Damn the Machine - The Story of Noise Records PDF Download
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Author: David Gehlke
Publisher:
ISBN: 9780692637135
Category :
Languages : en
Pages : 504
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Book Description
Damn the Machine - The Story of Noise Records is the tale of Europe's most groundbreaking-and important-heavy metal record company of the 1980s. Founded in the shadow of the Berlin Wall by self-proclaimed anarchist Karl-Ulrich Walterbach, Noise's key bands-Celtic Frost, Coroner, Gamma Ray, Grave Digger, Hellhammer, Helloween, Kreator, Running Wild, Sabbat, Stratovarius, Tankard, and Voivod-were brash, innovative, and highly influential, helping shape the global metal scene as we know today. With first-hand accounts from Walterbach, his bands, employees, and fellow music industry comrades, Damn the Machine provides an unflinching look at the tumultuous history of Noise Records. Amidst the classic albums and legendary bands came court battles, contract squabbles, botched tours, disastrous shifts in sound, and complicated, sometimes strained relationships between Walterbach and the bands he was responsible for. Damn the Machine shows few metal record companies have a legacy comparable to Noise's.
Author: David E. Gehlke
Publisher:
ISBN: 9783940822093
Category : Heavy metal (Music)
Languages : en
Pages : 501
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Book Description
Author: David Gehlke
Publisher:
ISBN: 9780692637135
Category :
Languages : en
Pages : 504
Get Book Here
Book Description
Damn the Machine - The Story of Noise Records is the tale of Europe's most groundbreaking-and important-heavy metal record company of the 1980s. Founded in the shadow of the Berlin Wall by self-proclaimed anarchist Karl-Ulrich Walterbach, Noise's key bands-Celtic Frost, Coroner, Gamma Ray, Grave Digger, Hellhammer, Helloween, Kreator, Running Wild, Sabbat, Stratovarius, Tankard, and Voivod-were brash, innovative, and highly influential, helping shape the global metal scene as we know today. With first-hand accounts from Walterbach, his bands, employees, and fellow music industry comrades, Damn the Machine provides an unflinching look at the tumultuous history of Noise Records. Amidst the classic albums and legendary bands came court battles, contract squabbles, botched tours, disastrous shifts in sound, and complicated, sometimes strained relationships between Walterbach and the bands he was responsible for. Damn the Machine shows few metal record companies have a legacy comparable to Noise's.
Author: Sonia Archer-Capuzzo
Publisher: A-R Editions, Inc.
ISBN: 0895798921
Category : Reference
Languages : en
Pages : 210
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Book Description
Metaldata: A Bibliography of Heavy Metal Resources is the first book-length bibliography of resources about heavy metal. From its beginnings in the late 1960s and early 1970s, heavy metal has emerged as one of the most consistently popular and commercially successful music styles. Over the decades the style has changed and diversified, drawing attention from fans, critics, and scholars alike. Scholars, journalists, and musicians have generated a body of writing, films, and instructional materials that is substantial in quantity, diverse in approach, and intended for many types of audiences, resulting in a wealth of information about heavy metal. Metaldata provides a current and comprehensive bibliographic resource for researchers and fans of metal. This book also serves as a guide for librarians in their collection development decisions. Chapters focus on performers, musical instruction, discographies, metal subgenres, metal in specific places, and research relating metal to the humanities and sciences, and encompass archives, books, articles, videos, websites, and other resources by scholars, journalists, musicians, and fans of this vibrant musical style.
Author: David E. Gehlke
Publisher:
ISBN: 9781685641535
Category :
Languages : en
Pages :
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Book Description
Tampa, Florida's Obituary has been a death metal institution since 1984. Guided by the inhuman, if not unfathomably deranged vocals of John Tardy, the obscenely brutal guitar tone of Trevor Peres and rhythmic brilliance of drummer Donald Tardy, Obituary defined heaviness throughout the 1990s. Their 1989 'Slowly We Rot' and 1990 'Cause of Death' studio albums are undisputed classics, but their live prowess and unwavering dedication to their fans made them one of the metal underground's most respected bands.An unexpected five-year hiatus starting in 1998 only saw Obituary's stature grow when a new generation of bands adopted their sonic trademarks. However, their post-reformation efforts were nearly sidetracked by the perils of the music industry and inter-band tumult. Through the unbreakable bond between the Tardy brothers and Peres, Obituary emerged stronger than ever, entrenched in their rightful position as death metal vanguards.'Turned Inside Out: The Official Story of Obituary' is the fully authorized biography of Obituary, providing an unprecedented look into the band's career through in-depth interviews, studio recollections, road stories and scores of exclusive photos.
Author: Oliver Seibt
Publisher: Routledge
ISBN: 1351200771
Category : Music
Languages : en
Pages : 473
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Book Description
Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German.
Author: Jan-Peter Herbst
Publisher: Cambridge University Press
ISBN: 110884586X
Category : Music
Languages : en
Pages : 415
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Book Description
Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre.
Author: Brian Coleman
Publisher: Villard
ISBN: 030749442X
Category : Music
Languages : en
Pages : 530
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Book Description
A Tribe Called Quest • Beastie Boys • De La Soul • Eric B. & Rakim • The Fugees • KRS-One • Pete Rock & CL Smooth • Public Enemy • The Roots • Run-DMC • Wu-Tang Clan • and twenty-five more hip-hop immortals It’s a sad fact: hip-hop album liners have always been reduced to a list of producer and sample credits, a publicity photo or two, and some hastily composed shout-outs. That’s a damn shame, because few outside the game know about the true creative forces behind influential masterpieces like PE’s It Takes a Nation of Millions. . ., De La’s 3 Feet High and Rising, and Wu-Tang’s Enter the Wu-Tang (36 Chambers). A longtime scribe for the hip-hop nation, Brian Coleman fills this void, and delivers a thrilling, knockout oral history of the albums that define this dynamic and iconoclastic art form. The format: One chapter, one artist, one album, blow-by-blow and track-by-track, delivered straight from the original sources. Performers, producers, DJs, and b-boys–including Big Daddy Kane, Muggs and B-Real, Biz Markie, RZA, Ice-T, and Wyclef–step to the mic to talk about the influences, environment, equipment, samples, beats, beefs, and surprises that went into making each classic record. Studio craft and street smarts, sonic inspiration and skate ramps, triumph, tragedy, and take-out food–all played their part in creating these essential albums of the hip-hop canon. Insightful, raucous, and addictive, Check the Technique transports you back to hip-hop’s golden age with the greatest artists of the ’80s and ’90s. This is the book that belongs on the stacks next to your wax. “Brian Coleman’s writing is a lot like the albums he covers: direct, uproarious, and more than six-fifths genius.” –Jeff Chang, author of Can’t Stop Won’t Stop “All producers and hip-hop fans must read this book. It really shows how these albums were made and touches the music fiend in everyone.” –DJ Evil Dee of Black Moon and Da Beatminerz “A rarity in mainstream publishing: a truly essential rap history.” –Ronin Ro, author of Have Gun Will Travel
Author: Martin Aston
Publisher: HarperCollins UK
ISBN: 0007522010
Category : Music
Languages : en
Pages : 693
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Book Description
The first official account of the iconic record label.
Author: Geoff Emerick
Publisher: Penguin
ISBN: 110121824X
Category : Biography & Autobiography
Languages : en
Pages : 658
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Book Description
An all-access, firsthand account of the life and music of one of history's most beloved bands--from an original mastering engineer at Abbey Road Geoff Emerick became an assistant engineer at the legendary Abbey Road Studios in 1962 at age fifteen, and was present as a new band called the Beatles recorded their first songs. He later worked with the Beatles as they recorded their singles “She Loves You” and “I Want to Hold Your Hand,” the songs that would propel them to international superstardom. In 1964 he would witness the transformation of this young and playful group from Liverpool into professional, polished musicians as they put to tape classic songs such as “Eight Days A Week” and “I Feel Fine.” Then, in 1966, at age nineteen, Geoff Emerick became the Beatles’ chief engineer, the man responsible for their distinctive sound as they recorded the classic album Revolver, in which they pioneered innovative recording techniques that changed the course of rock history. Emerick would also engineer the monumental Sgt. Pepper and Abbey Road albums, considered by many the greatest rock recordings of all time. In Here, There and Everywhere he reveals the creative process of the band in the studio, and describes how he achieved the sounds on their most famous songs. Emerick also brings to light the personal dynamics of the band, from the relentless (and increasingly mean-spirited) competition between Lennon and McCartney to the infighting and frustration that eventually brought a bitter end to the greatest rock band the world has ever known.
Author: Douglas Kahn
Publisher: MIT Press
ISBN: 0262311623
Category : Design
Languages : en
Pages : 467
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Book Description
An examination of the role of sound in twentieth-century arts. This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it—to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.
