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Author: Anne Truitt
Publisher: Simon and Schuster
ISBN: 1476745013
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
“Anne Truitt’s frankness and intellectual curiosity about the hows and whys of a working artist’s life” (Megan O’Grady, The New Yorker) are compiled in this one e-volume of all three of her journals, the illuminating, inspiring record of reconciling the call of creative work with the demands of daily life. Anne Truitt kept a journal throughout her adult life, from her early years as one of the rare, celebrated women artists in the early 60s, through her midlife as an established artist, and into older age when she was, for a time, the director of Yaddo, the premier artists’ retreat in Saratoga. She was always a deep, astute reader, and a woman who grappled with a range of issues—moral, intellectual, sensual, emotional, and spiritual. While working intensely on her art, she watches her own daughters journey into marriage and motherhood, meditates on criticism and solitude, and struggles to find a balance in life. “Balance not stability is the source of security,” she says. Anne Truitt re-creates a life in which domestic activities and the needs of children and friends are constantly juxtaposed against the world of color and abstract geometry to which she is drawn in her art.
Author: Anne Truitt
Publisher: Simon and Schuster
ISBN: 1476745013
Category : Biography & Autobiography
Languages : en
Pages : 256
Get Book Here
Book Description
“Anne Truitt’s frankness and intellectual curiosity about the hows and whys of a working artist’s life” (Megan O’Grady, The New Yorker) are compiled in this one e-volume of all three of her journals, the illuminating, inspiring record of reconciling the call of creative work with the demands of daily life. Anne Truitt kept a journal throughout her adult life, from her early years as one of the rare, celebrated women artists in the early 60s, through her midlife as an established artist, and into older age when she was, for a time, the director of Yaddo, the premier artists’ retreat in Saratoga. She was always a deep, astute reader, and a woman who grappled with a range of issues—moral, intellectual, sensual, emotional, and spiritual. While working intensely on her art, she watches her own daughters journey into marriage and motherhood, meditates on criticism and solitude, and struggles to find a balance in life. “Balance not stability is the source of security,” she says. Anne Truitt re-creates a life in which domestic activities and the needs of children and friends are constantly juxtaposed against the world of color and abstract geometry to which she is drawn in her art.
Author: Anne Truitt
Publisher: Simon and Schuster
ISBN: 9781476745015
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
“Anne Truitt’s frankness and intellectual curiosity about the hows and whys of a working artist’s life” (Megan O’Grady, The New Yorker) are compiled in this one e-volume of all three of her journals, the illuminating, inspiring record of reconciling the call of creative work with the demands of daily life. Anne Truitt kept a journal throughout her adult life, from her early years as one of the rare, celebrated women artists in the early 60s, through her midlife as an established artist, and into older age when she was, for a time, the director of Yaddo, the premier artists’ retreat in Saratoga. She was always a deep, astute reader, and a woman who grappled with a range of issues—moral, intellectual, sensual, emotional, and spiritual. While working intensely on her art, she watches her own daughters journey into marriage and motherhood, meditates on criticism and solitude, and struggles to find a balance in life. “Balance not stability is the source of security,” she says. Anne Truitt re-creates a life in which domestic activities and the needs of children and friends are constantly juxtaposed against the world of color and abstract geometry to which she is drawn in her art.
Author: Anne Truitt
Publisher: Simon and Schuster
ISBN: 1398526649
Category : Biography & Autobiography
Languages : en
Pages : 202
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Book Description
A beautiful new edition of the cult classic that counts Zadie Smith and Rachel Kushner among its fans – with a new introduction by Celia Paul. ‘I am an artist. Even to write it makes me feel deeply uneasy.’ Renowned American artist Anne Truitt kept this illuminating and inspiring journal between 1974-8, determined to come to terms with the forces that shaped her art and life. She recalls her childhood on the eastern shore of Maryland, her career change from psychology to art, and her path to a sculptural practice that would ‘set colour free in three dimensions’. She reflects on the generous advice of other artists, watches her own daughters’ journey into motherhood, meditates on criticism and solitude, and struggles to find the way to express her vision. Resonant and true, encouraging and revelatory, Anne Truitt guides herself – and her readers – through a life in which domestic activities and the needs of children and friends are constantly juxtaposed against the world of colour and abstract geometry to which she is drawn in her art. Beautifully written and a rare window on the workings of a creative mind, Daybook showcases an extraordinary artist whose insights generously and succinctly illuminate the artistic process. 'Truitt wrote as she sculpted, returning to the past again and again to find fresh truths.' The New Yorker ‘This miracle of a book will inspire artists for generations to come.’ Celia Paul
Author: Anne Truitt
Publisher: Scribner Book Company
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
"Based on journals written in 1991 and 1992, Prospect contains Anne Truitt's luminous reflections on her rich, full life as an artist, mother, grandmother, and teacher. Preparing to confront the unpredictable twilight of life, Truitt charts her fears and triumphs, joys and sadness, her most poignant memories of the past and clearest visions for the future." "In the year of her seventieth birthday, events converge that force Truitt to reevaluate her life. She requests of and receives from her New York gallery a major retrospective of her thirty years of painting and sculpture, thus throwing her work into the public eye. Simultaneously, she is forcibly retired from the tenured position at the University of Maryland, which had granted her professional and financial security. In her introduction Truitt notes, "writing became in the course of the year a relentless exposure of myself to myself." Keenly observant, she faces her own vulnerability and draws knowledge and insight from sources as varied as Cicero, the Antarctic explorers, and her own travels in the Canadian wilderness." "Preparing for the New York retrospective and successive exhibits, Truitt remembers her inspirations, reflects on the development of her artistic methods and goals, and, above all, considers the meaning of both art and an artist's life. At the same time, she records the delights and tragedies that accompany a family's growth. For Truitt, art and life are inexorably joined, and her narrative sings with the colors and surfaces of her celebrated sculpture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Anne Truitt
Publisher: Penguin Group
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
The second journal of an artist by "an extraordinary woman: sensitive, intelligent, perceptive"--Doris Grumbach.
Author: Kristen Hileman
Publisher: Giles
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
Anne Truitt, an artist based in Washington, D.C. for most of her career, remains an under-recognized force in art post-1960, which has been dominated by artists like Donald Judd and Ellsworth Kelly who have strongly influenced the movement now known as Minimalism. Part of this lack of recognition stems from the fact that Truitt pursued a staunchly independent course in her art: not only did she take a different path from the Color Field artists often associated with Washington, D.C., but she created reduced geometric abstraction that deviated from the approaches of Minimalist artists in some significant ways. For example, her highly nuanced use of colour veered dramatically from primary hues, and the titles of many of her works evoked places and events that were important to her, suggesting a complex network of references beyond and yet somehow contained by the sculpture. This volume, and the accompanying exhibition, will form an important part of the re-evaluation of Truitt's art, due to the scope of work which it presents. A wide range of three-dimensional works will be presented to showcase Truitt's exploration of colour, scale and proportion. Examples of two-dimensional series on canvas in which the artist investigated the cusp of visibility as well as the relationships between painting and sculpture, join 24 works on paper some of which date to the year that Truitt first arrived at her radical reduction of form, and others that represent a three-year period during the 1960's from which there are almost no extant sculptures. At the heart of this volume are colour plates of the columnar sculptures that became the hallmark of Truitt's profoundly focused practice, and that made her so significant to the development of minimal abstraction. Whilst Truitt's work has featured as part of larger surveys of Minimalism, as well as in Truitt's own artist's journals - Daybook (1984), Turn (1987), and Prospect (1996) - it has never before been the subject of a complete monographic survey. For this reason alone publication of Anne Truitt: Perception and Reflection in 2009 will be a major event in itself, and one that will significantly increase our understanding of post-1960's art. AUTHOR: Kristen Hileman the organizing curator of the exhibition, is associate curator, the Hirshhorn Museum and Sculpture Garden, where she recently curated The Cinema Effect: Illusion, Reality and the Moving Image, Part II: Realisms (2008), and has worked with such artists as John Baldessari, Hiroshi Sugimoto, and Wolfgang Tillmans; James Meyer is Winship Distinguished Associate Professor of Art History at Emory University and the author of Minimalism: Art & Polemics in the Sixties (Yale, 2001) and Themes & Movements: Minimalism (Phaidon, 2000). He organised the Anne Truitt exhibition at the Michael C. Carlos Museum, Emory University in 2004. He also co-authored Howard Hodgkin with Nicholas Serota (Tate Britain, 2006) 150 colour & 12 b/w illustrations *
Author: Anne Truitt
Publisher: Yale University Press
ISBN: 0300260415
Category : Biography & Autobiography
Languages : en
Pages : 417
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Book Description
An expansive collection of texts providing insight into the inner life, creativity, and practice of the innovative American artist Anne Truitt Spanning more than fifty years, this comprehensive volume collects the letters, journal entries, interviews, lectures, reviews, and remembrances of the groundbreaking twentieth-century artist Anne Truitt (1921–2004). Alexandra Truitt, the artist’s daughter and a leading expert on her work, has carefully selected these writings, most of which are previously unpublished, from the artist’s papers at Bryn Mawr College as well as private holdings. Revelations about the artist’s life abound. Among Truitt’s earliest writings are excerpts from journals written more than a decade before her first artistic breakthrough, in which she establishes themes that would occupy her for decades. In later texts she shares uncommon insights into the practices of other artists and writers, both predecessors and peers. Like Truitt’s published journals, these writings offer a compelling narrative of her development as an artist and efforts to find her voice as a writer. They show that Truitt’s creative impulse to translate the inner workings of her mind into a symbolic language, so important to understanding her sculpture, predates her art.
Author: Stuart Andrews
Publisher: Routledge
ISBN: 1351848321
Category : Architecture
Languages : en
Pages : 270
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Book Description
Performing Home is the first sustained study of the ways in which artists create artworks in, and in response to, domestic dwellings. In the context of growing interest in ideas and practices that cross between architecture, arts practice and performance, it is valuable to understand what happens when artists make work in and about specific buildings. This is particularly important with domestic dwellings, which can be bound up with experiences, issues, practices and understandings of home. The book focuses on a range of recent artistic projects to identify and investigate critical ways by which artists practise domestic dwellings. In doing so, it addresses the ways in which artists enquire into a dwelling, are resident in a dwelling, adapt the form of a dwelling, practise a mobile dwelling, and make a dwelling. By considering these practices together, Andrews demonstrates the breadth and significance of recent artistic engagement in and with domestic dwellings and highlights the contribution that artistic practice can make to the ways in which we understand the form and practice of a building. Performing Home will be of particular relevance to scholars, students and practitioners in architecture, art and performance, to those in geography, material culture and cultural studies, and to anyone seeking to make sense of the place in which they live.
Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :
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Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: Robert Slifkin
Publisher: Bloomsbury Publishing USA
ISBN: 1501341588
Category : Art
Languages : en
Pages : 209
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Book Description
The Present Prospects of Social Art History represents a major reconsideration of how art historians analyze works of art and the role that historical factors, both those at the moment when the work was created and when the historian addresses the objects at hand, play in informing their interpretations. Featuring the work of some of the discipline's leading scholars, the volume contains a collection of essays that consider the advantages, limitations, and specific challenges of seeing works of art primarily through a historical perspective. The assembled texts, along with an introduction by the co-editors, demonstrate an array of possible methodological approaches that acknowledge the crucial role of history in the creation, reception, and exhibition of works of art.
