Author: Urs Stahel
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 376
Book Description
Following the survey of photographed sexuality and lust in Darkside I, the other end of the physical spectrum is illuminated: the intimate affinity between death and photography impairment, disease, degeneration, violence and death, pain, grief and loss. Recording death is, along with war reporting, one of photographys original tasks. Pictures of horror are often shocking and yet bestselling. They provoke questions about exploitation, complicity and power relationships in front of and behind the camera and in the photograph itself. Photography often provokes accusations that it aestheticizes misery, creating a
Darkside: Fotografische Macht und fotografierte Gewalt, Krankheit und Tod
Author: Urs Stahel
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 376
Book Description
Following the survey of photographed sexuality and lust in Darkside I, the other end of the physical spectrum is illuminated: the intimate affinity between death and photography impairment, disease, degeneration, violence and death, pain, grief and loss. Recording death is, along with war reporting, one of photographys original tasks. Pictures of horror are often shocking and yet bestselling. They provoke questions about exploitation, complicity and power relationships in front of and behind the camera and in the photograph itself. Photography often provokes accusations that it aestheticizes misery, creating a
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 376
Book Description
Following the survey of photographed sexuality and lust in Darkside I, the other end of the physical spectrum is illuminated: the intimate affinity between death and photography impairment, disease, degeneration, violence and death, pain, grief and loss. Recording death is, along with war reporting, one of photographys original tasks. Pictures of horror are often shocking and yet bestselling. They provoke questions about exploitation, complicity and power relationships in front of and behind the camera and in the photograph itself. Photography often provokes accusations that it aestheticizes misery, creating a
Shirin Neshat
Author: Steven Henry Madoff
Publisher: Smithsonian Books
ISBN: 1588345092
Category : Art
Languages : en
Pages : 249
Book Description
"This catalogue is published in conjunction with the exhibition Shirin Neshat: Facing History, organized by the Hirshhorn Museum and Sculpture Garden, Smithsonian institution, Wahington DC May18- September 20, 2015"--Title page verso.
Publisher: Smithsonian Books
ISBN: 1588345092
Category : Art
Languages : en
Pages : 249
Book Description
"This catalogue is published in conjunction with the exhibition Shirin Neshat: Facing History, organized by the Hirshhorn Museum and Sculpture Garden, Smithsonian institution, Wahington DC May18- September 20, 2015"--Title page verso.
Rineke Dijkstra
Author: Rineke Dijkstra
Publisher: Guggenheim Museum
ISBN:
Category : Photography
Languages : en
Pages : 268
Book Description
This volume is the first comprehensive monograph on Rineke Dijkstra to be published in the United States, accompanying the first U.S. mid-career survey of this important Dutch artists work in photography and video. The catalogue features the Beach Portraits and other early works such as the photographs of new mothers and bullfighters, together with selections from Dijkstras later work, including her most recent video installations. Also featured are series that the artist has been working on continuously for years, such as Almerisa (1994), which documents a young immigrant girl as she grows up and adapts to her new environment. Exhibition curators Jennifer Blessing, Senior Curator, Photography, Solomon R. Guggenheim Museum, and Sandra S. Phillips, Senior Curator of Photography, San Francisco Museum of Modern Art, contribute essays accompanied by an interview with the artist by Jan van Adrichem, selected interviews with several of the artists subjects, and entries on the artists series by Chelsea Spengemann, as well as the most comprehensive exhibition history and bibliography to date.
Publisher: Guggenheim Museum
ISBN:
Category : Photography
Languages : en
Pages : 268
Book Description
This volume is the first comprehensive monograph on Rineke Dijkstra to be published in the United States, accompanying the first U.S. mid-career survey of this important Dutch artists work in photography and video. The catalogue features the Beach Portraits and other early works such as the photographs of new mothers and bullfighters, together with selections from Dijkstras later work, including her most recent video installations. Also featured are series that the artist has been working on continuously for years, such as Almerisa (1994), which documents a young immigrant girl as she grows up and adapts to her new environment. Exhibition curators Jennifer Blessing, Senior Curator, Photography, Solomon R. Guggenheim Museum, and Sandra S. Phillips, Senior Curator of Photography, San Francisco Museum of Modern Art, contribute essays accompanied by an interview with the artist by Jan van Adrichem, selected interviews with several of the artists subjects, and entries on the artists series by Chelsea Spengemann, as well as the most comprehensive exhibition history and bibliography to date.
Zoe Leonard
Author: Zoe Leonard
Publisher:
ISBN: 9783865214942
Category : Photography, Artistic
Languages : en
Pages : 0
Book Description
Photographer Zoe Leonard practices a type of cerebral roaming combined with carefully considered observation. For more than 20 years she has crisscrossed nature and culture, cityscapes and museums, always searching for signs that say something about structures, about natural and cultural conditions and the contradictions, parallels and connections between them. Leonard's photographs of anatomical wax figures, fashion shows, trees and fences present figures in sparse black-and-white images that open up visual fields of thought and reveal within them our visible world--the concrete and established structures that make up our reality. Leonard first created an international stir at the Documenta 9 exhibition in Kassel, Germany, in 1992, when she placed black-and-white photographs of female genitalia in the context of a male-dominated museum. Since then, the political aspects of her work have formed a backdrop for her constant struggle with shape, imagery and the union of symbols and content. This is the first book to showcase Leonard's complete oeuvre.
Publisher:
ISBN: 9783865214942
Category : Photography, Artistic
Languages : en
Pages : 0
Book Description
Photographer Zoe Leonard practices a type of cerebral roaming combined with carefully considered observation. For more than 20 years she has crisscrossed nature and culture, cityscapes and museums, always searching for signs that say something about structures, about natural and cultural conditions and the contradictions, parallels and connections between them. Leonard's photographs of anatomical wax figures, fashion shows, trees and fences present figures in sparse black-and-white images that open up visual fields of thought and reveal within them our visible world--the concrete and established structures that make up our reality. Leonard first created an international stir at the Documenta 9 exhibition in Kassel, Germany, in 1992, when she placed black-and-white photographs of female genitalia in the context of a male-dominated museum. Since then, the political aspects of her work have formed a backdrop for her constant struggle with shape, imagery and the union of symbols and content. This is the first book to showcase Leonard's complete oeuvre.
The Atlas Group (1989-2004)
Author: Atlas Group
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Explores the contemporary history of Lebanon, scarred by civil war. Here, the author asks if and when experiences of a guerilla war can ever be documented.
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Explores the contemporary history of Lebanon, scarred by civil war. Here, the author asks if and when experiences of a guerilla war can ever be documented.
The Ecstasy of Things
Author: Thomas Seelig
Publisher: Steidl Dap
ISBN: 9783865210852
Category : Photography
Languages : en
Pages : 397
Book Description
The twentieth century was--among all else--a century of things. From the handmade object to the mass produced, these things that once served a purpose soon became harbingers of beauty, modernity and innovation. Beyond the material, these objects have stimulated fantasies that convey an image about a time and a place, so that now even an everyday telephone or radio that has long been discontinued can experience a rebirth as a cult object only to be purchased for lofty sums of money at an auction. "The Ecstasy of Things" illustrates how product photography reflects the world of things as captured in varying lights for designers, manufacturers and advertising agencies. Collected here are nearly 500 photographs--many of which were unearthed from company and agency archives worldwide on behalf of the Fotomuseum Winterthur and the Swiss Photography Foundation. This book most impressively demonstrates how the emotional and symbolic content of an object was represented through the changing tastes and aesthetics throughout the twentieth century. At the same time, the collection is a wealth of forms, a colorful compendium of design and a photographic history of the past century as illustrated through our possessions.
Publisher: Steidl Dap
ISBN: 9783865210852
Category : Photography
Languages : en
Pages : 397
Book Description
The twentieth century was--among all else--a century of things. From the handmade object to the mass produced, these things that once served a purpose soon became harbingers of beauty, modernity and innovation. Beyond the material, these objects have stimulated fantasies that convey an image about a time and a place, so that now even an everyday telephone or radio that has long been discontinued can experience a rebirth as a cult object only to be purchased for lofty sums of money at an auction. "The Ecstasy of Things" illustrates how product photography reflects the world of things as captured in varying lights for designers, manufacturers and advertising agencies. Collected here are nearly 500 photographs--many of which were unearthed from company and agency archives worldwide on behalf of the Fotomuseum Winterthur and the Swiss Photography Foundation. This book most impressively demonstrates how the emotional and symbolic content of an object was represented through the changing tastes and aesthetics throughout the twentieth century. At the same time, the collection is a wealth of forms, a colorful compendium of design and a photographic history of the past century as illustrated through our possessions.
Civilization
Author: Holly Roussell
Publisher: Thames & Hudson
ISBN: 9780500297513
Category : Photography
Languages : en
Pages : 0
Book Description
Our fast-changing world seen through the lenses of 140 leading contemporary photographers around the globe. With close to 500 images, many previously unpublished, this landmark publication takes stock of the material and spiritual cultures that make up 'civilization'. Ranging from the ordinary to the extraordinary, from our great collective achievements to our ruinous collective failings, Civilization: The Way We Live Now explores the complexity of contemporary civilization through the rich, nuanced language of photography. Featuring images by some 140 photographers - from Reiner Riedler's families at leisure parks, Raimond Wouda's high schools, Wang Qingsong's Work, Work, Work and Cindy Sherman's Society Portraits, to Lauren Greenfield's displays of ostentatious wealth, Edward Burtynsky's oil fields, Pablo Lopez Luz's views on a sprawling contemporary megalopolis, Thomas Struth's images of high technology, Xing Danwen's electronic wastelands and Taryn Simon's Contraband, Civilization draws together the threads of humankind's ever-changing, frenetic, collective life across the globe. Visually epic, Civilization is presented through eight thematic chapters, each featuring powerful imagery and accompanied by provocative essays, quotes and concise statements by the artists themselves.
Publisher: Thames & Hudson
ISBN: 9780500297513
Category : Photography
Languages : en
Pages : 0
Book Description
Our fast-changing world seen through the lenses of 140 leading contemporary photographers around the globe. With close to 500 images, many previously unpublished, this landmark publication takes stock of the material and spiritual cultures that make up 'civilization'. Ranging from the ordinary to the extraordinary, from our great collective achievements to our ruinous collective failings, Civilization: The Way We Live Now explores the complexity of contemporary civilization through the rich, nuanced language of photography. Featuring images by some 140 photographers - from Reiner Riedler's families at leisure parks, Raimond Wouda's high schools, Wang Qingsong's Work, Work, Work and Cindy Sherman's Society Portraits, to Lauren Greenfield's displays of ostentatious wealth, Edward Burtynsky's oil fields, Pablo Lopez Luz's views on a sprawling contemporary megalopolis, Thomas Struth's images of high technology, Xing Danwen's electronic wastelands and Taryn Simon's Contraband, Civilization draws together the threads of humankind's ever-changing, frenetic, collective life across the globe. Visually epic, Civilization is presented through eight thematic chapters, each featuring powerful imagery and accompanied by provocative essays, quotes and concise statements by the artists themselves.
Mapping Sitting
Author: Karl Bassil
Publisher: Mind the Gap/Arab Image Foundation
ISBN:
Category : Photography
Languages : en
Pages : 292
Book Description
Setting up on a sunny day at the beach or snapping a passport photo, the studio photographer measures out his working day in repeated frames, fixing the ordinary customer on film. Addressing the enduring value of these portraits and the viewer's common humanity with the subjects is the aim of Mapping Sitting, a collection of studio photographs, primarily from the 1950s and 1960s, that shows an Arab world that defies stereotypes. Drawn from the archives of the Arab Image Foundation, whose mission is to rescue and preserve indigenous Arab photography, and curated by two Lebanese-born artists, Walid Raad and Akram Zaatari, these photographs provide a moving mosaic of Middle Eastern men and women posing in the studio, lounging on the sand, or goofing around on bikes. There are also pages of carefully indexed passport photos, which become charged with meaning in a post-9/11 world. The exhibition from which Mapping Sitting was drawn, mounted at the Grey Art Gallery in New York, was widely reviewed in publications such as The New York Times and New York Magazine.
Publisher: Mind the Gap/Arab Image Foundation
ISBN:
Category : Photography
Languages : en
Pages : 292
Book Description
Setting up on a sunny day at the beach or snapping a passport photo, the studio photographer measures out his working day in repeated frames, fixing the ordinary customer on film. Addressing the enduring value of these portraits and the viewer's common humanity with the subjects is the aim of Mapping Sitting, a collection of studio photographs, primarily from the 1950s and 1960s, that shows an Arab world that defies stereotypes. Drawn from the archives of the Arab Image Foundation, whose mission is to rescue and preserve indigenous Arab photography, and curated by two Lebanese-born artists, Walid Raad and Akram Zaatari, these photographs provide a moving mosaic of Middle Eastern men and women posing in the studio, lounging on the sand, or goofing around on bikes. There are also pages of carefully indexed passport photos, which become charged with meaning in a post-9/11 world. The exhibition from which Mapping Sitting was drawn, mounted at the Grey Art Gallery in New York, was widely reviewed in publications such as The New York Times and New York Magazine.
Present Continuous Past(s)
Author: Ursula Frohne
Publisher: Springer
ISBN: 9783211254684
Category : Art
Languages : en
Pages : 0
Book Description
— — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — off legitimate research interests against artists’ justi?ed claims for economic grati?cation? And how could new methods of documentation and dissemination, for example on the Internet, contribute to a more liberal access to the (so-far) closed-circuit system of established formulas for the mediation of multi-media artworks, in order to create a wider frame of reference via new visualization techniques? These questions were debated among other issues at an international symposium, held in the spring of 2004 at the University of Art in Bremen. As intentionally re?ected in the adapted title from Dan Graham’s seminal video-feedback installation »Present Continuous Past(s)«, the conference discussions crystallized around three main aspects, namely the relation of the artists’ intention to the faithful presentation and preservation of multi-media artworks for possible future re-presentations, the speci?c reception conditions that these works require as much in their gallery displays as under the conditions of post-exhibition documentation (particularly in anticipation of future presentations), and ?nally – as implicitly re?ected in all of these aspects – the philosophical dimensions of media art’s historicity. Media art’s ›becoming-of-age‹ has generally caused more concern and has led to more useful strategic initiatives within the museum context than in the academic ?eld of art history.
Publisher: Springer
ISBN: 9783211254684
Category : Art
Languages : en
Pages : 0
Book Description
— — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — off legitimate research interests against artists’ justi?ed claims for economic grati?cation? And how could new methods of documentation and dissemination, for example on the Internet, contribute to a more liberal access to the (so-far) closed-circuit system of established formulas for the mediation of multi-media artworks, in order to create a wider frame of reference via new visualization techniques? These questions were debated among other issues at an international symposium, held in the spring of 2004 at the University of Art in Bremen. As intentionally re?ected in the adapted title from Dan Graham’s seminal video-feedback installation »Present Continuous Past(s)«, the conference discussions crystallized around three main aspects, namely the relation of the artists’ intention to the faithful presentation and preservation of multi-media artworks for possible future re-presentations, the speci?c reception conditions that these works require as much in their gallery displays as under the conditions of post-exhibition documentation (particularly in anticipation of future presentations), and ?nally – as implicitly re?ected in all of these aspects – the philosophical dimensions of media art’s historicity. Media art’s ›becoming-of-age‹ has generally caused more concern and has led to more useful strategic initiatives within the museum context than in the academic ?eld of art history.
Hand
Author: Raymond Tallis
Publisher: Edinburgh University Press
ISBN: 1474473016
Category : Philosophy
Languages : en
Pages : 375
Book Description
A philosophical examination and celebration of the human hand.
Publisher: Edinburgh University Press
ISBN: 1474473016
Category : Philosophy
Languages : en
Pages : 375
Book Description
A philosophical examination and celebration of the human hand.