychological, and moral problems. Writing as an editor, teacher, critic, and essayist, Locke demonstrates the way these great novels work, how they spring to life from their details, and how they both invite and resist interpretation and provoke rereading. Locke conveys the variety and continued vitality of these books as they shift from Victorian moral allegory to New York comic psychoanalytic monologue, from a child who is an agent of redemption to one who is a narcissistic prisoner of guilt and proud rage.
Author: Erik Martiny
Publisher: Editions Sedes
ISBN: 2301001040
Category : Education
Languages : en
Pages : 185
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Book Description
Qu’on soit scandalisé ou touché – ou les deux à la fois – on ne peut guère refuser de voir en Lolita une œuvre de grande envergure narrative et poétique. À sa sortie, la critique s’est montrée à certains moments offensée, à d’autres enchantée : Lionel Trilling y voyait moins le récit d’une aberration qu’une histoire d’amour ; Kingsley Amis trouvait l’oeuvre réjouissante mais insuffisamment érotique. Moins sentimentale, la critique actuelle fait aussi preuve de nettement moins de clémence à l’égard de son narrateur. Toujours est-il que la force de persuasion, l’ambiguïté et la subtilité de cette œuvre sont telles que le lecteur ou la lectrice peut difficilement se défendre d’être tour à tour transformé en esthète émerveillé, en juge réprobateur, en juré partagé, en amant passionné, en voyeur ou même en nymphette consentante. Destiné aux étudiants préparant le Capes et l’Agrégation d’anglais, cet ouvrage rédigé par des spécialistes de littérature américaine et russe se penche sur les aspects sociologiques, biographiques, structurels, stylistiques, intertextuels, génériques et cinématographiques de Lolita..
Author: Will Norman
Publisher: Routledge
ISBN: 0415539633
Category : History
Languages : en
Pages : 224
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Book Description
This book argues that the apparent evasion of history in Vladimir Nabokov's fiction conceals a profound engagement with social, and therefore political, temporalities. While Nabokov scholarship has long assumed the same position as Nabokov himself -- that his works exist in a state of historical exceptionalism -- this study restores the content, context, and commentary to Nabokovian time by reading his American work alongside the violent upheavals of twentieth-century ideological conflicts in Europe and the United States. This approach explores how the author's characteristic temporal manipulations and distortions function as a defensive dialectic against history, an attempt to salvage fiction for autonomous aesthetics. Tracing Nabokov's understanding of the relationship between history and aesthetics from nineteenth-century Russia through European modernism to the postwar American academy, the book offers detailed contextualized readings of Nabokov's major writings, exploring the tensions, fissures, and failures in Nabokov's attempts to assert aesthetic control over historical time. In reading his response to the rise of totalitarianism, the Holocaust, and Cold War, Norman redresses the commonly-expressed admiration for Nabokov's heroic resistance to history by suggesting the ethical, aesthetic, and political costs of reading and writing in its denial. This book offers a rethinking of Nabokov's location in literary history, the ideological impulses which inform his fiction, and the importance of temporal aesthetics in negotiating the matrices of modernism.
