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Author: Francis Garvin Davenport
Publisher:
ISBN:
Category : History
Languages : en
Pages : 258
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Book Description
Beginning with a study of the frontier mind, Davenport traces the cultural development of the city in the rise of schools, colleges, churches, and medical science; he gives special attention to the amusements of the day--drama, opera, concerts, and minstrels; finally he examines the newspapers and magazines of the period, the poets and would-be poets, and the architects and their creations. Originally published in 1941. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Francis Garvin Davenport
Publisher:
ISBN:
Category : History
Languages : en
Pages : 258
Get Book Here
Book Description
Beginning with a study of the frontier mind, Davenport traces the cultural development of the city in the rise of schools, colleges, churches, and medical science; he gives special attention to the amusements of the day--drama, opera, concerts, and minstrels; finally he examines the newspapers and magazines of the period, the poets and would-be poets, and the architects and their creations. Originally published in 1941. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Carsten Meiner
Publisher: Walter de Gruyter
ISBN: 311028295X
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
Catastrophes and crises are exceptions. They are disruptions of order. In various ways and to different degrees, they change and subvert what we regard as normal. They may occur on a personal level in the form of traumatic or stressful situations, on a social level in the form of unstable political, financial or religious situations, or on a global level in the form of environmental states of emergency. The main assumption in this book is that, in contrast to the directness of any given catastrophe and its obvious physical, economical and psychological consequences our understanding of catastrophes and crises is shaped by our cultural imagination. No matter in which eruptive and traumatizing form we encounter them, our collective repertoire of symbolic forms, historical sensibilities, modes of representation, and patterns of imagination determine how we identify, analyze and deal with catastrophes and crises.This book presents a series of articles investigating how we address and interpret catastrophes and crises in film, literature, art and theory, ranging from Voltaire’s eighteenth-century Europe, haunted by revolutions and earthquakes, to the 1994 genocide in Rwanda to the bleak, prophetic landscapes of Cormac McCarthy.
Author: Jonathan R. Wynn
Publisher: University of Chicago Press
ISBN: 022630566X
Category : Music
Languages : en
Pages : 321
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Book Description
Austin’s famed South by Southwest is far more than a festival celebrating indie music. It’s also a big networking party that sparks the imagination of hip, creative types and galvanizes countless pilgrimages to the city. Festivals like SXSW are a lot of fun, but for city halls, media corporations, cultural institutions, and community groups, they’re also a vital part of a complex growth strategy. In Music/City, Jonathan R. Wynn immerses us in the world of festivals, giving readers a unique perspective on contemporary urban and cultural life. Wynn tracks the history of festivals in Newport, Nashville, and Austin, taking readers on-site to consider different festival agendas and styles of organization. It’s all here: from the musician looking to build her career to the mayor who wants to exploit a local cultural scene, from a resident’s frustration over corporate branding of his city to the music executive hoping to sell records. Music/City offers a sharp perspective on cities and cultural institutions in action and analyzes how governments mobilize massive organizational resources to become promotional machines. Wynn’s analysis culminates with an impassioned argument for temporary events, claiming that when done right, temporary occasions like festivals can serve as responsive, flexible, and adaptable products attuned to local places and communities.
Author: Michael Horton
Publisher: Zondervan
ISBN: 0310861373
Category : Religion
Languages : en
Pages : 268
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Book Description
What should the church look like today?What should be the focus of its message?How should I present that message?We live in as pivotal and defining an age as the Great Depression or the Sixties–a period whose definition, say some cultural observers, includes a warning of the church’s influence. The result? A society measurably less religious but decidedly more spiritual. Less influenced by authority than by experience. More attuned to images than to words.How does the church adapt to such a culture? Or should it, in fact, eschew adapting for maintaining a course it has followed these last two millennia? Or something in between?These are exactly the questions asked in The Church In Emerging Culture by five Christian thinker-speaker-writers, each who advocate unique stances regarding what the church’s message should be (and what methods should be used to present it) as it journeys through this evolving, postmodern era. The authors are:Andy Crouch–Re:Generation Quarterly editor-in-chiefMichael Horton–professor and reformed theologianFrederica Mathewes-Green–author, commentator, and Orthodox ChristianBrian D. McLaren–postmodernist, author, pastor, and Emergent senior fellowErwin Raphael McManus–author and pastor of the innovative and interethnic L.A.-based church, MosaicMost unique about their individual positions is that they’re presented not as singular essays but as lively discussions in which the other four authors freely (and frequently) comment, critique, and concur. That element, coupled with a unique photographic design that reinforces the depth of their at-once congenial and feisty conversation, gives you all-access entrée into this groundbreaking discourse.What’s more, general editor Leonard Sweet (author of SoulTsunami and AquaChurch, among several other acclaimed texts) frames the thought-provoking dialogue with a profoundly insightful, erudite introductory essay–practically a book within a book. The Church In Emerging Culture is foundational reading for leaders and serious students of all denominations and church styles.
Author: Eleonora Redaelli
Publisher: Springer
ISBN: 3030053393
Category : Social Science
Languages : en
Pages : 250
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Book Description
In this book, Eleonora Redaelli investigates the arts in American cities, providing insight into urban cultural policy discourse through the lens of space. By unpacking the ways in which scholars and policymakers account for geographic configuration and spatial relation, this monograph presents a unique approach to the arts and public policy. Redaelli analyses five main concepts of the international discourse in cultural policy — cultural planning, cultural mapping, creative industries, cultural districts and creative placemaking — highlighting how each of them contributes to the understanding of how the arts connect with place. Employing a selection of American cities as case, this book is an essential contribution to our understanding of cultural policy and its effects. It will be of interest to students and scholars of sociology, public policy, urban studies, arts management and cultural studies.
Author: John J. Pilch
Publisher: Fortress Press
ISBN: 1506406807
Category : Religion
Languages : en
Pages : 248
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Book Description
Often, readers and commentators read the Proverbs as “timeless” observations and recommendations regarding human nature, valid for all cultures and places. This blunts their cultural relevance, argues John J. Pilch. For example, proverbs regarding the “good wife” and the “quarrelsome wife” take on different meaning in a context where a married couple were rarely in close daily contact, and the predominantly masculine language used in the Proverbs points to the different cultural spheres of men and women and the different child-rearing practices employed with boys and girls. Similar in approach and format to the Social-Science Commentary on the New Testament volumes that he authored with Richard L. Rohrbaugh and Bruce J. Malina, this volume explores and describes the cultural matrix of the Mediterranean world from which the Proverbs come and of which they are descriptive. The biblical text is paired with commentary addressing those proverbs and proverb collections with particular bearing on patterns of social roles and expectations. A list of social-science “scenarios” provides ready reference to particular aspects of the large cultural area of the ancient Mediterranean region and North Africa.
Author: Louis B. Wright
Publisher: Courier Corporation
ISBN: 0486136604
Category : History
Languages : en
Pages : 321
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Book Description
Sweeping survey of 150 years of colonial history (1607–1763) offers authoritative views on agrarian society and leadership, non-English influences, religion, education, literature, music, architecture, and much more. 33 black-and-white illustrations.
Author: Francis Garvin Davenport
Publisher:
ISBN:
Category : History
Languages : en
Pages : 258
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Book Description
Beginning with a study of the frontier mind, Davenport traces the cultural development of the city in the rise of schools, colleges, churches, and medical science; he gives special attention to the amusements of the day--drama, opera, concerts, and minstrels; finally he examines the newspapers and magazines of the period, the poets and would-be poets, and the architects and their creations. Originally published in 1941. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Bruce G. Harvey
Publisher: Univ. of Tennessee Press
ISBN: 1621900789
Category : History
Languages : en
Pages : 407
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Book Description
The South was no stranger to world’s fairs prior to the end of the nineteenth century. Atlanta first hosted a fair in the 1880s, as did New Orleans and Louisville, but after the 1893 World’s Columbian Exposition in Chicago drew comparisons to the great exhibitions of Victorian-era England, Atlanta’s leaders planned to host another grand exposition that would not only confirm Atlanta as an economic hub the equal of Chicago and New York, but usher the South into the nation’s industrial and political mainstream. Nashville and Charleston quickly followed suit with their own exhibitions. In the 1890s, the perception of the South was inextricably tied to race, and more specifically racial strife. Leaders in Atlanta, Nashville, and Charleston all sought ways to distance themselves from traditional impressions about their respective cities, which more often than not conjured images of poverty and treason in Americans barely a generation removed from the Civil War. Local business leaders used large-scale expositions to lessen this stigma while simultaneously promoting culture, industry, and economic advancement. Atlanta’s Cotton States and International Exposition presented the city as a burgeoning economic center and used a keynote speech by Booker T. Washington to gain control of the national debate on race relations. Nashville’s Tennessee Centennial and International Exposition chose to promote culture over mainstream success and marketed Nashville as a “Centennial City” replete with neoclassical architecture, drawing on its reputation as “the Athens of the south.” Charleston’s South Carolina Inter-State and West Indian Exposition followed in the footsteps of Atlanta’s exposition. Its new class of progressive leaders saw the need to reestablish the city as a major port of commerce and designed the fair around a Caribbean theme that emphasized trade and the corresponding economics that would raise Charleston from a cotton exporter to an international port of interest. Bruce G. Harvey studies each exposition beginning at the local and individual level of organization and moving upward to explore a broader regional context. He argues that southern urban leaders not only sought to revive their cities but also to reinvigorate the South in response to northern prosperity. Local businessmen struggled to manage all the elements that came with hosting a world’s fair, including raising funds, designing the fairs’ architectural elements, drafting overall plans, soliciting exhibits, and gaining the backing of political leaders. However, these businessmen had defined expectations for their expositions not only in terms of economic and local growth but also considering what an international exposition had come to represent to the community and the region in which they were hosted. Harvey juxtaposes local and regional aspects of world’s fair in the South and shows that nineteenth-century expositions had grown into American institutions in their own right.
Author: Lawrence H. Larsen
Publisher: University Press of Kentucky
ISBN: 0813194741
Category : History
Languages : en
Pages : 350
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Book Description
Operating under an outmoded system of urban development and faced by the vicissitudes of the Civil War and Reconstruction, southerners in the nineteenth century built a network of cities that met the needs of their society. In this pioneering exploration of that intricate story, Lawrence H. Larsen shows that in the antebellum period, southern entrepreneurs built cities in layers to facilitate the movement of cotton. First came the colonial cities, followed by those of the piedmont, the New West, the Gulf Coast, and the interior. By the Civil War, cotton could move by a combination of road, rail, and river through a network of cities—for example, from Jackson to Memphis to New Orleans to Europe. In the Gilded Age, building on past practices, the South continued to make urban gains. Men like Henry Grady of Atlanta and Henry Watterson of Louisville used broader regional objectives to promote their own cities. Grady successfully sold Atlanta, one of the most southern of cities demographically, as a city with a northern outlook; Watterson tied Louisville to national goals in railroad building. The New South movement did not succeed in bringing the region to parity with the rest of the nation, yet the South continued to rise along older lines. By 1900, far from being a failure in terms of the general course of American development, the South had created an urban system suited to its needs, while avoiding the promotional frenzy that characterized the building of cities in the North. Based upon federal and local sources, this book will become the standard work on nineteenth-century southern urbanization, a subject too long unexplored.
