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Author: A. Braida
Publisher: Springer
ISBN: 0230508499
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
The British Romantic poets were among the first to realise the centrality of the Divine Comedy for the evolution of the European epic. This study explores the significance of Dante for Percy Bysshe Shelley, John Keats and William Blake. What was their idea of Dante? Why did they feel the need to approach his Christian epic on the afterlife? This study aims to answer these questions by focusing on the three poets' preoccupation with form and language.
Author: A. Braida
Publisher: Springer
ISBN: 0230508499
Category : Literary Criticism
Languages : en
Pages : 249
Get Book Here
Book Description
The British Romantic poets were among the first to realise the centrality of the Divine Comedy for the evolution of the European epic. This study explores the significance of Dante for Percy Bysshe Shelley, John Keats and William Blake. What was their idea of Dante? Why did they feel the need to approach his Christian epic on the afterlife? This study aims to answer these questions by focusing on the three poets' preoccupation with form and language.
Author: Antonella Braida
Publisher: Routledge
ISBN: 1351946307
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Dante on View opens an important new dimension in Dante studies: for the first time a collection of essays analyses the presence of the Italian Medieval poet Dante Alighieri in the visual and performing arts from the Middle Ages to the present day. The essays in this volume explore the image of Dante emerging in medieval illuminated manuscripts and later ideological and nostalgic uses of the poet. The volume also demonstrates the rich diversity of projects inspired by the Commedia both as an overall polysemic structure and as a repository of scenes, which generate a repertoire for painters, actors and film-makers. In its original multimediality, Dante's Commedia stimulates the performance of readers and artists working in different media from manuscript to stage, from ballet to hyperinstruments, from film to television. Through such a variety of media, the reception of Dante in the visual and performing arts enriches our understanding of the poet and of the arts represented at key moments of formal and structural change in the European cultural world.
Author: Joseph Luzzi
Publisher: Yale University Press
ISBN: 0300151780
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
This groundbreaking study considers Italian Romanticism and the modern myth of Italy. Ranging across European and international borders, he examines the metaphors, facts, and fictions about Italy that were born in the Romantic age and continue to haunt the global literary imagination.
Author: Lucia Boldrini
Publisher: Cambridge University Press
ISBN: 0521792762
Category : Literary Criticism
Languages : en
Pages : 247
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Book Description
Boldrini examines how Dante's literary and linguistic theories helped shape Joyce's radical narrative techniques.
Author: Zygmunt G. Barański
Publisher: Cambridge University Press
ISBN: 1108421296
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
Accessible and informative account of Dante's great Commedia: its purpose, themes and styles, and its reception over the centuries.
Author: Antonella Braida
Publisher: Palgrave MacMillan
ISBN: 9786610438662
Category : Criticism
Languages : en
Pages : 241
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Book Description
Dante played a major role in the evolution of the European epic, a fact first recognised by the Romantic poets. Braida explores the importance of the 'Divine Comedy' for Keats, Shelley & Blake, seeking to know what drew them to this Christian fantasy.
Author: Steve Ellis
Publisher: Cambridge University Press
ISBN: 0521251265
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
This book is a history of the influence of Dante on English poetry. The focus us not primarily upon stylistic influences or attempts to imitate Dante's manner of writing, but rather on the different guises in which the enormous presence of Dante has made itself felt, and how that presence has affected some of the central concerns of the poets in question. The poets considered are Shelley, Byron, Browning, Rossetti, Yeats, Pound and Eliot. In addition to analysing the way Dante is approached by these poets in their major poetry, Dr Ellis also discusses relevant critical works: Shelley's Defence of Poetry, Pound's The Spirit of Romance and Yeats' A Vision. The critical survey is unified by the attempt to show certain recurrent preoccupations in the work of these writers, such as the need to define a tradition in which Dante is a necessary forerunner. Ellis also shows that Dante has been read in a very partial way by these poets and the images of him which emerge in their works are inevitably varied and contradictory.
Author: Edoardo Crisafulli
Publisher: Troubador Publishing Ltd
ISBN: 9781899293094
Category : History
Languages : en
Pages : 364
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Book Description
The popular and critically acclaimed translation of Dante's Divine Comedy into English was carried out by the Anglican Reverend H. F. Cary. He has an honoured place in the rediscovery of Dante's masterpiece in Romantic Britain. Shelley, Byron, Wordsworth and Coleridge lavished praise upon his translation and it was through Cary's The Vision of Dante that the beauty and intricacies of the Italian poem. The book examines crucial aspects of British culture in the 19th Century and throws light on the manifold transformations of Dante's imagery into English poetry.
Author: Aida Audeh
Publisher: Oxford University Press
ISBN: 0199584621
Category : Art
Languages : en
Pages : 415
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Book Description
This collection of essays provides an account of Dante's reception in a range of media-visual art, literature, theatre, cinema, and music-from the late eighteenth century through to the early twentieth and explores various appropriations and interpretations of his works and persona during the era of modernization in Europe, the USA, and beyond.
Author: Daniel DiMassa
Publisher: Rutgers University Press
ISBN: 1684484189
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Around 1800, German Romantics fixated on Dante's Divine Comedy as a model for the creation of a new mythology of reason. This book traces that fixation across Romantic and Neo-Romantic texts, showing how the Romantic Dante cult in fact generated ominous amalgams of art, myth, and fascism in the twentieth century.
