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Author: Joy Camden
Publisher: Trafford Publishing
ISBN: 1412070708
Category : Biography & Autobiography
Languages : en
Pages : 146
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Book Description
Memoirs of Joy's ballet training, dancing, teaching and choreography career from 1923 to 2005 including her years in Canada and in England as a Royal Academy of Dance Major Examiner.
Author: Joy Camden
Publisher: Trafford Publishing
ISBN: 1412070708
Category : Biography & Autobiography
Languages : en
Pages : 146
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Book Description
Memoirs of Joy's ballet training, dancing, teaching and choreography career from 1923 to 2005 including her years in Canada and in England as a Royal Academy of Dance Major Examiner.
Author: John A. Willis
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 232
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Book Description
Author: Brian Seibert
Publisher: Macmillan + ORM
ISBN: 1429947616
Category : Performing Arts
Languages : en
Pages : 670
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Book Description
The first authoritative history of tap dancing, one of the great art forms—along with jazz and musical comedy—created in America. Finalist for the National Book Critics Circle Award in Nonfiction Winner of Anisfield-Wolf Book Award An Economist Best Book of 2015 What the Eye Hears offers an authoritative account of the great American art of tap dancing. Brian Seibert, a dance critic for The New York Times, begins by exploring tap’s origins as a hybrid of the jig and clog dancing and dances brought from Africa by slaves. He tracks tap’s transfer to the stage through blackface minstrelsy and charts its growth as a cousin to jazz in the vaudeville circuits. Seibert chronicles tap’s spread to ubiquity on Broadway and in Hollywood, analyzes its decline after World War II, and celebrates its rediscovery and reinvention by new generations of American and international performers. In the process, we discover how the history of tap dancing is central to any meaningful account of American popular culture. This is a story with a huge cast of characters, from Master Juba through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, and Gene Kelly and Paul Draper to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap through individual practitioners and illuminates the cultural exchange between blacks and whites, the interplay of imitation and theft, as well as the moving story of African Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy. What the Eye Hears teaches us to see and hear the entire history of tap in its every step. “Tap is America’s great contribution to dance, and Brian Seibert’s book gives us—at last!—a full-scale (and lively) history of its roots, its development, and its glorious achievements. An essential book!” —Robert Gottlieb, dance critic for The New York Observer and editor of Reading Dance “What the Eye Hears not only tells you all you wanted to know about tap dancing; it tells you what you never realized you needed to know. . . . And he recounts all this in an easygoing style, providing vibrant descriptions of the dancing itself and illuminating commentary by those masters who could make a floor sing.” —Deborah Jowitt, author of Jerome Robbins: His Life, His Theater, His Dance and Time and the Dancing Image
Author: John Willis
Publisher:
ISBN:
Category :
Languages : en
Pages : 232
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Book Description
Author: Mary Grace Swift
Publisher: [Notre Dame, Ind.] : University of Notre Dame Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 464
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Book Description
Author: Committee on Research in Dance
Publisher: New York : Committee on Research in Dance
ISBN:
Category : Dance
Languages : en
Pages : 200
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Book Description
Author: John A. Willis
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 278
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Book Description
Author: Orange County Public Library (Calif.)
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 914
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Book Description
Author: Peggy Schwartz
Publisher: Yale University Press
ISBN: 0300155344
Category : Biography & Autobiography
Languages : en
Pages : 354
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Book Description
Pearl Primus (1919-1994) blazed onto the dance scene in 1943 with stunning works that incorporated social and racial protest into their dance aesthetic. In The Dance Claimed Me, Peggy and Murray Schwartz, friends and colleagues of Primus, offer an intimate perspective on her life and explore her influences on American culture, dance, and education. They trace Primus's path from her childhood in Port of Spain, Trinidad, through her rise as an influential international dancer, an early member of the New Dance Group (whose motto was "Dance is a weapon"), and a pioneer in dance anthropology. Primus traveled extensively in the United States, Europe, Israel, the Caribbean, and Africa, and she played an important role in presenting authentic African dance to American audiences. She engendered controversy in both her private and professional lives, marrying a white Jewish man during a time of segregation and challenging black intellectuals who opposed the "primitive" in her choreography. Her political protests and mixed-race tours in the South triggered an FBI investigation, even as she was celebrated by dance critics and by contemporaries like Langston Hughes. For The Dance Claimed Me, the Schwartzes interviewed more than a hundred of Primus's family members, friends, and fellow artists, as well as other individuals to create a vivid portrayal of a life filled with passion, drama, determination, fearlessness, and brilliance.
Author:
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 360
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Book Description
