Author: Owen Sheers
Publisher: Faber & Faber
ISBN: 0571332269
Category : Drama
Languages : en
Pages : 219
Book Description
'"For years afterwards the farmers found them - the wasted young, turning up under their plough blades." So run the blunt, grimly beautiful opening lines of the Welsh poet Owen Sheers's elegy for the men, 4,000 of them from the 38th (Welsh) Division, who were killed or wounded in the Battle of Mametz Wood in July 1916. Sheers revisits that chapter of carnage in a stirring, sprawling promenade show. He draws on the writings of two survivors in particular. One is the poet David Jones whose fractured, enervated, modernist response to his war-time experiences, In Parenthesis, was hailed as a "work of genius" by TS Eliot. The other key influence is the writer Llewelyn Wyn Griffith. driven to wondering how the sun "could shine on this mad cruelty and on the quiet peace of an upland tarn near Snowdon"... We end up in dark woods and a place of numb desolation, bombarded by words that pierce the heart and vignettes that capture the stomach-churning sacrifice. The finest commemoration of the First World War centenary I've seen to-date, this deserves a much longer life.' Dominic Cavendish, Daily Telegraph Mametz by Owen Sheers was premiered by National Theatre Wales in June 2014. It is one of the set plays on WJEC's A level Drama specification. This dual edition combines the original English-language play with a Welsh-language translation by Ceri Wyn Jones, one of Wales's most eminent poets.
Mametz
Author: Owen Sheers
Publisher: Faber & Faber
ISBN: 0571332269
Category : Drama
Languages : en
Pages : 219
Book Description
'"For years afterwards the farmers found them - the wasted young, turning up under their plough blades." So run the blunt, grimly beautiful opening lines of the Welsh poet Owen Sheers's elegy for the men, 4,000 of them from the 38th (Welsh) Division, who were killed or wounded in the Battle of Mametz Wood in July 1916. Sheers revisits that chapter of carnage in a stirring, sprawling promenade show. He draws on the writings of two survivors in particular. One is the poet David Jones whose fractured, enervated, modernist response to his war-time experiences, In Parenthesis, was hailed as a "work of genius" by TS Eliot. The other key influence is the writer Llewelyn Wyn Griffith. driven to wondering how the sun "could shine on this mad cruelty and on the quiet peace of an upland tarn near Snowdon"... We end up in dark woods and a place of numb desolation, bombarded by words that pierce the heart and vignettes that capture the stomach-churning sacrifice. The finest commemoration of the First World War centenary I've seen to-date, this deserves a much longer life.' Dominic Cavendish, Daily Telegraph Mametz by Owen Sheers was premiered by National Theatre Wales in June 2014. It is one of the set plays on WJEC's A level Drama specification. This dual edition combines the original English-language play with a Welsh-language translation by Ceri Wyn Jones, one of Wales's most eminent poets.
Publisher: Faber & Faber
ISBN: 0571332269
Category : Drama
Languages : en
Pages : 219
Book Description
'"For years afterwards the farmers found them - the wasted young, turning up under their plough blades." So run the blunt, grimly beautiful opening lines of the Welsh poet Owen Sheers's elegy for the men, 4,000 of them from the 38th (Welsh) Division, who were killed or wounded in the Battle of Mametz Wood in July 1916. Sheers revisits that chapter of carnage in a stirring, sprawling promenade show. He draws on the writings of two survivors in particular. One is the poet David Jones whose fractured, enervated, modernist response to his war-time experiences, In Parenthesis, was hailed as a "work of genius" by TS Eliot. The other key influence is the writer Llewelyn Wyn Griffith. driven to wondering how the sun "could shine on this mad cruelty and on the quiet peace of an upland tarn near Snowdon"... We end up in dark woods and a place of numb desolation, bombarded by words that pierce the heart and vignettes that capture the stomach-churning sacrifice. The finest commemoration of the First World War centenary I've seen to-date, this deserves a much longer life.' Dominic Cavendish, Daily Telegraph Mametz by Owen Sheers was premiered by National Theatre Wales in June 2014. It is one of the set plays on WJEC's A level Drama specification. This dual edition combines the original English-language play with a Welsh-language translation by Ceri Wyn Jones, one of Wales's most eminent poets.
Reading Old Friends
Author: John Matthias
Publisher: State University of New York Press
ISBN: 1438412231
Category : Biography & Autobiography
Languages : en
Pages : 364
Book Description
Reading Old Friends includes essays, reviews, and poems on poetics. Matthias, who has spent much time in England, concentrates on British poetry ranging from late modernist figures such as David Jones and Hugh MacDiarmid to contemporaries such as Geoffrey Hill, Seamus Heaney, Michael Hamburger, and John Fuller. He also seeks to establish, or re-establish, meaningful trans-Atlantic connections between Wendell Berry and Jeremy Hooker, for example, or between Robert Duncan and David Jones. Other, more generally acknowledged figures, are also discussed, including Wordsworth, Pope, Crabbe, Constable, Turner, Britten, Tippet, Lowell, Auden, and Berryman. The book also contains three poems on poetics that engage many of the theoretical issues left implicit in most of the essays.
Publisher: State University of New York Press
ISBN: 1438412231
Category : Biography & Autobiography
Languages : en
Pages : 364
Book Description
Reading Old Friends includes essays, reviews, and poems on poetics. Matthias, who has spent much time in England, concentrates on British poetry ranging from late modernist figures such as David Jones and Hugh MacDiarmid to contemporaries such as Geoffrey Hill, Seamus Heaney, Michael Hamburger, and John Fuller. He also seeks to establish, or re-establish, meaningful trans-Atlantic connections between Wendell Berry and Jeremy Hooker, for example, or between Robert Duncan and David Jones. Other, more generally acknowledged figures, are also discussed, including Wordsworth, Pope, Crabbe, Constable, Turner, Britten, Tippet, Lowell, Auden, and Berryman. The book also contains three poems on poetics that engage many of the theoretical issues left implicit in most of the essays.
Historicizing Modernists
Author: Matthew Feldman
Publisher: Bloomsbury Publishing
ISBN: 1350215066
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Focussing upon both canonical figures such as Woolf, Eliot, Pound, and Stein and emergent themes such as Christian modernism, intermedial modernism, queer Harlem Renaissance, this volume brings together previously unseen materials, from various archives, to bear upon cutting-edge interpretation of modernism. It provides an overview of approaches to modernism via the employment of various types of primary source material: correspondence, manuscripts and drafts, memoirs and production notes, reading notes and marginalia, and all manner of useful contextualising sources like news reports or judicial records. While having much to say to literary criticism more broadly, this volume is closely focused upon key modernist figures and emergent themes in light of the discipline's 'archival turn' – termed in a unifying introduction 'achivalism'. An essential ingredient separating the above, recent tendency from a much older and better-established new historicism, in modernist studies at least, is that 'the literary canon' remains an important starting point. Whereas new historicism 'is interested in history as represented and recorded in written documents' and tends toward a 'parallel study of literature and non-literary texts', archival criticism tends toward recognised, oftentimes canonical or critically-lauded, writers, presented in Part 1. Sidestepping the vicissitudes of canon formation, manuscript scholars tend to gravitate toward leading modernist authors: James Joyce, Ezra Pound, Virginia Woolf, Gertrude Stein, T.S. Eliot and Samuel Beckett. Part of the reason is obvious: known authors frequently leave behind sizeable literary estates, which are then acquired by research centres. A second section then applies the same empirical methodology to key or emergent themes in the study of modernism, including queer modernism; spatial modernism; little magazines (and online finding aids structuring them); and the role of faith and/or emotions in the construction of 'modernism' as we know it.
Publisher: Bloomsbury Publishing
ISBN: 1350215066
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Focussing upon both canonical figures such as Woolf, Eliot, Pound, and Stein and emergent themes such as Christian modernism, intermedial modernism, queer Harlem Renaissance, this volume brings together previously unseen materials, from various archives, to bear upon cutting-edge interpretation of modernism. It provides an overview of approaches to modernism via the employment of various types of primary source material: correspondence, manuscripts and drafts, memoirs and production notes, reading notes and marginalia, and all manner of useful contextualising sources like news reports or judicial records. While having much to say to literary criticism more broadly, this volume is closely focused upon key modernist figures and emergent themes in light of the discipline's 'archival turn' – termed in a unifying introduction 'achivalism'. An essential ingredient separating the above, recent tendency from a much older and better-established new historicism, in modernist studies at least, is that 'the literary canon' remains an important starting point. Whereas new historicism 'is interested in history as represented and recorded in written documents' and tends toward a 'parallel study of literature and non-literary texts', archival criticism tends toward recognised, oftentimes canonical or critically-lauded, writers, presented in Part 1. Sidestepping the vicissitudes of canon formation, manuscript scholars tend to gravitate toward leading modernist authors: James Joyce, Ezra Pound, Virginia Woolf, Gertrude Stein, T.S. Eliot and Samuel Beckett. Part of the reason is obvious: known authors frequently leave behind sizeable literary estates, which are then acquired by research centres. A second section then applies the same empirical methodology to key or emergent themes in the study of modernism, including queer modernism; spatial modernism; little magazines (and online finding aids structuring them); and the role of faith and/or emotions in the construction of 'modernism' as we know it.
Divine Cartographies
Author: W. David Soud
Publisher: Oxford University Press
ISBN: 0191083348
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
Recent critical studies of late modernism have explored the changing sense of both history and artistic possibility that emerged in the years surrounding World War II. However, relatively little attention has been devoted to the impact of poets' theological deliberations on their visions of history and their poetic strategies. Divine Cartographies: God, History, and Poiesis in W. B. Yeats, David Jones, and T. S. Eliot triangulates key texts as attempts to map theologically driven visions of the relation between history and eternity. W. David Soud considers several poems of Yeats's final and most fruitful engagement with Indic traditions, Jones's The Anathemata, and Eliot's Four Quartets. For these three poets, working at the height of their powers, that project was inseparable from reflection on the relation between the individual self and God; it was also bound up with questions of theodicy, subjectivity, and the task of the poet in the midst of historical trauma. Drawing on the fields of Indology, theology, and history of religions as well as literary criticism, Soud explores in depth and detail how, in these texts, theology is poetics.
Publisher: Oxford University Press
ISBN: 0191083348
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
Recent critical studies of late modernism have explored the changing sense of both history and artistic possibility that emerged in the years surrounding World War II. However, relatively little attention has been devoted to the impact of poets' theological deliberations on their visions of history and their poetic strategies. Divine Cartographies: God, History, and Poiesis in W. B. Yeats, David Jones, and T. S. Eliot triangulates key texts as attempts to map theologically driven visions of the relation between history and eternity. W. David Soud considers several poems of Yeats's final and most fruitful engagement with Indic traditions, Jones's The Anathemata, and Eliot's Four Quartets. For these three poets, working at the height of their powers, that project was inseparable from reflection on the relation between the individual self and God; it was also bound up with questions of theodicy, subjectivity, and the task of the poet in the midst of historical trauma. Drawing on the fields of Indology, theology, and history of religions as well as literary criticism, Soud explores in depth and detail how, in these texts, theology is poetics.
Literary Converts
Author: Joseph Pearce
Publisher: Ignatius Press
ISBN: 1681493012
Category : Biography & Autobiography
Languages : en
Pages : 470
Book Description
Literary Converts is a biographical exploration into the spiritual lives of some of the greatest writers in the English language: Oscar Wilde, Evelyn Waugh, C.S. Lewis, Malcolm Muggeridge, Graham Greene, Edith Sitwell, Siegfried Sassoon, Hilaire Belloc, G.K. Chesterton, Dorothy Sayers, T.S. Eliot and J.R.R. Tolkien. The role of George Bernard Shaw and H.G. Wells in intensifying the religious debate despite not being converts themselves is also considered. Many will be intrigued to know more about what inspired their literary heroes; others will find the association of such names with Christian belief surprising or even controversial. Whatever viewpoint we may have, Literary Converts touches on some of the most important questions of the twentieth century, making it a fascinating read.
Publisher: Ignatius Press
ISBN: 1681493012
Category : Biography & Autobiography
Languages : en
Pages : 470
Book Description
Literary Converts is a biographical exploration into the spiritual lives of some of the greatest writers in the English language: Oscar Wilde, Evelyn Waugh, C.S. Lewis, Malcolm Muggeridge, Graham Greene, Edith Sitwell, Siegfried Sassoon, Hilaire Belloc, G.K. Chesterton, Dorothy Sayers, T.S. Eliot and J.R.R. Tolkien. The role of George Bernard Shaw and H.G. Wells in intensifying the religious debate despite not being converts themselves is also considered. Many will be intrigued to know more about what inspired their literary heroes; others will find the association of such names with Christian belief surprising or even controversial. Whatever viewpoint we may have, Literary Converts touches on some of the most important questions of the twentieth century, making it a fascinating read.
Writing and Seeing
Author: Rui Manuel G. de Carvalho Homem
Publisher: Rodopi
ISBN: 9042016981
Category : Art
Languages : en
Pages : 404
Book Description
The essays in this volume are informed by a variety of theoretical assumptions and of critical methodologies, but they all share an interest in the intersections of word and image in a variety of media. This unifying rationale secures the present collection's central position in the current critical context, defined as it predominantly is by ways of reading that are based on a relational nexus. The intertextual, the intermedial, the intersemiotic are indeed foregrounded and combined in these essays, conceptually as much as in the critical practices favoured by the various contributions. Studies of literature in its relation to pictorial genres enjoy a relative prominence in the volume - but the range of media and of approaches considered is broad enough to include photography, film, video, television, comic strips, animated film, public art, material culture. The backgrounds of contributors are likewise diverse - culturally, academically, linguistically. The volume combines contributions by prominent scholars and critics with essays by younger scholars, from a variety of backgrounds. The resulting plurality of perspective is indeed a source of new insights into the relations between writing and seeing, and it contributes to making this collection an exciting new contribution to word and image studies.
Publisher: Rodopi
ISBN: 9042016981
Category : Art
Languages : en
Pages : 404
Book Description
The essays in this volume are informed by a variety of theoretical assumptions and of critical methodologies, but they all share an interest in the intersections of word and image in a variety of media. This unifying rationale secures the present collection's central position in the current critical context, defined as it predominantly is by ways of reading that are based on a relational nexus. The intertextual, the intermedial, the intersemiotic are indeed foregrounded and combined in these essays, conceptually as much as in the critical practices favoured by the various contributions. Studies of literature in its relation to pictorial genres enjoy a relative prominence in the volume - but the range of media and of approaches considered is broad enough to include photography, film, video, television, comic strips, animated film, public art, material culture. The backgrounds of contributors are likewise diverse - culturally, academically, linguistically. The volume combines contributions by prominent scholars and critics with essays by younger scholars, from a variety of backgrounds. The resulting plurality of perspective is indeed a source of new insights into the relations between writing and seeing, and it contributes to making this collection an exciting new contribution to word and image studies.
British Culture and the First World War
Author: Toby Thacker
Publisher: Bloomsbury Publishing
ISBN: 1441134379
Category : History
Languages : en
Pages : 371
Book Description
The First World War has been mythologized since 1918, and many paradigmatic views of it - that it was pointless, that brave soldiers were needlessly sacrificed - are deeply embedded in the British consciousness. More than in any other country, these collective British memories were influenced by the experiences and the work of writers, painters and musicians. This book revisits the British experience of the War through the eyes and ears of a diverse group of carefully selected novelists, poets, composers and painters. It examines how they reacted to and portrayed their experiences in the trenches on the Western Front, in distant theatres of war and on the home front, in words, pictures and music that would have a profound influence on subsequent British perceptions of the war. Rupert Brooke, Vera Brittain, Richard Nevinson, Paul Nash, Edward Elgar and T. E. Lawrence are amongst the figures discussed in this original exploration of the First World War and British collective memory. The book includes illustrations and maps to aid further study and research.
Publisher: Bloomsbury Publishing
ISBN: 1441134379
Category : History
Languages : en
Pages : 371
Book Description
The First World War has been mythologized since 1918, and many paradigmatic views of it - that it was pointless, that brave soldiers were needlessly sacrificed - are deeply embedded in the British consciousness. More than in any other country, these collective British memories were influenced by the experiences and the work of writers, painters and musicians. This book revisits the British experience of the War through the eyes and ears of a diverse group of carefully selected novelists, poets, composers and painters. It examines how they reacted to and portrayed their experiences in the trenches on the Western Front, in distant theatres of war and on the home front, in words, pictures and music that would have a profound influence on subsequent British perceptions of the war. Rupert Brooke, Vera Brittain, Richard Nevinson, Paul Nash, Edward Elgar and T. E. Lawrence are amongst the figures discussed in this original exploration of the First World War and British collective memory. The book includes illustrations and maps to aid further study and research.
David Jones: A Christian Modernist?
Author: Jamie Callison
Publisher: BRILL
ISBN: 9004356991
Category : Art
Languages : en
Pages : 307
Book Description
David Jones: A Christian Modernist? is a major reassessment of the work of the poet, artist and essayist David Jones (1895-1974) in light of the complex, ambiguous idea of a ‘Christian modernism’. His richly experimental and palimpsestic poetry, art and thought drew extensively on Christian tradition and symbolism as a key to the future: rejecting a technocratic and utilitarian modernity in favour of a revitalised culture of sign and sacrament. This volume examines historical influences on Jones’s development, his impassioned engagement with the idea of modernity and with modernist literature and art, the theological sources and resonances of his work, and contemporary or late-modern perspectives on his achievement.
Publisher: BRILL
ISBN: 9004356991
Category : Art
Languages : en
Pages : 307
Book Description
David Jones: A Christian Modernist? is a major reassessment of the work of the poet, artist and essayist David Jones (1895-1974) in light of the complex, ambiguous idea of a ‘Christian modernism’. His richly experimental and palimpsestic poetry, art and thought drew extensively on Christian tradition and symbolism as a key to the future: rejecting a technocratic and utilitarian modernity in favour of a revitalised culture of sign and sacrament. This volume examines historical influences on Jones’s development, his impassioned engagement with the idea of modernity and with modernist literature and art, the theological sources and resonances of his work, and contemporary or late-modern perspectives on his achievement.
Anglo-Saxon Culture and the Modern Imagination
Author: David Clark
Publisher: Boydell & Brewer
ISBN: 1843842513
Category : History
Languages : en
Pages : 304
Book Description
The Anglo-Saxon world continues to be a source of fascination in modern culture. Its manifestations in a variety of media are here examined.
Publisher: Boydell & Brewer
ISBN: 1843842513
Category : History
Languages : en
Pages : 304
Book Description
The Anglo-Saxon world continues to be a source of fascination in modern culture. Its manifestations in a variety of media are here examined.
David Jones and Rome
Author: Jasmine Hunter Evans
Publisher: Oxford University Press
ISBN: 0198868197
Category : Literary Criticism
Languages : en
Pages : 421
Book Description
Introduction:'at the turn of time' --Part I. David Jones and empire --Introduction to Part I:The political formation of the Roman analogy --Shaping Rome through 'contactual' experience: war and post-war disillusionment --British imperial rhetoric: subverting the Roman analogy of empire --Expanding the Roman imperial analogy: fascism, communism, and the co-agency of empires --Part II. David Jones and cyclical historyIntroduction to Part II:The Roman precedent for the decline of western civilisation --Cyclical history and Roman decline: a theoretical foundation for the Roman fragments --The forms of the late civilisational phase: charting the decline of the West from Roman precedents --The antithesis of culture and civilisation: examining Spenglerian principles in Roman poetry --Part III. David Jones and culture --Introduction to Part III: Recovering Rome in the pursuit of Western unity and continuity --Investigating cultural decline: the Classical and Christian traditions --Reconnecting with Rome: the fight for the unity and continuity of Western culture --Jones's cultural theory: re-establishing the bridge in response to the break --Part IV. David Jones and Wales --Introduction to Part IV:The Roman foundation of the Welsh nation --Reimagining cultural decline: the fight for Wales as Britain s last link to Rome --Rewriting Welsh history: establishing Wales as a Roman nation --Cultural dynamics: the place of Rome in the bridge --Conclusion:'down the history maze'.
Publisher: Oxford University Press
ISBN: 0198868197
Category : Literary Criticism
Languages : en
Pages : 421
Book Description
Introduction:'at the turn of time' --Part I. David Jones and empire --Introduction to Part I:The political formation of the Roman analogy --Shaping Rome through 'contactual' experience: war and post-war disillusionment --British imperial rhetoric: subverting the Roman analogy of empire --Expanding the Roman imperial analogy: fascism, communism, and the co-agency of empires --Part II. David Jones and cyclical historyIntroduction to Part II:The Roman precedent for the decline of western civilisation --Cyclical history and Roman decline: a theoretical foundation for the Roman fragments --The forms of the late civilisational phase: charting the decline of the West from Roman precedents --The antithesis of culture and civilisation: examining Spenglerian principles in Roman poetry --Part III. David Jones and culture --Introduction to Part III: Recovering Rome in the pursuit of Western unity and continuity --Investigating cultural decline: the Classical and Christian traditions --Reconnecting with Rome: the fight for the unity and continuity of Western culture --Jones's cultural theory: re-establishing the bridge in response to the break --Part IV. David Jones and Wales --Introduction to Part IV:The Roman foundation of the Welsh nation --Reimagining cultural decline: the fight for Wales as Britain s last link to Rome --Rewriting Welsh history: establishing Wales as a Roman nation --Cultural dynamics: the place of Rome in the bridge --Conclusion:'down the history maze'.