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Author: Audrey W. Douglas
Publisher: University of Toronto Press
ISBN: 9780802056696
Category : Language Arts & Disciplines
Languages : en
Pages : 570
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Book Description
The Records of Early English Drama volumes make available historical transcripts that provide evidence of early English drama, music, ceremonial dance, and other forms of communal public entertainment in Britain from the Middle Ages to 1642, when the Puritans closed the London theatres.
Author: Audrey W. Douglas
Publisher: University of Toronto Press
ISBN: 9780802056696
Category : Language Arts & Disciplines
Languages : en
Pages : 570
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Book Description
The Records of Early English Drama volumes make available historical transcripts that provide evidence of early English drama, music, ceremonial dance, and other forms of communal public entertainment in Britain from the Middle Ages to 1642, when the Puritans closed the London theatres.
Author: Mark Cartwright Pilkinton
Publisher: University of Toronto Press
ISBN: 9780802042217
Category : Literary Criticism
Languages : en
Pages : 482
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Book Description
A complete edition of primary sources concerning dramatic and musical performance in Bristol from the Middle Ages until the time of Oliver Cromwell.
Author: Elza C. Tiner
Publisher: University of Toronto Press
ISBN: 0802090826
Category : Drama
Languages : en
Pages : 273
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Book Description
Since the appearance of the first volume in 1979, the Records of Early English Drama (REED) series has made available an accurate and useable transcription of all surviving documentary evidence of dramatic, ceremonial, and minstrel activity in Great Britain up to the closing of the theatres in 1642. Although they are immensely valuable to scholars, the REED volumes sometimes prove difficult for students to use without considerable assistance. With this book, Elza Tiner aims to make the records accessible for classroom use. The contributors to the volume describe the various ways in which students can learn from working with these documents. Divided into five sections, the volume illustrates how specific disciplines can use the Records to provide resources for students including ways to teach the historical documents of early English drama, training students in acting and producing, historical contexts for the interpretation of literature, as well as the study of local history, women's studies, and historical linguistics. As a practical and much needed companion to the REED volumes, Teaching with the Records of Early English Drama will prove invaluable to both students and teachers of Medieval English Drama.
Author: Andrew Richard Warmington
Publisher: Boydell & Brewer Ltd
ISBN: 9780861932368
Category : History
Languages : en
Pages : 248
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Book Description
Dr Warmington's examination of the impact of the Civil War in Gloucestershire begins with the descent into war between 1640 and 1642, showing how the two sides formed and why the Parliamentarians had the more durable war machine. He then goes on to consider the anarchic situation between 1645 and 1649, and the series of new experiments in government which followed until 1660. The book demonstrates how the war created an almost entirely new governing group of minor gentlemen, based on military service to the regime and religious affiliations, looks at the vexed question of the cultural dimensions of popular allegiance in the period, and examines popular activity (or lack of it) in Gloucestershire's distinct regions of Vale, Wold and Forest during the Civil War. The attempted rebellion of 1659 is examined in detail.
Author: Philip Butterworth
Publisher: Routledge
ISBN: 1351938355
Category : Performing Arts
Languages : en
Pages : 391
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Book Description
This volume brings together important records of medieval theatre practice between 1400 and 1580. The records are drawn from a wide range of spheres including civic, ecclesiastical, trade and guild records and consist of payments for materials, techniques and services; also included are some eye witness accounts. Alongside these records is a selection of the best contemporary research conducted into medieval performance practice, which features ground-breaking analysis and challenges current understanding, knowledge and authority in this field. These contributions of rigorous scholarship complement and support the work of the well-known Records of Early English Drama project and help to further illuminate contemporary fifteenth and early sixteenth-century theatre performance practice.
Author: Laurie Johnson
Publisher: Cambridge University Press
ISBN: 1009366491
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
The first full history of the first great Elizabethan play company, responsible for developing the main features of Shakespearean theatre.
Author: Philip Butterworth
Publisher: Cambridge University Press
ISBN: 1139991949
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
How was medieval English theatre performed? Many of the modern theatrical concepts and terms used today to discuss the nature of medieval English theatre were never used in medieval times. Concepts and terms such as character, characterisation, truth and belief, costume, acting style, amateur, professional, stage directions, effects and special effects are all examples of post-medieval terms that have been applied to the English theatre. Little has been written about staging conventions in the performance of medieval English theatre and the identity and value of these conventions has often been overlooked. In this book, Philip Butterworth analyses dormant evidence of theatrical processes such as casting, doubling of parts, rehearsing, memorising, cueing, entering, exiting, playing, expounding, prompting, delivering effects, timing, hearing, seeing and responding. All these concerns point to a very different kind of theatre to the naturalistic theatre produced today.
Author: Simon Ditchfield
Publisher: Routledge
ISBN: 1351951734
Category : History
Languages : en
Pages : 359
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Book Description
How did Christians in early modern Western Europe express their sense of community? This book explores the various ways in which religious identities were defined, developed and defended - within both Protestant and Roman Catholic contexts, in England and on the Continent - over a period vital for the history of Christianity. As such it will be of interest not only to historians of religion but also to students of social and cultural history in general.
Author: Clifford Davidson
Publisher: Routledge
ISBN: 1351936611
Category : Literary Criticism
Languages : en
Pages : 341
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Book Description
Based in records and iconography, this book surveys medieval festival playing in Britain more comprehensively than any other work to date. The study presents an inclusive view of the drama in the British Isles, from Kilkenny to Great Yarmouth, from Scotland to Cornwall. It offers detailed readings of individual plays-including the York Creed Play, Pentecost and Corpus Christi plays and the little studied Bodley plays, among others - as well as a summary of what is known of their production. Clifford Davidson here extends the usual chronological range to include work typically categorized as early modern, enabling a juxtaposition of earlier plays with later plays to yield a better understanding of both. Complementing documentary evidence with iconographic detail and citation of music, he pinpoints a number of common misconceptions about medieval drama. By organizing the study around the rituals of the liturgical seasons, he clarifies the relationship between liturgical feast and dramatic celebration.
Author: Holger Schott Syme
Publisher: Routledge
ISBN: 1317103661
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Locating the Queen's Men presents new and groundbreaking essays on early modern England's most prominent acting company, from their establishment in 1583 into the 1590s. Offering a far more detailed critical engagement with the plays than is available elsewhere, this volume situates the company in the theatrical and economic context of their time. The essays gathered here focus on four different aspects: playing spaces, repertory, play-types, and performance style, beginning with essays devoted to touring conditions, performances in university towns, London inns and theatres, and the patronage system under Queen Elizabeth. Repertory studies, unique to this volume, consider the elements of the company's distinctive style, and how this style may have influenced, for example, Shakespeare's Henry V. Contributors explore two distinct genres, the morality and the history play, especially focussing on the use of stock characters and on male/female relationships. Revising standard accounts of late Elizabeth theatre history, this collection shows that the Queen's Men, often understood as the last rear-guard of the old theatre, were a vital force that enjoyed continued success in the provinces and in London, representative of the abiding appeal of an older, more ostentatiously theatrical form of drama.
