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Author: Verónica Rodríguez
Publisher: Springer
ISBN: 3030061825
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
With a Foreword by Dan Rebellato, this book offers up a detailed exploration of Scottish playwright David Greig’s work with particular attention to globalization, ethics, and the spectator. It makes the argument that Greig’s theatre works by undoing, cracking, or breaking apart myriad elements to reveal the holed, porous nature of all things. Starting with a discussion of Greig’s engagement with shamanism and arguing for holed theatre as a response to globalization, for Greig’s works’ politics of aesthethics, and for the holed spectator as part of an affective ecology of transfers, this book discusses some of Greig’s most representative political theatre from Europe (1994) to The Events (2013), concluding with an exploration of Greig’s theatre’s world-forming quality.
Author: Verónica Rodríguez
Publisher: Springer
ISBN: 3030061825
Category : Performing Arts
Languages : en
Pages : 283
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Book Description
With a Foreword by Dan Rebellato, this book offers up a detailed exploration of Scottish playwright David Greig’s work with particular attention to globalization, ethics, and the spectator. It makes the argument that Greig’s theatre works by undoing, cracking, or breaking apart myriad elements to reveal the holed, porous nature of all things. Starting with a discussion of Greig’s engagement with shamanism and arguing for holed theatre as a response to globalization, for Greig’s works’ politics of aesthethics, and for the holed spectator as part of an affective ecology of transfers, this book discusses some of Greig’s most representative political theatre from Europe (1994) to The Events (2013), concluding with an exploration of Greig’s theatre’s world-forming quality.
Author: Clare Wallace
Publisher: A&C Black
ISBN: 1408160609
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
David Greig has been described as 'one of the most interesting and adventurous British dramatists of his generation' (Daily Telegraph) and 'one of the most intellectually stimulating dramatists around' (Guardian). Since he began writing for theatre in the early nineties, his work has been both copious and remarkably varied, defying neat generalisations or attempts to pigeon-hole his work. Besides his original plays, he has adapated classics, is co-founder of the Suspect Culture Theatre Group and is currently Dramaturge for the National Theatre of Scotland. This Critical Companion provides an analytical survey of his work, from his early plays such as Europe and The Architect through to more recent works Damascus, Dunsinane and Ramallah; it also considers the plays produced with Suspect Culture and his work for young audiences. As such it is the first book to provide a critical account of the full variety of his work and will appeal to students and fans of contemporary British theatre. Clare Wallace provides a detailed analysis of a broad selection of plays and their productions, reviews current discourses about his work and offers a framework for enquiry. The Companion features an interview with David Greig and a further three essays by leading academics offering a variety of critical perspectives.
Author: Richard Bradford
Publisher: John Wiley & Sons
ISBN: 1119653061
Category : Literary Criticism
Languages : en
Pages : 912
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Book Description
THE WILEY BLACKWELL COMPANION TO CONTEMPORARY BRITISH AND IRISH LITERATURE An insightful guide to the exploration of modern British and Irish literature The Wiley Blackwell Companion to Contemporary British and Irish Literature is a must-have guide for anyone hoping to navigate the world of new British and Irish writing. Including modern authors and poets from the 1960s through to the 21st century, the Companion provides a thorough overview of contemporary poetry, fiction, and drama by some of the most prominent and noteworthy writers. Seventy-three comprehensive chapters focus on individual authors as well as such topics as Englishness and identity, contemporary Science Fiction, Black writing in Britain, crime fiction, and the influence of globalization on British and Irish Literature. Written in four parts, The Wiley Blackwell Companion to Contemporary British and Irish Literature includes comprehensive examinations of individual authors, as well as a variety of themes that have come to define the contemporary period: ethnicity, gender, nationality, and more. A thorough guide to the main figures and concepts in contemporary literature from Britain and Ireland, this two-volume set: Includes studies of notable figures such as Seamus Heaney and Angela Carter, as well as more recently influential writers such as Zadie Smith and Sarah Waters. Covers topics such as LGBT fiction, androgyny in contemporary British Literature, and post-Troubles Northern Irish Fiction Features a broad range of writers and topics covered by distinguished academics Includes an analysis of the interplay between individual authors and the major themes of the day, and whether an examination of the latter enables us to appreciate the former. The Wiley Blackwell Companion to Contemporary British and Irish Literature provides essential reading for students as well as academics seeking to learn more about the history and future direction of contemporary British and Irish Literature.
Author: Trish Reid
Publisher: Springer Nature
ISBN: 3031611918
Category :
Languages : en
Pages : 251
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Book Description
Author: Duška Radosavljević
Publisher: Taylor & Francis
ISBN: 1000755940
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
Aural/Oral Dramaturgies: Theatre in the Digital Age focuses on the ‘aural turn’ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound -- ‘post-verbatim’ theatre, 'amplified storytelling' (works using microphones and headphones), and ‘gig theatre’ that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives an alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of speech and sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations, and presentations from artists and academics. This is a key text for scholars, students, and practitioners of contemporary performance, and anyone working with dramaturgies of orality and aurality in today’s performance environment.
Author: David Greig
Publisher: Faber & Faber
ISBN: 0571352251
Category : Drama
Languages : en
Pages : 125
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Book Description
In 1928 a journalist asked George Mallory why he wanted to climb Everest. Mallory said, 'Because it's there.' Joe Simpson's memoir Touching the Void, international bestseller and BAFTA-winning film, charts his struggle for survival on the perilous Siula Grande mountain in the Peruvian Andes aged twenty-five. Adapted for the stage by David Greig, Joe's story explodes into a bold theatrical fantasia. We discover the counter-cultural world of Alpine climbing and the sensual joy of the mountains; we bear witness to the appalling moment when Joe's climbing partner Simon Yates, battered by freezing winds and tethered to the injured Simpson, makes the critical decision to cut the rope. Tense, funny and inquisitive, Touching the Void explores the mind's extraordinarily rich reservoirs of strength and imagination when teetering on the edge of death. David Greig's Touching the Void premiered at Bristol Old Vic, Bristol in September 2018.
Author: Verónica Rodríguez Morales
Publisher:
ISBN:
Category :
Languages : en
Pages : 437
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Book Description
The present PhD thesis, entitled "Globalisation in David Greig's Theatre: Space, Ethics and the Spectator", aims to contribute to the field of contemporary British drama and theatre studies in the form of an extended monographic study of Greig's theatre and globalisation with a particular focus on a triad of elements: space, ethics and the spectator. The thesis's corpus spans two decades, from the 1990s to the present time. It examines Europe (1994), One Way Street (1995) [both under "Europe Plays"], The Architect (1996), The Cosmonaut's Last Message to the Woman He Once Loved in the Former Soviet Union (1999) [both under "Vertical Plays"], Outlying Islands (2002), San Diego (2003) [both under "Bird Plays"], The American Pilot (2005), Damascus (2007) [both under "Encounter Plays"], Fragile (2011) and The Events (2013) [both under "Here Plays"], all of which are seen as prominently responding to globalisation. After articulating globalisation by drawing mainly on David Harvey, Zygmunt Bauman and Jean-Luc Nancy, the theoretical and methodological framework focuses on positioning Greig's work in the context of contemporary British political theatre. Critical theories drawn from ethics (Emmanuel Levinas, Judith Butler), aesthetics (Nicolas Bourriaud, Claire Bishop, Jacques Rancière) and affect studies (Gilles Deleuze) are deployed in order to trace and attempt to explain the woundedness and porousness that characterises it. More specifically, the thesis lays out a theory of crosspollination between aesthetics, ethics and politics in order to address the co-work between world, playwright and play in Greig's theatre, and uses affect theories in order to examine the transformative loop not just between world, playwright and plays, but also the spectator and the world-to- be-created (Nancy). It is claimed that by means of a complex experimentation with space, Greig's plays represent all the above-named elements, including the spectator, as 'holed'. This produces a sense of 'aesthethic' confounding and bleeding across that ultimately articulates the idea of an urgently interconnected 'here'. Thus, Europe blurs the borders between two Europes (old and new), immigrants and locals, financial elites and economic pariahs, among others. One Way Street focuses on walking and destabilises space-times in several multivalent ways. The Architect engages with architectures of power, which eventually explode to reveal, perhaps, a new spatial understanding. Cosmonaut ingrains urban and outer spaces in an above-below dialectics wherein characters, despite communication failures, are able to reach out of themselves horizontally. Outlying Islands continues delving into the idea of 'here' through bird trajectories and the play's insistence on the pervasiveness of water and the fluidity of watching acts. San Diego stitches up the whole globe, so that impossible connections are disclosed between supposedly distant occurrences. The American Pilot probes the concept of 'here' further through an emphasis on the space of the stage, where the entire cast remain visible throughout the performance. Gaining confidence in the power of both story and theatricality, Damascus acknowledges the presence of both performers and spectators through the use of music on stage, story-telling devices and a character that, by always being 'here', connects the worlds of the play and the spectator and the one 'outside'. Fragile manages to render separate locations as one single space via Jack transcorporeally evoking all bodies and spaces and Caroline's/the audience's becoming part of that through the unusual conversation she/they establish(es) with Jack. Finally, The Events highlights 'here' via the highly a/effective strategy of having real local choirs participate in each performance so as to compellingly put forward the idea that events (albeit unevenly) always happen to all of us, in this cracked globe. The thesis concludes by confirming that Greig's theatre does indeed respond to globalisation 'aesthethically', that is, by engaging with complex articulations of space that underline ethical questions by repeatedly and multifariously infusing the spectator with a sense of our irrepressible interconnectedness and co-responsibility.
Author: David Greig
Publisher: Faber & Faber
ISBN: 0571311067
Category : Performing Arts
Languages : en
Pages : 73
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Book Description
'I have been thinking I might go berserk.' When Claire, a priest, survives an atrocity she sets out on a quest to answer the most difficult question of all: 'Why?' It's a journey that takes her to the edge of reason, science, politics and faith. David Greig's daring new play explores our destructive desire to fathom the unfathomable and asks how far forgiveness can stretch in the face of brutality. The Events was commissioned and first produced by Actors Touring Company in co-production with the Young Vic Theatre, Schauspielhaus Wein and Brageteatret. It premiered at the Traverse Theatre, Edinburgh, in August 2013.
Author: Clare Wallace
Publisher: Bloomsbury Publishing
ISBN: 1350180866
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
A collection of incisive investigations into the ways that 21st-century British theatre works with - and through - crisis. It pays particular attention to the way in which writers and practitioners consider the ethical and social challenges of crisis. Anchored in an interdisciplinary approach that draws from sociology, cultural theory, feminism, performance and philosophy, the book brings multi-faceted ideas into dialogue with the diverse aesthetics, practices and themes of a range of theatrical work produced in Britain since 2005. Topics discussed include: Ageing Austerity Gender Migrancy Multiculturalism Aesthetics Companies discussed include: Theatre Uncut Lost Dog Camden People's People Lung Brighton People's Theatre Phosphoros Theatre Playwrights discussed include: Jez Butterworth Caryl Churchill Tim Crouch Vivienne Franzmann James Graham debbie tucker green Ella Hickson Charlene James Lucy Kirkwood Simon Longman Cordelia Lynn Simon Stephens Jack Thorne Chris Thorpe Gloria Williams Building on recent publications in the area and engaging in dialogue with them, Crisis, Representation and Resilience considers how crisis is being re-thought and re-orientated through theatrical performance and the ways theatre invites us to respond to the many challenges of the contemporary times.
Author: Elisabeth Angel-Perez
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110796325
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
It is a fact that today’s British stages resound with powerfully innovative voices and that, very often, these voices have been those of young women playwrights. This collection of essays gives visibility and pride of place to these fascinating voices by exploring the vitality, inventiveness and particularly strong relevance of these poetics. These women playwrights sometimes invent radically new forms and sometimes experiment with conventional ones in fresh and unexpected ways, as for example when they re-energize naturalism and provide it with new missions. The plays that are addressed are all concerned with the necessity to grasp the complexity of the contemporary world and to further investigate what it means to be human. Intimate or epic, and sometimes both at once, visionary or closer to everyday life, these plays approach the contemporary world through a multitude of prisms – historical, scientific, political and poetic – and open different and visionary perspectives.
