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Author: Mira Engler
Publisher: Routledge
ISBN: 1317535596
Category : Architecture
Languages : en
Pages : 291
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Book Description
During the post-war era, the emerging consumer economy radically changed both the discourse and practice of architecture. It was a time where architecture became a mainstream commodity whose products sold through mass media; a time in which Thomas Gordon Cullen came to be one of Britain’s best-known twentieth-century architectural draftsmen. Despite Cullen’s wide acclaim, there has been little research into his life and work; particularly his printed images and his methods of operation. This book examines Cullen’s drawings and book design and also looks into his process of image making to help explain his considerable popularity and influence which continues to this day. It presents the lessons Cullen had to offer in today’s design culture and practice and looks into the post-war consumerist design strategies that are still used today.
Author: Mira Engler
Publisher: Routledge
ISBN: 1317535596
Category : Architecture
Languages : en
Pages : 291
Get Book
Book Description
During the post-war era, the emerging consumer economy radically changed both the discourse and practice of architecture. It was a time where architecture became a mainstream commodity whose products sold through mass media; a time in which Thomas Gordon Cullen came to be one of Britain’s best-known twentieth-century architectural draftsmen. Despite Cullen’s wide acclaim, there has been little research into his life and work; particularly his printed images and his methods of operation. This book examines Cullen’s drawings and book design and also looks into his process of image making to help explain his considerable popularity and influence which continues to this day. It presents the lessons Cullen had to offer in today’s design culture and practice and looks into the post-war consumerist design strategies that are still used today.
Author: Mira Engler
Publisher: Routledge
ISBN: 1317535588
Category : Architecture
Languages : en
Pages : 336
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Book Description
During the post-war era, the emerging consumer economy radically changed both the discourse and practice of architecture. It was a time where architecture became a mainstream commodity whose products sold through mass media; a time in which Thomas Gordon Cullen came to be one of Britain’s best-known twentieth-century architectural draftsmen. Despite Cullen’s wide acclaim, there has been little research into his life and work; particularly his printed images and his methods of operation. This book examines Cullen’s drawings and book design and also looks into his process of image making to help explain his considerable popularity and influence which continues to this day. It presents the lessons Cullen had to offer in today’s design culture and practice and looks into the post-war consumerist design strategies that are still used today.
Author: Stephen Kite
Publisher: Bloomsbury Publishing
ISBN: 1350320684
Category : Architecture
Languages : en
Pages : 353
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Book Description
Shaping the Surface explores the history of modern British architecture through the lens of surface, materiality and decoration. Picking up on a trait that art historian Nikolaus Pevsner first identified as a 'national mania for beautiful surface quality', this book makes a new contribution to architectural history and visual culture in its detailed examination of the surfaces of British architecture from the middle of the 19th century up to the turn of the 21st century. Tracing this continuing sensibility to surface all the way through to the modern era, it explores how and why surface and materiality have featured so heavily in recent architectural tradition, examining the history of British architecture through a selection of key cultural moments and movements from Romanticism and the Arts and Crafts, to Brutalism, High-Tech, Post-Modernism, Neo-Vernacular, and the New Materiality. Embedded within the narrative is the question of whether such national characters can exist in architecture at all – and indeed the extent to which it is possible to identify a British architectural consciousness in an architectural tradition characterised by its continuous importation of theories, ideas, materials and people from around the globe. Shaping the Surface provides a deep critique and meditation on the importance of surface and materiality for architects, designers, and historians everywhere - in Britain and beyond - while it also serves as a thematic introduction to modern British architectural history, with in-depth readings of the works of many key British architects, artists, and critics from Ruskin and William Morris to Alison and Peter Smithson, Eduardo Paolozzi, Richard Rogers and Caruso St John.
Author: Mira Engler
Publisher: Taylor & Francis
ISBN: 0429798067
Category : Architecture
Languages : en
Pages : 476
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Book Description
Architects, landscape architects and urban designers experiment with color and lighting effects in their daily professional practice. Over the past decade, there has been a reinvigorated discussion on color within architectural and cultural studies. Yet, scholarly enquiry within landscape architecture has been minimal despite its important role in landscape design. This book posits that though color and lighting effects appear natural, fleeting, and difficult to comprehend, the sensory palette of built landscapes and gardens has been carefully constructed to shape our experience and evoke meaning and place character. Landscape Design in Color: History, Theory, and Practice 1750 to Today is an inquiry into the themes, theories, and debates on color and its impact on practice in Western landscape architecture over the past three centuries. Divided into three key periods, each chapter in the book looks at the use of color in the written and built work of key prominent designers. The book investigates thematic juxtapositions such as: natural and artificial; color and line; design and draftsmanship; sensation and concept; imitation and translation; deception and display; and decoration and structure, and how these have appeared, faded, disappeared, and reappeared throughout the ages. Richly designed and illustrated in full color throughout, including color palettes, this book is a must-have resource for students, scholars, and design professionals in landscape architecture and its allied disciplines.
Author: Deljana Iossifova
Publisher: Routledge
ISBN: 1317153499
Category : Architecture
Languages : en
Pages : 304
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Book Description
What is "urban"? How can it be described and contextualised? How is it used in theory and practice? Urban processes feature in key international policy and practice discourses. They are at the core of research agendas across traditional academic disciplines and emerging interdisciplinary fields. However, the concept of "the urban" remains highly contested, both as material reality and imaginary construct. The urban remains imprecisely defined. Defining the Urban is an indispensable guide for the urban transdisciplinary thinker and practitioner. Parts I and II focus on how "Academic Disciplines" and "Professional Practices," respectively, understand and engage with the urban. Included, among others, are Architecture, Ecology, Governance and Sociology. Part III, "Emerging Approaches," outlines how elements from theory and practice combine to form transdisciplinary tools and perspectives. Written by eminent experts in their respective fields, Defining the Urban provides a stepping stone for the development of a common language—a shared ontology—in the disjointed fields of urban research and practice. It is a comprehensive and accessible resource for anyone with an interest in understanding how urban scholars and practitioners can work together on this complex theme.
Author: Thomas Schröpfer
Publisher: Birkhäuser
ISBN: 303561511X
Category : Architecture
Languages : en
Pages : 320
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Book Description
In which ways does a "green building" contribute to the ecology of its surroundings? And how can ecologically designed urban districts, with their green and blue networks, link up with the elements and technologies of building design? All dimensions of "green building" are investigated in this book in an effort to understand and evaluate some of the most recent and innovative Dense+Green Cities in Asia, the Americas and Europe.
Author: Amy Thomas
Publisher: MIT Press
ISBN: 0262048418
Category : Architecture
Languages : en
Pages : 384
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Book Description
An exploration of the dramatic transformation of London’s financial district after 1945, viewed at four spatial scales: city, street, facade, interior. In The City in the City, Amy Thomas offers the first in-depth architectural and urban history of London’s financial district, the City of London, from the period of rebuilding after World War II to the explosive climax of financial deregulation in the 1980s and its long aftermath. Thomas examines abstract financial ideas, political ideology, and invisible markets as concrete realities; working on four spatial scales—city, street, facade, and interior—the book explores the grand plans, hidden alleys, neo-Georgian elevations, and sweaty dealing floors that have made the financial center work. Moving from politics to sociology, institutions to bodies, development plans to office desks, Thomas unravels the rich entanglements between the structure of the UK’s financial system and the structure of the environment in which it operates. Despite its physical and political centrality, this period of the City’s architectural history occupies an academic lacuna. Longstanding prejudices about developer-led architecture and the real estate industry have obscured the postwar City’s relevance. The book shows how, as currents of local government reform, nation-building, and globalization swept across Britain, the City became an ideological battleground for debates between politicians and financial institutions, real estate developers and architects, preservationists and so-called “proactive” planners throughout the latter half of the century. The City of London is a place steeped in rich cultural and architectural heritage of immense national significance, yet it is also a highly privileged citadel at the core of global financial networks. The City in the City is both a critique and a celebration of this unique and complex place.
Author: Deborah Lewittes
Publisher: Liverpool University Press
ISBN: 180207077X
Category : History
Languages : en
Pages : 320
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Book Description
This study reassesses modern architecture and town planning in mid-twentieth-century England, highlighting ideas and debates that were in circulation as modernist ideals gradually took root. The book reveals an architectural culture that was serious, active, and visionary, with impact that extended into the postwar years. Through close studies of specific works and writings, the author acknowledges the importance of the international context of modern architecture as it intersected with the variety of narratives that defined English modernism, such as national identity, the New Empiricism, and the picturesque, taking into account the large community of émigré architects who settled in England with the approach of World War II, as well as a more general dissemination of international style forms and theories from continental Europe. The book places familiar figures such as Berthold Lubetkin and Ernö Goldfinger, as well as projects such as Tecton’s Penguin Pool and the Festival of Britain’s “Live Architecture” Exhibition, in new light, presenting a rich picture of the modern architectural climate in England. The study draws attention to the debates, proposals, and processes that fed into the development of modernist, urban-minded, and forward-looking architectural ideals.
Author: Mine Ozkar
Publisher: Taylor & Francis
ISBN: 1317578694
Category : Architecture
Languages : en
Pages : 156
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Book Description
Rethinking Basic Design in Architectural Education provides historical and computational insights into beginning design education for architecture. Inviting the readers to briefly forget what is commonly known as basic design, it delivers the account of two educators, Denman W. Ross and Arthur W. Dow, from the turn of the twentieth century in Northeast America, interpreting key aspects of their methodology for teaching foundations for design and art. This alternate intellectual context for the origins of basic design as a precursor to computational design complements the more haptic, more customized, and more open-source design and fabrication technologies today. Basic design described and illustrated here as a form of low-tech computation offers a setting for the beginning designer to consciously experience what it means to design. Individualized dealings with materials, tools, and analytical techniques foster skills and attitudes relevant to creative and technologically adept designers. The book is a timely contribution to the theory and methods of beginning design education when fast-changing design and production technology demands change in architecture schools’ foundations curricula.
Author: Fredrik Nilsson
Publisher: Taylor & Francis
ISBN: 1315526646
Category : Architecture
Languages : en
Pages : 194
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Book Description
Research in the creative fields of architecture, design, music and the arts has experienced dynamic development for over two decades. The research in these practice- and arts-based fields has become increasingly mature but has also led to various discussions on what constitutes doctoral proficiency in these fields. The term ‘doctorateness’ is often used when referring to the assessment of the production of doctoral research and the research competence of research students, but in architecture and the arts, the concept of doctorateness has not yet attained a clearly articulated definition. The assessment of quality has been practiced by way of supervising, mentoring and the evaluation of dissertations but much less discussed. This book offers perspectives on how to qualify and assess research in architecture, music and the arts. It creates a broader arena for discussion on doctorateness by establishing a framework for its application to creative fields. The book is grouped into three sections and includes contributions from international experts in the various fields working in Australia, Belgium, Brazil, Canada, Norway, Sweden, Switzerland, Spain, the Netherlands and the UK. The first section offers general frameworks for further conceptualising doctorateness in the fields in question. It is followed by a section that describes and discusses various experiences, concerns and visions on the production and assessment of doctoral research reporting from doctoral programmes in different stages of development. The third section includes future-oriented perspectives on knowledge-building processes, and asks how the ongoing, profound changes in academia could influence the concept of quality in both doctoral process and product. The book presents different perspectives on research assessment practices and developments of relevant criteria in the practice-based and creative fields of architecture and the arts. The contributions propose ways of framing this issue conceptually, show the need for awareness of the specific context and tradition programmes develop and give proposals for various potential trajectories for the future.
