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Author: Llewellyn Meredith Crain
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 290
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Book Description
Author: K. Mitchell Snow
Publisher: University Press of Florida
ISBN: 0813072735
Category : Art
Languages : en
Pages : 284
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Book Description
Honorable Mention, Latin American Studies Association Mexico Section Best Book in the Humanities A Revolution in Movement is the first book to illuminate how collaborations between dancers and painters shaped Mexico’s postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance—the emulation of Diaghilev’s Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s. Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tortóla Valencia, who helped motivate Mexico to express its own national identity through dance. He discusses the work of muralists and other visual artists in tandem with Mexico’s theatrical dance world, including Diego Rivera’s collaborations with ballet composer Carlos Chávez; Carlos Mérida’s leadership of the National School of Dance; José Clemente Orozco’s involvement in the creation of the Ballet de la Ciudad de México; and Miguel Covarrubias, who led the “golden age” of Mexican modern dance. Snow draws from a rich trove of historical newspaper accounts and other contemporary documents to show how these collaborations produced an image of modern Mexico that would prove popular both locally and internationally and continues to endure today.
Author: Marta Becket
Publisher: Page Publishing Inc
ISBN: 1634176618
Category : Biography & Autobiography
Languages : en
Pages : 394
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Book Description
About Marta Becket . . . "Tears came to my eyes. Marta represented to me the spirit of the individual. The spirit of the theater. The spirit of creativity." -Ray Bradbury, Author "Marta's paintings have a degree of humor and playfulness. The use of color is outstanding and tell of a generosity, talent and skill." -Red Skelton, Comedian/Artist "Long before anybody invented the term performance art, Marta Becket was doing it, in an abandoned opera house in Death Valley Junction. She restored it and it restored her. With serene tenacity, she set down roots, working hard for decades, caring as well for endangered animals, including wild burros, until the world began coming to her." -Boston Globe "Becket's saga epitomizes the eternal struggle of the artist for personal expression." - Chicago Tribune "The forthright artist went on with what essentially was her own private show. She choreographed and performed her own dances, at first to an audience of tumbleweeds. But over the course of years, she painstakingly developed another audience - the Renaissance-looking crowd she painted in elaborate murals to fill her Amargosa Opera House with gawking spectators. Eventually Becket was discovered by living audiences, mostly appreciators of art, who have gone to great lengths to see her work. Becket overcame much and worked hard to get where she is today, a relatively unknown artist in the middle of nowhere. But she loves her unique place in the world." -San Francisco Chronicle "If this were fiction - if Marta Becket were not a real person - then the whole oddball-in-the-desert scenario might seem like something dreamed up by David Lynch. Or Sam Shepard. But Becket is very much the real thing, and she has made quite a name for herself out there in the desert." -Northern California Bohemian "On stage there is a warble to her voice. She is thin, but her expressions are as varied and fluid as shifting sand dunes. To say that Becket was beautiful when she was young, as evidenced by photographs in her program is to do a disservice to the beauty she still holds." -Los Angeles Times "There's something really wonderful about the fact that she picked the most desolate spot in America to do this. It says you can have your life on your own terms, but you'll have to sacrifice. It says the process is the point. And people come away from there inspired." -Todd Robinson, Director, Amargosa "There is indisputably a whiff of eccentricity about Ms. Becket's enterprise. And if one might expect the woman herself - dark haired, trim, with the visible sinews of a dancer - to carry an eccentric air, she doesn't, though there is a faint haughtiness of the artiste about her. Ms. Becket is self-aware, perfectly willing to admit that her shows and her painting have been her obsessions. In explanation of what amounts to her self-imposed exile, she said, 'I couldn't have created another world anyplace else'." -New York Times "Death Valley holds a special mystique for Europeans. You can find them among the locals in the 120-seat house, along with the occasional journalist or ghost-hunter- the place has a reputation for being haunted." -Dance Magazine "Becket's paintings are marvelous and will live long after she is gone. The paintings are worth the long drive." -The Connected Traveler
Author: Llewellyn Meredith Crain
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 290
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Book Description
Author: Margaret West Kinney
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 246
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Book Description
"The Dance" by Margaret West Kinney is a book about dance as a form of art. The writing includes a chapter of explanation of the salient steps of the ballet. These steps, with superficial variations and additions, form the basis also of all-natural or "character" dances that can lay claim to any consideration as interpretative art. Direct practical instruction is furnished on the subject of present-day ballroom dancing, to the extent of clear and exact directions for the performance of steps now fashionable in Europe and America. Some notable titles are: The "Schuhplatteltanz" Classic Ballet Positions Fundamental Positions of the Feet The "Tango" Development of an Arch "À La Pirouette", etc.
Author: Sharyn R. Udall
Publisher: University of Wisconsin Pres
ISBN: 029928803X
Category : Performing Arts
Languages : en
Pages : 379
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Book Description
From ballet to burlesque, from the frontier jig to the jitterbug, Americans have always loved watching dance, whether in grand ballrooms, on Mississippi riverboats, or in the streets. Dance and American Art is an innovative look at the elusive, evocative nature of dance and the American visual artists who captured it through their paintings, sculpture, photography, and prints from the early nineteenth century through the mid-twentieth century. The scores of artists discussed include many icons of American art: Winslow Homer, George Caleb Bingham, Mary Cassatt, James McNeill Whistler, Alexander Calder, Joseph Cornell, Edward Steichen, David Smith, and others. As a subject for visual artists, dance has given new meaning to America’s perennial myths, cherished identities, and most powerful dreams. Their portrayals of dance and dancers, from the anonymous to the famous—Anna Pavlova, Isadora Duncan, Loïe Fuller, Josephine Baker, Martha Graham—have testified to the enduring importance of spatial organization, physical pattern, and rhythmic motion in creating aesthetic form. Through extensive research, sparkling prose, and beautiful color reproductions, art historian Sharyn R. Udall draws attention to the ways that artists’ portrayals of dance have defined the visual character of the modern world and have embodied culturally specific ideas about order and meaning, about the human body, and about the diverse fusions that comprise American culture.
Author: Dawn Loring
Publisher: Human Kinetics
ISBN: 1492592595
Category : Performing Arts
Languages : en
Pages : 263
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Book Description
Dance is an activity that everyone can enjoy, and Dance Appreciation will help students do just that. Dance Appreciation is written to encompass the needs of a broad range of dance students, from high school to university level, and is appropriate for students who are new to dance as well as those who are experienced in the art form. The text will help learners discover more about themselves, connect with dance, and make it a relevant and vital part of their lives, whether it is their primary course of study, eventual career path, or simply a way to express themselves and enrich their lives. This text is the only dance appreciation resource that offers ancillary materials for instructors: Instructor ancillaries consisting of an instructor guide, test package, and PowerPoint presentation package make the teaching experience both easier and more effective, whether teaching in face-to-face or online settings. Five video segments demonstrate elements of dance and offer associated learning and movement activities, bringing the content to life for students. Textbook elements such as learning objectives, key terms, Enduring Understanding statements, Spotlight special elements, and chapter discussion questions help students navigate the chapters and retain the essential content. In addition, related resources delivered through HKPropel supply students with learning activities, individual and group projects, handouts, time lines, suggestions for further reading, video recommendations, and more to facilitate the learning experience. Dance Appreciation helps students understand dance from the perspectives of dancers, choreographers, and professionals in other careers related to dance. Students are introduced to a broad range of dance genres, forms, and styles, and they learn to forge a relationship with dance as an art form, connecting it with other academic and artistic disciplines and with their own life experiences. The text is organized into three parts. Part I, Exploring Dance, provides a foundational understanding of who dances and why, and it introduces the elements of dance and movement principles. Part II, Selected Dance Genres and Styles, covers Western dance genres, examining classical concert dance forms, hip-hop, and aerial and site-specific dance, highlighting notable artists and events. In part III, Connecting With Dance, students delve into aspects of dance performance and production, learning approaches for viewing and responding to dance performances and exploring the role of global interactions, especially through online content and social media, in developing and transmitting new dance forms and styles. Throughout the text, readers will learn about dance-related career paths. Dance Appreciation offers instructors an up-to-date, comprehensive resource—complete with an array of ancillaries—that ensures that students have the opportunity to become informed, discerning, and responsive dance audience members and gain a broad appreciation of dance as an art form and a lifetime physical activity. Note: A code for accessing HKPropel is not included with this ebook but may be purchased separately.
Author: Margaret N. H'Doubler
Publisher: Univ of Wisconsin Press
ISBN: 9780299015244
Category : Education
Languages : en
Pages : 220
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Book Description
A landmark book in dance education is now back in print, its message as valid today as it was more than fifty years ago
Author: Martha Bremser
Publisher: Routledge
ISBN: 1136828311
Category : Performing Arts
Languages : en
Pages : 557
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Book Description
A unique and authoritative guide to the lives and work of prominent living contemporary choreographers. Representing a wide range of dance genres, each entry locates the individual in the context of modern dance theatre and explores their impact. Those studied include: Jerome Bel Richard Alston Doug Varone William Forsythe Phillippe Decoufle Jawole Willa Jo Zollar Ohad Naharin Itzik Gallili Twyla Tharp Wim Vandekeybus With a new, updated introduction by Deborah Jowitt and further reading and references throughout, this text is an invaluable resource for all students and critics of dance, and all those interested in the fascinating world of choreography.
Author: Jack Anderson
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 404
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Book Description
Treating modern dance as a self-renewing art, Anderson follows its changes over the decades and discusses the visionary choreographers (some of whose lives are as colorful and tumultuous as their creations) who have devised new modes of movement. Art without Boundaries begins with an analysis of the rich mixture of American and European influences at the end of the nineteenth century that prompted dancers to react against established norms. Anderson shows how reformist social and educational ideas as well as the impact of the arts of Asia and ancient Greece led such pioneers as Loie Fuller, Maud Allan, Isadora Duncan, and Ruth St. Denis to forge deeply personal views. Anderson discusses the increasingly bold approaches of choreographers and dancers after World War I, how the politically troubled thirties gave rise to social protest dance in America, and how the menace of facism was reflected in the work of European practitioners. Following World War II many European nations turned to ballet, whereas American modern dance prospered under inventive new choreographers like Jose Limon, Merce Cunningham, Paul Taylor, and Alwin Nikolais. The book concludes with an authoritative view of how modern dance thrives once again on a worldwide basis.
Author: Detroit Institute of Arts
Publisher:
ISBN: 9780300211610
Category : Art
Languages : en
Pages : 0
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Book Description
A landmark examination of the art and artists inspired by American dance from 1830 to 1960 As an enduring wellspring of creativity for many artists throughout history, dance has provided a visual language to express such themes as the bonds of community, the allure of the exotic, and the pleasures of the body. This book is the first major investigation of the visual arts related to American dance, offering an unprecedented, interdisciplinary overview of dance-inspired works from 1830 to 1960. Fourteen essays by renowned historians of art and dance analyze the ways dance influenced many of America's most prominent artists, including George Caleb Bingham, William Sidney Mount, Winslow Homer, John Singer Sargent, Cecilia Beaux, Isamu Noguchi, Aaron Douglas, Malvina Hoffman, Edward Steichen, Arthur Davies, William Johnson, and Joseph Cornell. The artists did not merely represent dance, they were inspired to think about how Americans move, present themselves to one another, and experience time. Their artwork, in turn, affords insights into the cultural, social, and political moments in which it was created. For some artists, dance informed even the way they applied paint to canvas, carved a sculpture, or framed a photograph. Richly illustrated, the book includes depictions of Irish-American jigs, African-American cakewalkers, and Spanish-American fandangos, among others, and demonstrates how dance offers a means for communicating through an aesthetic, static form. Distributed for the Detroit Institute of Arts Exhibition Schedule: Detroit Institute of Arts (03/20/16-06/12/16) Denver Art Museum (07/10/16-10/02/16) Crystal Bridges Museum of American Art (10/22/16-01/16/17)
