Cumberland, Westmorland, Gloucestershire

Cumberland, Westmorland, Gloucestershire PDF Author: Audrey W. Douglas
Publisher: University of Toronto Press
ISBN: 9780802056696
Category : Language Arts & Disciplines
Languages : en
Pages : 570

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Book Description
The Records of Early English Drama volumes make available historical transcripts that provide evidence of early English drama, music, ceremonial dance, and other forms of communal public entertainment in Britain from the Middle Ages to 1642, when the Puritans closed the London theatres.

Cumberland, Westmorland, Gloucestershire

Cumberland, Westmorland, Gloucestershire PDF Author: Audrey W. Douglas
Publisher: University of Toronto Press
ISBN: 9780802056696
Category : Language Arts & Disciplines
Languages : en
Pages : 570

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Book Description
The Records of Early English Drama volumes make available historical transcripts that provide evidence of early English drama, music, ceremonial dance, and other forms of communal public entertainment in Britain from the Middle Ages to 1642, when the Puritans closed the London theatres.

Records of early English drama

Records of early English drama PDF Author: Audrey W. Douglas
Publisher:
ISBN:
Category : Cumberland (England)
Languages : en
Pages : 547

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Book Description


Teaching with the Records of Early English Drama

Teaching with the Records of Early English Drama PDF Author: Elza C. Tiner
Publisher: University of Toronto Press
ISBN: 0802090826
Category : Drama
Languages : en
Pages : 273

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Book Description
Since the appearance of the first volume in 1979, the Records of Early English Drama (REED) series has made available an accurate and useable transcription of all surviving documentary evidence of dramatic, ceremonial, and minstrel activity in Great Britain up to the closing of the theatres in 1642. Although they are immensely valuable to scholars, the REED volumes sometimes prove difficult for students to use without considerable assistance. With this book, Elza Tiner aims to make the records accessible for classroom use. The contributors to the volume describe the various ways in which students can learn from working with these documents. Divided into five sections, the volume illustrates how specific disciplines can use the Records to provide resources for students including ways to teach the historical documents of early English drama, training students in acting and producing, historical contexts for the interpretation of literature, as well as the study of local history, women's studies, and historical linguistics. As a practical and much needed companion to the REED volumes, Teaching with the Records of Early English Drama will prove invaluable to both students and teachers of Medieval English Drama.

The Cambridge History of British Theatre

The Cambridge History of British Theatre PDF Author: Jane Milling
Publisher: Cambridge University Press
ISBN: 0521650402
Category : Drama
Languages : en
Pages : 571

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Book Description
Publisher Description

Intercultural Explorations and the Court of Henry VIII

Intercultural Explorations and the Court of Henry VIII PDF Author: Nadia T. van Pelt
Publisher: Oxford University Press
ISBN: 0192863444
Category : Literary Criticism
Languages : en
Pages : 241

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Book Description
Seldom has a royal court invited such intensive study as that of Henry VIII, or become so prominent in popular culture. Nonetheless, Intercultural Explorations and the Court of Henry VIII is committed to offering a fresh perspective on Tudor court culture, by using continental sources to contextualize, nuance, and challenge long-held perspectives that have been formed through the use of well-studied, Anglophone sources. Using a wide variety of textual sources, from ambassadorial correspondence, account books, household étiquettes, legal records, royal warrants, and marital contracts, to play texts and travel accounts, this study presents original research in history, literature, and cultural history. The case studies in Intercultural Explorations and the Court of Henry VIII address specific questions that challenge what we know or think we know about Tudor court culture. For example: was it good taste to bring a jester to a royal deathbed? Was John Blanke really the first black musician to perform at the Tudor court, or did he follow the footsteps of another celebrated performer of African descent? When Charles V came to meet Henry VIII, did he eat from his own plate? And why did courtiers express themselves negatively about Anne of Cleves's appearance? By addressing such specific questions, Intercultural Explorations and the Court of Henry VIII will show that however quintessentially 'English' Henry VIII's court, it was essentially a place of cultural and intercultural encounters that is best understood when studied in dialogue across languages, geographical barriers, and scholarly disciplines.

Shakespeare's Companies

Shakespeare's Companies PDF Author: Terence G. Schoone-Jongen
Publisher: Routledge
ISBN: 1317056167
Category : Literary Criticism
Languages : en
Pages : 282

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Book Description
Focusing on a period (c.1577-1594) that is often neglected in Elizabethan theater histories, this study considers Shakespeare's involvement with the various London acting companies before his membership in the Lord Chamberlain's Men in 1594. Locating Shakespeare in the confusing records of the early London theater scene has long been one of the many unresolved problems in Shakespeare studies and is a key issue in theatre history, Shakespeare biography, and historiography. The aim in this book is to explain, analyze, and assess the competing claims about Shakespeare's pre-1594 acting company affiliations. Schoone-Jongen does not demonstrate that one particular claim is correct but provides a possible framework for Shakespeare's activities in the 1570s and 1580s, an overview of both London and provincial playing, and then offers a detailed analysis of the historical plausibility and probability of the warring claims made by biographers, ranging from the earliest sixteenth-century references to contemporary arguments. Full chapters are devoted to four specific acting companies, their activities, and a summary and critique of the arguments for Shakespeare's involvement in them (The Queen's Men, Strange's Men, Pembroke's Men, and Sussex's Men), a further chapter is dedicated to the proposition Shakespeare's first theatrical involvement was in a recusant Lancashire household, and a final chapter focuses on arguments for Shakespeare's membership in a half dozen other companies (most prominently Leicester's Men). Shakespeare's Companies simultaneously opens up twenty years of theatrical activity to inquiry and investigation while providing a critique of Shakespearean biographers and their historical methodologies.

Shropshire

Shropshire PDF Author: J. A. B. Somerset
Publisher: University of Toronto Press
ISBN: 9780802006486
Category : Performing Arts
Languages : en
Pages : 496

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Book Description
The Records of Early English Drama volumes make available historical transcripts that provide evidence of early English drama, music, ceremonial, dance, and other forms of communal public entertainment in Britain before 1642, together with the necessary interpretive introductions and notes to explicate the materials for the reader. Shropshire, in two volumes, is the eleventh publication in the series. In the introduction Alan Somerset surveys the social and economic history of each major borough and provides a commentary on the major issues raised in the documents. He discusses travelling performers routes, the places they performed, and the remarkable public exhibitions of high-wire artists, camels, bears, and giants. The records for this county are rich and varied, providing new detail about local playing and festivities. From Shrewsbury for example, comes the complete documentation of a unique, semi-circular outdoor amphitheatre. The documents reveal much - from robbery and riots - to the sometimes acrimonious disputes that show the growing Puritan opposition to sports, which attempted to combat an equally stubborn affection for traditional customs. These records are an invaluable addition to the scholarship of early drama, establishing as they do part of the total context of the great drama of Shakespeare, his predecessors, and his contemporaries.

Libels and Theater in Shakespeare's England

Libels and Theater in Shakespeare's England PDF Author: Joseph Mansky
Publisher: Cambridge University Press
ISBN: 100936278X
Category : Literary Criticism
Languages : en
Pages : 267

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Book Description
The first comprehensive history of libels in Elizabethan England, this interdisciplinary study traces the crime across law, literature, and culture, focusing especially on the theater. Ranging from Shakespeare to provincial pageantry, it provides a fresh account of early modern drama and the viral media ecosystem springing up around it.

Music and Society in Early Modern England

Music and Society in Early Modern England PDF Author: Christopher Marsh
Publisher: Cambridge University Press
ISBN: 1107610249
Category : History
Languages : en
Pages : 625

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Book Description
Comprehensive, lavishly illustrated survey of English popular music during the early modern period. Accompanied by specially commissioned recordings.

Shakespeare and Theatrical Patronage in Early Modern England

Shakespeare and Theatrical Patronage in Early Modern England PDF Author: Paul Whitfield White
Publisher: Cambridge University Press
ISBN: 9780521034302
Category : Drama
Languages : en
Pages : 340

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Book Description
During the past quarter of a century, the study of patronage-theatre relations in early modern England has developed considerably. This, however, is an extensive, wide-ranging and representative 2002 study of patronage as it relates to Shakespeare and the theatrical culture of his time. Twelve distinguished theatre historians address such questions as: What important functions did patronage have for the theatre during this period? How, in turn, did the theatre impact and represent patronage? Where do paying spectators and purchasers of printed drama fit into the discussion of patronage? The authors also show how patronage practices changed and developed from the early Tudor period to the years in which Shakespeare was the English theatre's leading artist. This important book will appeal to scholars of Renaissance social history as well as those who focus on Shakespeare and his playwriting contemporaries.