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Author: Fogg Art Museum
Publisher:
ISBN:
Category : Bronzes
Languages : en
Pages : 148
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Book Description
Author: Fogg Art Museum
Publisher:
ISBN:
Category : Bronzes
Languages : en
Pages : 148
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Book Description
Author: Rosalind E. Krauss
Publisher: Scholarly Title
ISBN:
Category : Sculptors
Languages : en
Pages : 594
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
Author: David Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
Author: Jane Harrison Cone
Publisher: Cambridge? : s.n.
ISBN:
Category : Abstract Expressionism
Languages : en
Pages : 124
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Book Description
Author: David Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 38
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Book Description
Author: David Smith
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 44
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Book Description
This volume is a catalog published to accompany an exhibition of the works of American artist David Smith (1906-1965). Smith was best known as an Abstract Expressionist sculptor best known for creating large steel abstract geometric sculptures. Much of Smith's work explores the fusion of drawing, painting, and sculpture. This exhibition includes a rare series of intimate yet powerful paintings that have an experimental and free disposition. Although each work is small in scale, they individually hold an abundance of bold charisma. Smith made the paintings in this exhibition over a four-year period. Each work was made on a sturdy, precut piece of masonite board. Viewing them as a group, one is struck by their range of style and tone, the charged tension in the varied relationships between surface and illusionary space, and their function as both object and image. Simultaneously intimate and powerfully direct, these paintings are emblematic of Smith's belief that all art is experienced through our visual response to image.
Author: The Estate of David Smith
Publisher: Other Distribution
ISBN: 9780300224115
Category : Art
Languages : en
Pages : 0
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Book Description
A monumental new work of scholarship on a luminary of twentieth-century art "I'm not sure I have ever seen a catalogue raisonné as beautiful, as magnificent, as the new publication on the oeuvre of the great American sculptor David Smith."--Michael Fried, Bookforum Embracing factory methods of construction, building on the legacy of cubism, and turning his back on European carving and casting traditions, David Smith (1906-1965) transformed postwar sculpture. His body of work, contemporary with the New York School in painting, and his pioneering placement of sculptures in a natural setting are foundational for present-day sculpture and installation art. This three-volume boxed set comprehensively details the entirety of Smith's sculptural oeuvre. It is now the definitive catalogue raisonné and supplants the one constructed by Rosalind E. Krauss in 1977. With Christopher Lyon as Editor and Susan J. Cooke as Research Editor, the volumes also contain a Foreword by Rebecca and Candida Smith, essays by Michael Brenson, Sarah Hamill, Marc-Christian Roussel, Christopher Lyon, and a chronology by Tracee Ng. Throughout the volumes, reproductions of documents and images, including many photographs, paintings, drawings, and sketches by the artist, offer fresh insights into Smith's methods and creative thought. Handsomely designed and generously illustrated with fine color reproductions, this catalogue raisonné is both a sumptuous object and an essential scholarly resource. Distributed for the Estate of David Smith
Author: M. Knoedler & Co
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Sarah Hamill
Publisher: Univ of California Press
ISBN: 0520280342
Category : Art
Languages : en
Pages : 270
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Book Description
How does photography shape the way we see sculpture? In David Smith in Two Dimensions, Sarah Hamill broaches this question through an in-depth consideration of the photography of American sculptor David Smith (1906Ð1965). Smith was a modernist known for radically shifting the terms of sculpture, a medium traditionally defined by casting, modeling, and carving. He was the first to use industrial welding as a sustained technique for large-scale sculpture, influencing a generation of minimalists to come. What is less known about Smith is his use of the camera to document his own sculptures as well as everyday objects, spaces, and bodies. His photographs of his sculptures were published in countless exhibition catalogs, journals, and newspapers, often as anonymous illustrations. Far from being neutral images, these photographs direct a pictorial encounter with spatial form and structure the public display of his work. David Smith in Two Dimensions looks at the sculptorÕs adoption of unconventional backdrops, alternative vantage points, and unusual lighting effects and exposures to show how he used photography to dramatize and distance objects. This comprehensive and penetrating account also introduces SmithÕs expansive archive of copy prints, slides, and negatives, many of which are seen here for the first time. Hamill proposes a new understanding of SmithÕs sculpture through photography, exploring issues that are in turn vital to discourses of modern sculpture, sculptural aesthetics, and postwar art. In SmithÕs photography, we see an artist moving fluidly between media to define what a sculptural object was and how it would be encountered publicly.
