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Author: Antonella Braida
Publisher: Routledge
ISBN: 1351946307
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Dante on View opens an important new dimension in Dante studies: for the first time a collection of essays analyses the presence of the Italian Medieval poet Dante Alighieri in the visual and performing arts from the Middle Ages to the present day. The essays in this volume explore the image of Dante emerging in medieval illuminated manuscripts and later ideological and nostalgic uses of the poet. The volume also demonstrates the rich diversity of projects inspired by the Commedia both as an overall polysemic structure and as a repository of scenes, which generate a repertoire for painters, actors and film-makers. In its original multimediality, Dante's Commedia stimulates the performance of readers and artists working in different media from manuscript to stage, from ballet to hyperinstruments, from film to television. Through such a variety of media, the reception of Dante in the visual and performing arts enriches our understanding of the poet and of the arts represented at key moments of formal and structural change in the European cultural world.
Author: Antonella Braida
Publisher: Routledge
ISBN: 1351946307
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Dante on View opens an important new dimension in Dante studies: for the first time a collection of essays analyses the presence of the Italian Medieval poet Dante Alighieri in the visual and performing arts from the Middle Ages to the present day. The essays in this volume explore the image of Dante emerging in medieval illuminated manuscripts and later ideological and nostalgic uses of the poet. The volume also demonstrates the rich diversity of projects inspired by the Commedia both as an overall polysemic structure and as a repository of scenes, which generate a repertoire for painters, actors and film-makers. In its original multimediality, Dante's Commedia stimulates the performance of readers and artists working in different media from manuscript to stage, from ballet to hyperinstruments, from film to television. Through such a variety of media, the reception of Dante in the visual and performing arts enriches our understanding of the poet and of the arts represented at key moments of formal and structural change in the European cultural world.
Author: Charles S. Singleton
Publisher: JHU Press
ISBN: 142143167X
Category : Literary Criticism
Languages : en
Pages : 104
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Book Description
Originally published in 1977. This book contains four essays by Professor Charles Singleton: "Allegory," "Symbolism," "The Pattern at the Center," and "The Substance of Things Seen." These four essays treat four dimensions of meaning essential to understanding the substance and special texture of the poetry of the Divine Comedy. One might speak of "facets" or "aspects" of meaning if such terms did not suggest surface reflections dependent on the way a work (as a jewel) is turned for inspection. But for Singleton, each dimension has a depth that reaches to the core and substance of Dante's poetry, so they are, in Singleton's view, elements of its structure.
Author: Matthew Collins
Publisher: Harvey Miller
ISBN: 9781912554508
Category : Illumination of books and manuscripts
Languages : en
Pages : 416
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Book Description
This volume contains an unprecedented meeting of two major traditions, each of which are forms of careful engagement with Dante's Commedia: the Lectura Dantis, and the illustrations of this work. The Lectura Dantis, initiated by Giovanni Boccaccio in the fourteenth century, consists of a canto by canto study of Dante's poem. The history of Commedia illustration has equally deep roots, as illuminated manuscripts of the text were being produced within decades of the work's completion in 1321. While both of these traditions have continued, mostly uninterruptedly, for more than six hundred years, they have never been directly brought together. In this volume, Dante scholars take on a single canto of the Commedia of their choosing, reading not just the text, but also exploring the illustrations of their selected text to form multifaceted and multi-layered visual-textual readings. In addition to enlivening the Lectura Dantis, and confronting the illustrated tradition of the poem in a new fashion, these studies present a variety of approaches to studying not just the Commedia but any illustrated literary work through a serious inquiry into the words themselves as well as the images that these words have inspired.
Author: Charles Southward Singleton
Publisher:
ISBN:
Category :
Languages : en
Pages : 122
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Book Description
Author: George Corbett
Publisher: Open Book Publishers
ISBN: 1783741724
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Vertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the ‘Cambridge Vertical Readings in Dante’s Comedy’ website.
Author: David Thompson
Publisher: JHU Press
ISBN: 1421436302
Category : Literary Criticism
Languages : en
Pages : 71
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Book Description
Originally published in 1974. This book on comparative literature represents the first extended attempt to relate Dante's major allegorical mode to classical and medieval interpretations of epic poetry rather than to patristic biblical exegesis. Dante's Epic Journeys is also the first comprehensive explanation of Dante's enigmatic Ulysses. Thompson strives to shed new light not only on Dante's allegory—and thus upon the whole troubled question of exactly what an allegory was thought to be—but also on the intricate relationship between poet and poem and between Dante's spiritual journeys and his written representation of those itineraries.
Author: Henry Francis Cary
Publisher:
ISBN: 9781446079225
Category : Philosophy
Languages : en
Pages : 248
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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Dante Alighieri
Publisher:
ISBN:
Category :
Languages : it
Pages : 490
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Book Description
Author: Dante Alighieri
Publisher: Createspace Independent Publishing Platform
ISBN: 9781718773240
Category :
Languages : en
Pages : 276
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Book Description
The Divine Comedy: The Vision of Hell, Purgatory, and Paradise: Hell, Dante Alighieri. The Divine Comedy (Italian: Divina Commedia is a long narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered to be the preeminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.
Author: Dante Alighieri
Publisher: Penguin
ISBN: 1101608382
Category : Poetry
Languages : en
Pages : 831
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Book Description
This beautiful hardcover edition–containing all three cantos, Inferno, Purgatorio, and Paradiso–includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth-century series of illustrations. The Divine Comedy begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Allen Mandelbaum’s astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece of that genius whom our greatest poets have recognized as a central model for all poets. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Everyman’s Library Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
