Author: Thorsten Botz-Bornstein
Publisher: State University of New York Press
ISBN: 143849453X
Category : Philosophy
Languages : en
Pages : 280
Book Description
How would Zhuangzi, a Chinese philosopher who lived in the fourth century BCE, have reacted to the recent linguistic reforms commonly referred to as "political correctness"? Zhuangzi was a language skeptic, which means that he did not believe that language could convey the true meanings of the world. Might Zhuangzi have argued that political correctness creates but a dream world made of rules, policies, and words—no more real than when he "dreamt he was a butterfly"? Written in a provocative tone, this book looks at political correctness through the lens of ancient Chinese philosophy, as well as through Brummell's and Wilde's aesthetic philosophy of dandyism. Several scholars have established links between Zhuangzi and dandyism, and Wilde wrote one of the first reviews of Herbert Giles's English translation of the Zhuangzi. Like Daoism, dandyism does not engage in a Confucian "correction" of language, instead preferring aimless roaming and rambling. The Daoist "carefree wanderer" is a flâneur, and both Daoist and dandy deconstruct the puritanism and correctness sought by Confucianism, Victorianism, and our contemporary neoliberal culture. Instead of seeking to induce correct opinions, they seek to liberate the mind.
Daoism, Dandyism, and Political Correctness
Author: Thorsten Botz-Bornstein
Publisher: State University of New York Press
ISBN: 143849453X
Category : Philosophy
Languages : en
Pages : 280
Book Description
How would Zhuangzi, a Chinese philosopher who lived in the fourth century BCE, have reacted to the recent linguistic reforms commonly referred to as "political correctness"? Zhuangzi was a language skeptic, which means that he did not believe that language could convey the true meanings of the world. Might Zhuangzi have argued that political correctness creates but a dream world made of rules, policies, and words—no more real than when he "dreamt he was a butterfly"? Written in a provocative tone, this book looks at political correctness through the lens of ancient Chinese philosophy, as well as through Brummell's and Wilde's aesthetic philosophy of dandyism. Several scholars have established links between Zhuangzi and dandyism, and Wilde wrote one of the first reviews of Herbert Giles's English translation of the Zhuangzi. Like Daoism, dandyism does not engage in a Confucian "correction" of language, instead preferring aimless roaming and rambling. The Daoist "carefree wanderer" is a flâneur, and both Daoist and dandy deconstruct the puritanism and correctness sought by Confucianism, Victorianism, and our contemporary neoliberal culture. Instead of seeking to induce correct opinions, they seek to liberate the mind.
Publisher: State University of New York Press
ISBN: 143849453X
Category : Philosophy
Languages : en
Pages : 280
Book Description
How would Zhuangzi, a Chinese philosopher who lived in the fourth century BCE, have reacted to the recent linguistic reforms commonly referred to as "political correctness"? Zhuangzi was a language skeptic, which means that he did not believe that language could convey the true meanings of the world. Might Zhuangzi have argued that political correctness creates but a dream world made of rules, policies, and words—no more real than when he "dreamt he was a butterfly"? Written in a provocative tone, this book looks at political correctness through the lens of ancient Chinese philosophy, as well as through Brummell's and Wilde's aesthetic philosophy of dandyism. Several scholars have established links between Zhuangzi and dandyism, and Wilde wrote one of the first reviews of Herbert Giles's English translation of the Zhuangzi. Like Daoism, dandyism does not engage in a Confucian "correction" of language, instead preferring aimless roaming and rambling. The Daoist "carefree wanderer" is a flâneur, and both Daoist and dandy deconstruct the puritanism and correctness sought by Confucianism, Victorianism, and our contemporary neoliberal culture. Instead of seeking to induce correct opinions, they seek to liberate the mind.
Zhuangzi and the Becoming of Nothingness
Author: David Chai
Publisher: SUNY Press
ISBN: 1438472676
Category : Philosophy
Languages : en
Pages : 218
Book Description
Explores the cosmological and metaphysical thought in the Zhuangzi from the perspective of nothingness. Zhuangzi and the Becoming of Nothingness offers a radical rereading of the Daoist classic Zhuangzi by bringing to light the role of nothingness in grounding the cosmological and metaphysical aspects of its thought. Through a careful analysis of the text and its appended commentaries, David Chai reveals not only how nothingness physically enriches the myriad things of the world, but also why the Zhuangzi prefers nothingness over being as a means to expound the authentic way of Dao. Chai weaves together Dao, nothingness, and being in order to reassess the nature and significance of Daoist philosophy, both within its own historical milieu and for modern readers interested in applying the principles of Daoism to their own lived experiences. Chai concludes that nothingness is neither a nihilistic force nor an existential threat; instead, it is a vital component of Daos creative power and the life-praxis of the sage. Chai provides an elaborate philosophical meontological interpretation of the ontology/cosmology found in the Zhuangzi and the implications for existential practice. Its a close, careful, but in many respects quite original reading of the classic that contributes significantly to the field of philosophical Daoist studies. Geir Sigurðsson, author of Confucian Propriety and Ritual Learning: A Philosophical Interpretation
Publisher: SUNY Press
ISBN: 1438472676
Category : Philosophy
Languages : en
Pages : 218
Book Description
Explores the cosmological and metaphysical thought in the Zhuangzi from the perspective of nothingness. Zhuangzi and the Becoming of Nothingness offers a radical rereading of the Daoist classic Zhuangzi by bringing to light the role of nothingness in grounding the cosmological and metaphysical aspects of its thought. Through a careful analysis of the text and its appended commentaries, David Chai reveals not only how nothingness physically enriches the myriad things of the world, but also why the Zhuangzi prefers nothingness over being as a means to expound the authentic way of Dao. Chai weaves together Dao, nothingness, and being in order to reassess the nature and significance of Daoist philosophy, both within its own historical milieu and for modern readers interested in applying the principles of Daoism to their own lived experiences. Chai concludes that nothingness is neither a nihilistic force nor an existential threat; instead, it is a vital component of Daos creative power and the life-praxis of the sage. Chai provides an elaborate philosophical meontological interpretation of the ontology/cosmology found in the Zhuangzi and the implications for existential practice. Its a close, careful, but in many respects quite original reading of the classic that contributes significantly to the field of philosophical Daoist studies. Geir Sigurðsson, author of Confucian Propriety and Ritual Learning: A Philosophical Interpretation
Zhuangzi's Critique of the Confucians
Author: Kim-chong Chong
Publisher: SUNY Press
ISBN: 1438462859
Category : Religion
Languages : en
Pages : 212
Book Description
Looks at the Daoist Zhuangzis critique of Confucianism. The Daoist Zhuangzi has often been read as a mystical philosopher. But there is another tradition, beginning with the Han dynasty historian Sima Qian, which sees him as a critic of the Confucians. Kim-chong Chong analyzes the Inner Chapters of the Zhuangzi, demonstrating how Zhuangzi criticized the pre-Qin Confucians through metaphorical inversion and parody. This is indicated by the subtitle, Blinded by the Human, which is an inversion of the Confucian philosopher Xunzis remark that Zhuangzi was blinded by heaven and did not know the human. Chong compares Zhuangzis Daoist thought to Confucianism, as exemplified by Confucius, Mencius, and Xunzi. By analyzing and comparing the different implications of concepts such as heaven, heart-mind, and transformation, Chong shows how Zhuangzi can be said to provide the resources for a more pluralistic and liberal philosophy than the Confucians.
Publisher: SUNY Press
ISBN: 1438462859
Category : Religion
Languages : en
Pages : 212
Book Description
Looks at the Daoist Zhuangzis critique of Confucianism. The Daoist Zhuangzi has often been read as a mystical philosopher. But there is another tradition, beginning with the Han dynasty historian Sima Qian, which sees him as a critic of the Confucians. Kim-chong Chong analyzes the Inner Chapters of the Zhuangzi, demonstrating how Zhuangzi criticized the pre-Qin Confucians through metaphorical inversion and parody. This is indicated by the subtitle, Blinded by the Human, which is an inversion of the Confucian philosopher Xunzis remark that Zhuangzi was blinded by heaven and did not know the human. Chong compares Zhuangzis Daoist thought to Confucianism, as exemplified by Confucius, Mencius, and Xunzi. By analyzing and comparing the different implications of concepts such as heaven, heart-mind, and transformation, Chong shows how Zhuangzi can be said to provide the resources for a more pluralistic and liberal philosophy than the Confucians.
Riding the Wind with Liezi
Author: Ronnie Littlejohn
Publisher: State University of New York Press
ISBN: 143843457X
Category : Philosophy
Languages : en
Pages : 274
Book Description
The Liezi is the forgotten classic of Daoism. Along with the Laozi (Daodejing) and the Zhuangzi, it's been considered a Daoist masterwork since the mid-eighth century, yet unlike those well-read works, the Liezi is little known and receives scant scholarly attention. Nevertheless, the Liezi is an important text that sheds valuable light on the early history of Daoism, particularly the formative period of sectarian Daoism. We do not know exactly what shape the original text took, but what remains is replete with fantastic characters, whimsical tales, paradoxical aphorisms, and philosophically sophisticated reflection on the nature of the world and humanity's place within it. Ultimately, the Liezi sees the world as one of change and indeterminacy. Arguing for the Liezi's historical, philosophical, and literary significance, the contributors to this volume offer a fresh look at this text, using contemporary approaches and providing novel insights. The volume is unique in its attention to both philosophical and religious perspectives.
Publisher: State University of New York Press
ISBN: 143843457X
Category : Philosophy
Languages : en
Pages : 274
Book Description
The Liezi is the forgotten classic of Daoism. Along with the Laozi (Daodejing) and the Zhuangzi, it's been considered a Daoist masterwork since the mid-eighth century, yet unlike those well-read works, the Liezi is little known and receives scant scholarly attention. Nevertheless, the Liezi is an important text that sheds valuable light on the early history of Daoism, particularly the formative period of sectarian Daoism. We do not know exactly what shape the original text took, but what remains is replete with fantastic characters, whimsical tales, paradoxical aphorisms, and philosophically sophisticated reflection on the nature of the world and humanity's place within it. Ultimately, the Liezi sees the world as one of change and indeterminacy. Arguing for the Liezi's historical, philosophical, and literary significance, the contributors to this volume offer a fresh look at this text, using contemporary approaches and providing novel insights. The volume is unique in its attention to both philosophical and religious perspectives.
The Way of Complete Perfection
Author:
Publisher: SUNY Press
ISBN: 1438446519
Category : Religion
Languages : en
Pages : 470
Book Description
An anthology of English translations of primary texts of the Quanzhen (Complete Perfection) school of Daoism.
Publisher: SUNY Press
ISBN: 1438446519
Category : Religion
Languages : en
Pages : 470
Book Description
An anthology of English translations of primary texts of the Quanzhen (Complete Perfection) school of Daoism.
Dao and Sign in History
Author: Daniel Fried
Publisher: SUNY Press
ISBN: 1438471939
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Provides a new perspective on important linguistic issues in philosophical and religious Daoism through the comparative lens of twentieth-century European philosophies of language. From its earliest origins in the Dao De Jing, Daoism has been known as a movement that is skeptical of the ability of language to fully express the truth. While many scholars have compared the earliest works of Daoism to language-skeptical movements in twentieth-century European philosophy and have debated to what degree early Daoism does or does not resemble these recent movements, Daniel Fried breaks new ground by examining a much broader array of Daoist materials from ancient and medieval China and showing how these works influenced ideas about language in medieval religion, literature, and politics. Through an extended comparison with a broad sample of European philosophical works, the book explores how ideas about language grow out of a given historical moment and advances a larger argument about how philosophical and religious ideas cannot be divided into content and context. Fried combines the disciplines of semiotics with a largely philosophical approach, thus offering fresh insights into both disciplines, while looking at issues from multiple perspectives. Steven Burik, author of The End of Comparative Philosophy and the Task of Comparative Thinking: Heidegger, Derrida, and Daoism
Publisher: SUNY Press
ISBN: 1438471939
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Provides a new perspective on important linguistic issues in philosophical and religious Daoism through the comparative lens of twentieth-century European philosophies of language. From its earliest origins in the Dao De Jing, Daoism has been known as a movement that is skeptical of the ability of language to fully express the truth. While many scholars have compared the earliest works of Daoism to language-skeptical movements in twentieth-century European philosophy and have debated to what degree early Daoism does or does not resemble these recent movements, Daniel Fried breaks new ground by examining a much broader array of Daoist materials from ancient and medieval China and showing how these works influenced ideas about language in medieval religion, literature, and politics. Through an extended comparison with a broad sample of European philosophical works, the book explores how ideas about language grow out of a given historical moment and advances a larger argument about how philosophical and religious ideas cannot be divided into content and context. Fried combines the disciplines of semiotics with a largely philosophical approach, thus offering fresh insights into both disciplines, while looking at issues from multiple perspectives. Steven Burik, author of The End of Comparative Philosophy and the Task of Comparative Thinking: Heidegger, Derrida, and Daoism
The Aesthetic Clinic
Author: Fernanda Negrete
Publisher: State University of New York Press
ISBN: 1438480229
Category : Philosophy
Languages : en
Pages : 348
Book Description
In The Aesthetic Clinic, Fernanda Negrete brings together contemporary women writers and artists well known for their formal experimentation—Louise Bourgeois, Sophie Calle, Lygia Clark, Marguerite Duras, Roni Horn, and Clarice Lispector—to argue that the aesthetic experiences afforded by their work are underwritten by a tenacious and uniquely feminine ethics of desire. To elaborate this ethics, Negrete looks to notions of sublimation and feminine sexuality developed by Freud, Baudelaire, Mallarmé, and Nietzsche, and their reinvention with and after Jacques Lacan, including in the schizoanalysis of Gilles Deleuze and Félix Guattari. But she also highlights how psychoanalytic theory draws on writing and other creative practices to conceive of unconscious processes and the transformation sought through analysis. Thus, the "aesthetic clinic" of the book's title (a term Negrete adopts from Deleuze) is not an applied psychoanalysis or schizoanalysis. Rather, The Aesthetic Clinic privileges the call and constraints issued by each woman's individual work. Engaging an artwork here is less about retrieving a hidden meaning through interpretation than about receiving a precise transmission of sensation, a jouissance irreducible to meaning. Not only do art and literature serve an urgent clinical function in Negrete's reading but sublimation itself requires an embrace of femininity.
Publisher: State University of New York Press
ISBN: 1438480229
Category : Philosophy
Languages : en
Pages : 348
Book Description
In The Aesthetic Clinic, Fernanda Negrete brings together contemporary women writers and artists well known for their formal experimentation—Louise Bourgeois, Sophie Calle, Lygia Clark, Marguerite Duras, Roni Horn, and Clarice Lispector—to argue that the aesthetic experiences afforded by their work are underwritten by a tenacious and uniquely feminine ethics of desire. To elaborate this ethics, Negrete looks to notions of sublimation and feminine sexuality developed by Freud, Baudelaire, Mallarmé, and Nietzsche, and their reinvention with and after Jacques Lacan, including in the schizoanalysis of Gilles Deleuze and Félix Guattari. But she also highlights how psychoanalytic theory draws on writing and other creative practices to conceive of unconscious processes and the transformation sought through analysis. Thus, the "aesthetic clinic" of the book's title (a term Negrete adopts from Deleuze) is not an applied psychoanalysis or schizoanalysis. Rather, The Aesthetic Clinic privileges the call and constraints issued by each woman's individual work. Engaging an artwork here is less about retrieving a hidden meaning through interpretation than about receiving a precise transmission of sensation, a jouissance irreducible to meaning. Not only do art and literature serve an urgent clinical function in Negrete's reading but sublimation itself requires an embrace of femininity.
Political Correctness and Higher Education
Author: John Lea
Publisher: Routledge
ISBN: 1135895872
Category : Education
Languages : en
Pages : 491
Book Description
How many times have you heard the phrase: `it’s all political correctness gone mad!’ Do you ever wonder whether colleges and universities are really awash with trivial concerns about the use of language or whether they are actually trying to address serious concerns about discrimination and harassment? Have you ever wanted to get to the bottom of what all the fuss is about? This book is the first major study of political correctness in post compulsory education to be published in the UK. For readers in the UK unfamiliar with the nature of the controversies in US college campuses this book offers a comprehensive assessment of the key themes, including who and what was behind key campaigns. For readers in the US unfamiliar with how this cultural export has faired in the UK this book looks at the significant similarities and differences in the ways that the phrase has been used in both societies. Apart from addressing the roots of political correctness the book seeks to show how the phrase has helped to complicate the traditional boundaries between those on the political Left and those on the political Right. The book also demonstrates in clear terms how the phrase is integral to understanding key themes in cultural theory, such as postmodernism and identity politics. This book is intended to be of interest to a number of readers: Teachers working in colleges and universities; Teacher educators and student teachers working on programmes of initial teacher education; Students studying undergraduate programmes in comparative politics and/or sociology and cultural studies Finally, the book will seek to capture the reflections of prominent academics and educationalists bon both sides of the Atlantic, who have worked in environments where the phrase has impinged on aspects of their work over the last twenty five years. If you think that `political correctness’ simply amounts to what jokes you are allowed to tell in a classroom, hopefully this book will challenge you to think again.
Publisher: Routledge
ISBN: 1135895872
Category : Education
Languages : en
Pages : 491
Book Description
How many times have you heard the phrase: `it’s all political correctness gone mad!’ Do you ever wonder whether colleges and universities are really awash with trivial concerns about the use of language or whether they are actually trying to address serious concerns about discrimination and harassment? Have you ever wanted to get to the bottom of what all the fuss is about? This book is the first major study of political correctness in post compulsory education to be published in the UK. For readers in the UK unfamiliar with the nature of the controversies in US college campuses this book offers a comprehensive assessment of the key themes, including who and what was behind key campaigns. For readers in the US unfamiliar with how this cultural export has faired in the UK this book looks at the significant similarities and differences in the ways that the phrase has been used in both societies. Apart from addressing the roots of political correctness the book seeks to show how the phrase has helped to complicate the traditional boundaries between those on the political Left and those on the political Right. The book also demonstrates in clear terms how the phrase is integral to understanding key themes in cultural theory, such as postmodernism and identity politics. This book is intended to be of interest to a number of readers: Teachers working in colleges and universities; Teacher educators and student teachers working on programmes of initial teacher education; Students studying undergraduate programmes in comparative politics and/or sociology and cultural studies Finally, the book will seek to capture the reflections of prominent academics and educationalists bon both sides of the Atlantic, who have worked in environments where the phrase has impinged on aspects of their work over the last twenty five years. If you think that `political correctness’ simply amounts to what jokes you are allowed to tell in a classroom, hopefully this book will challenge you to think again.
Genuine Pretending
Author: Hans-Georg Moeller
Publisher: Columbia University Press
ISBN: 0231545266
Category : Philosophy
Languages : en
Pages : 244
Book Description
Genuine Pretending is an innovative and comprehensive new reading of the Zhuangzi that highlights the critical and therapeutic functions of satire and humor. Hans-Georg Moeller and Paul J. D’Ambrosio show how this Daoist classic, contrary to contemporary philosophical readings, distances itself from the pursuit of authenticity and subverts the dominant Confucianism of its time through satirical allegories and ironical reflections. With humor and parody, the Zhuangzi exposes the Confucian demand to commit to socially constructed norms as pretense and hypocrisy. The Confucian pursuit of sincerity establishes exemplary models that one is supposed to emulate. In contrast, the Zhuangzi parodies such venerated representations of wisdom and deconstructs the very notion of sagehood. Instead, it urges a playful, skillful, and unattached engagement with socially mandated duties and obligations. The Zhuangzi expounds the Daoist art of what Moeller and D’Ambrosio call “genuine pretending”: the paradoxical skill of not only surviving but thriving by enacting social roles without being tricked into submitting to them or letting them define one’s identity. A provocative rereading of a Chinese philosophical classic, Genuine Pretending also suggests the value of a Daoist outlook today as a way of seeking existential sanity in an age of mass media’s paradoxical quest for originality.
Publisher: Columbia University Press
ISBN: 0231545266
Category : Philosophy
Languages : en
Pages : 244
Book Description
Genuine Pretending is an innovative and comprehensive new reading of the Zhuangzi that highlights the critical and therapeutic functions of satire and humor. Hans-Georg Moeller and Paul J. D’Ambrosio show how this Daoist classic, contrary to contemporary philosophical readings, distances itself from the pursuit of authenticity and subverts the dominant Confucianism of its time through satirical allegories and ironical reflections. With humor and parody, the Zhuangzi exposes the Confucian demand to commit to socially constructed norms as pretense and hypocrisy. The Confucian pursuit of sincerity establishes exemplary models that one is supposed to emulate. In contrast, the Zhuangzi parodies such venerated representations of wisdom and deconstructs the very notion of sagehood. Instead, it urges a playful, skillful, and unattached engagement with socially mandated duties and obligations. The Zhuangzi expounds the Daoist art of what Moeller and D’Ambrosio call “genuine pretending”: the paradoxical skill of not only surviving but thriving by enacting social roles without being tricked into submitting to them or letting them define one’s identity. A provocative rereading of a Chinese philosophical classic, Genuine Pretending also suggests the value of a Daoist outlook today as a way of seeking existential sanity in an age of mass media’s paradoxical quest for originality.
Daoism
Author: Ronnie L. Littlejohn
Publisher: Bloomsbury Publishing
ISBN: 0857738178
Category : Religion
Languages : en
Pages : 284
Book Description
'The way that can be told is not the eternal Way; the name that can be named is not the eternal Name.' So begins the first verse of the mysterious "Dao De Jing", foundation text of the ancient Chinese religion of Daoism. Often attributed to semi-mythical sage Laozi, the origins of this enigmatic document - which probably came into being in the third century BCE - are actually unknown. But the tenets of Daoism laid down in the "Dao De Jing", and in later texts like the "Yi Jing" (or "Book of Changes"), continue to exert considerable fascination, particularly in the West, where in recent years they have been popularized by writers such as the novelist Ursula K LeGuin. In this fresh and engaging introduction to Daoism, Ronnie L Littlejohn discusses the central facets of a tradition which can sometimes seem as elusive as the slippery notion of 'Dao' itself. The author shows that fundamental to Daoism is the notion of 'Wu-wei', or non-action: a paradoxical idea emphasizing alignment of the self with the harmony of the universe, a universe in continual flux and change. This flux is expressed by the famous symbol of Dao, the 'taiji' representing yin and yang eternally correlating in the form of a harmonious circle. Exploring the great subtleties of this ancient religion, Littlejohn traces its development and encounters with Buddhism; its expression in art and literature; its fight for survival during the Cultural Revolution; and its manifestations in modern-day China and beyond.
Publisher: Bloomsbury Publishing
ISBN: 0857738178
Category : Religion
Languages : en
Pages : 284
Book Description
'The way that can be told is not the eternal Way; the name that can be named is not the eternal Name.' So begins the first verse of the mysterious "Dao De Jing", foundation text of the ancient Chinese religion of Daoism. Often attributed to semi-mythical sage Laozi, the origins of this enigmatic document - which probably came into being in the third century BCE - are actually unknown. But the tenets of Daoism laid down in the "Dao De Jing", and in later texts like the "Yi Jing" (or "Book of Changes"), continue to exert considerable fascination, particularly in the West, where in recent years they have been popularized by writers such as the novelist Ursula K LeGuin. In this fresh and engaging introduction to Daoism, Ronnie L Littlejohn discusses the central facets of a tradition which can sometimes seem as elusive as the slippery notion of 'Dao' itself. The author shows that fundamental to Daoism is the notion of 'Wu-wei', or non-action: a paradoxical idea emphasizing alignment of the self with the harmony of the universe, a universe in continual flux and change. This flux is expressed by the famous symbol of Dao, the 'taiji' representing yin and yang eternally correlating in the form of a harmonious circle. Exploring the great subtleties of this ancient religion, Littlejohn traces its development and encounters with Buddhism; its expression in art and literature; its fight for survival during the Cultural Revolution; and its manifestations in modern-day China and beyond.