Cupid's Revenge PDF Download
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Author: John Fletcher
Publisher: Createspace Independent Publishing Platform
ISBN: 9781726252515
Category :
Languages : en
Pages : 84
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Book Description
Cupid's Revenge is a Jacobean tragedy written by Francis Beaumont and John Fletcher. It was a popular success that influenced subsequent works by other authors. The play depends upon the Arcadia of Sir Philip Sidney for the source of its plot; the Duke in Cupid's Revenge is a blend of Sidney's King of Lycia and King of Iberia. In turn, Cupid's Revenge served as a source for other dramatists. There is a significant relationship between this play and The Birth of Merlin, one of the plays of the Shakespeare Apocrypha. Plot elements shared by both works - the missing prince, and the ruler and his heir who fall in love with the same woman-could be due to derivation from common sources; but the plays also feature specific shared lines and passages. Critics also cite detectable influences from Cupid's Revenge on the anonymous tragedy Andromana (printed 1660).
Author: John Fletcher
Publisher: Createspace Independent Publishing Platform
ISBN: 9781726252515
Category :
Languages : en
Pages : 84
Get Book Here
Book Description
Cupid's Revenge is a Jacobean tragedy written by Francis Beaumont and John Fletcher. It was a popular success that influenced subsequent works by other authors. The play depends upon the Arcadia of Sir Philip Sidney for the source of its plot; the Duke in Cupid's Revenge is a blend of Sidney's King of Lycia and King of Iberia. In turn, Cupid's Revenge served as a source for other dramatists. There is a significant relationship between this play and The Birth of Merlin, one of the plays of the Shakespeare Apocrypha. Plot elements shared by both works - the missing prince, and the ruler and his heir who fall in love with the same woman-could be due to derivation from common sources; but the plays also feature specific shared lines and passages. Critics also cite detectable influences from Cupid's Revenge on the anonymous tragedy Andromana (printed 1660).
Author: Francis Beaumont
Publisher:
ISBN:
Category :
Languages : en
Pages : 976
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Book Description
Author: Jane Kingsley-Smith
Publisher: Cambridge University Press
ISBN: 1139491237
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Cupid became a popular figure in the literary and visual culture of post-Reformation England. He served to articulate and debate the new Protestant theory of desire, inspiring a dark version of love tragedy in which Cupid kills. But he was also implicated in other controversies, as the object of idolatrous, Catholic worship and as an adversary to female rule: Elizabeth I's encounters with Cupid were a crucial feature of her image-construction and changed subtly throughout her reign. Covering a wide variety of material such as paintings, emblems and jewellery, but focusing mainly on poetry and drama, including works by Sidney, Shakespeare, Marlowe and Spenser, Kingsley-Smith illuminates the Protestant struggle to categorise and control desire and the ways in which Cupid disrupted this process. An original perspective on early modern desire, the book will appeal to anyone interested in the literature, drama, gender politics and art history of the English Renaissance.
Author: Charles Mills Gayley
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 690
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Book Description
Author: Charles Gross
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 626
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Book Description
Author: William Carew Hazlitt
Publisher: Johnson Reprint Corporation
ISBN:
Category : Reference
Languages : en
Pages : 308
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Book Description
Author: Francis Beaumont
Publisher: Litres
ISBN: 5040707983
Category : Fiction
Languages : en
Pages : 919
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Book Description
Author: Charles Mills Gayley
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 638
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Book Description
![Catalogue of a loan collection of engravings & etchings by Francesco Bartolozzi and engravers of his school [by E.B. Nash.]. PDF](https://books.google.com/books/content/images/frontcover/-_MHAAAAQAAJ?fife=w80-h100)
Author: Edward Barrington Nash
Publisher:
ISBN:
Category :
Languages : en
Pages : 82
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Book Description
Author: Thomas Bulfinch
Publisher: Library of Alexandria
ISBN: 1465547908
Category : Literary Criticism
Languages : en
Pages : 681
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Book Description
Purpose of the Study. Interwoven with the fabric of our English literature, of our epics, dramas, lyrics, and novels, of our essays and orations, like a golden warp where the woof is only too often of silver, are the myths of certain ancient nations. It is the purpose of this work to relate some of these myths, and to illustrate the uses to which they have been put in English literature, and, incidentally, in art. The Fable and the Myth. Careful discrimination must be made between the fable and the myth. A fable is a story, like that of King Log, or the Fox and the Grapes, in which characters and plot, neither pretending to reality nor demanding credence, are fabricated confessedly as the vehicle of moral or didactic instruction. Dr. Johnson narrows still further the scope of the fable: "It seems to be, in its genuine state, a narrative in which beings irrational, and sometimes inanimate, are, for the purpose of moral instruction, feigned to act and speak with human interests and passions." Myths, on the other hand, are stories of anonymous origin, prevalent among primitive peoples and by them accepted as true, concerning supernatural beings and events, or natural beings and events influenced by supernatural agencies. Fables are made by individuals; they may be told in any stage of a nation's history,—by a Jotham when the Israelites were still under the Judges, 1200 years before Christ, or by Christ himself in the days of the most critical Jewish scholarship; by a Menenius when Rome was still involved in petty squabbles of plebeians and patricians, or by Phædrus and Horace in the Augustan age of Roman imperialism and Roman letters; by an Æsop, well-nigh fabulous, to fabled fellow-slaves and Athenian tyrants, or by La Fontaine to the Grand Monarch and the most highly civilized race of seventeenth-century Europe. Fables are vessels made to order into which a lesson may be poured. Myths are born, not made. They are born in the infancy of a people. They owe their features not to any one historic individual, but to the imaginative efforts of generations of story-tellers. The myth of Pandora, the first woman, endowed by the immortals with heavenly graces, and of Prometheus, who stole fire from heaven for the use of man; the myth of the earthborn giants that in the beginning contested with the gods the sovereignty of the universe; of the moon-goddess who, with her buskined nymphs, pursues the chase across the azure of the heavens, or descending to earth cherishes the youth Endymion,—these myths, germinating in some quaint and childish interpretation of natural events or in some fireside fancy, have put forth unconsciously, under the nurture of the simple folk that conceived and tended them, luxuriant branches and leaves of narrative, and blossoms of poetic comeliness and form. The myths that we shall relate present wonderful accounts of the creation, histories of numerous divine beings, adventures of heroes in which magical and ghostly agencies play a part, and where animals and inanimate nature don the attributes of men and gods. Many of these myths treat of divinities once worshiped by the Greeks and the Romans, and by our Norse and German forefathers in the dark ages. Myths, more or less like these, may be found in the literatures of nearly all nations; many are in the memories and mouths of savage races at this time existent. But the stories here narrated are no longer believed by any one. The so-called divinities of Olympus and of Asgard have not a single worshiper among men. They dwell only in the realm of memory and imagination; they are enthroned in the palace of art.
