Cultural Confessionalism

Cultural Confessionalism PDF Author: Grant Henley
Publisher: Peter Lang
ISBN: 9783039102983
Category : Biography & Autobiography
Languages : en
Pages : 212

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Book Description
Pastor Martin Niemöller, popular author Ernst Wiechert, and the young theologian Dietrich Bonhoeffer were well known in the public sphere in Germany when Hitler came to power in 1933. As the decade of the 1930s progressed each of these figures became a vocal opponent of National Socialism. In the last twenty-eight sermons delivered before his arrest in 1937 Martin Niemöller revitalized Protestant homiletic discourse as a political tool in defiance of the regime. Having protested Niemöller's imprisonment, Ernst Wiechert was arrested by the Gestapo and incarcerated at Buchenwald for three months during the summer of 1938. Wiechert chronicled his experiences in the fictional autobiography Der Totenwald (1939) - a text which marks the apex of Wiechert's literary turn from Blut und Boden Dichter to outspoken critic of Nazism. Dietrich Bonhoeffer, a member of the Pastors' Emergency League and for a time pastoral assistant to Martin Niemöller, constructed a sphere of textual resistance in his prose and poetic writings composed while imprisoned in Tegel from 1943 to 1945. This study traces the emergence of cultural confessionalism as a new literary resistance paradigm that developed out of the ideological nexus of cultural Protestantism and the confessionalist trend of the Kirchenkampf. Through literary analysis of sermons by Niemöller and written texts by both Wiechert and Bonhoeffer the book demonstrates how the textual resistance strategies of the cultural confessionalists varied from the oppositional approaches of the 'innere Emigration', the political resistance, and the Christian humanist tradition.

Cultural Confessionalism

Cultural Confessionalism PDF Author: Grant Henley
Publisher: Peter Lang
ISBN: 9783039102983
Category : Biography & Autobiography
Languages : en
Pages : 212

Get Book Here

Book Description
Pastor Martin Niemöller, popular author Ernst Wiechert, and the young theologian Dietrich Bonhoeffer were well known in the public sphere in Germany when Hitler came to power in 1933. As the decade of the 1930s progressed each of these figures became a vocal opponent of National Socialism. In the last twenty-eight sermons delivered before his arrest in 1937 Martin Niemöller revitalized Protestant homiletic discourse as a political tool in defiance of the regime. Having protested Niemöller's imprisonment, Ernst Wiechert was arrested by the Gestapo and incarcerated at Buchenwald for three months during the summer of 1938. Wiechert chronicled his experiences in the fictional autobiography Der Totenwald (1939) - a text which marks the apex of Wiechert's literary turn from Blut und Boden Dichter to outspoken critic of Nazism. Dietrich Bonhoeffer, a member of the Pastors' Emergency League and for a time pastoral assistant to Martin Niemöller, constructed a sphere of textual resistance in his prose and poetic writings composed while imprisoned in Tegel from 1943 to 1945. This study traces the emergence of cultural confessionalism as a new literary resistance paradigm that developed out of the ideological nexus of cultural Protestantism and the confessionalist trend of the Kirchenkampf. Through literary analysis of sermons by Niemöller and written texts by both Wiechert and Bonhoeffer the book demonstrates how the textual resistance strategies of the cultural confessionalists varied from the oppositional approaches of the 'innere Emigration', the political resistance, and the Christian humanist tradition.

The Art of Confession

The Art of Confession PDF Author: Christopher Grobe
Publisher: NYU Press
ISBN: 1479882089
Category : Art
Languages : en
Pages : 320

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Book Description
"The Art of Confession tells the history of this cultural shift and of the movement it created in American art: confessionalism. Like realism or romanticism, confessionalism began in one art form, but soon pervaded them all: poetry and comedy in the 1950s and '60s, performance art in the '70s, theater in the '80s, television in the '90s, and online video and social media in the 2000s. Everywhere confessionalism went, it stood against autobiography, the art of the closed book. Instead of just publishing, these artists performed--with, around, and against the text of their lives." --

Confessional Crises and Cultural Politics in Twentieth-Century America

Confessional Crises and Cultural Politics in Twentieth-Century America PDF Author: Dave Tell
Publisher: Penn State Press
ISBN: 0271060255
Category : Political Science
Languages : en
Pages : 250

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Book Description
Confessional Crises and Cultural Politics in Twentieth-Century America revolutionizes how we think about confession and its ubiquitous place in American culture. It argues that the sheer act of labeling a text a confession has become one of the most powerful, and most overlooked, forms of intervening in American cultural politics. In the twentieth century alone, the genre of confession has profoundly shaped (and been shaped by) six of America’s most intractable cultural issues: sexuality, class, race, violence, religion, and democracy.

The Culture of Confession from Augustine to Foucault

The Culture of Confession from Augustine to Foucault PDF Author: Chloe Taylor
Publisher: Routledge
ISBN: 1135892792
Category : Philosophy
Languages : en
Pages : 545

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Book Description
Drawing on the work of Foucault and Western confessional writings, this book challenges the transhistorical and commonsense views of confession as an innate impulse resulting in the psychological liberation of the confessing subject. Instead, confessional desire is argued to be contingent and constraining, and alternatives to confessional subjectivity are explored.

Confessional Crises and Cultural Politics in Twentieth-Century America

Confessional Crises and Cultural Politics in Twentieth-Century America PDF Author: Dave Tell
Publisher: Penn State Press
ISBN: 0271060247
Category : Language Arts & Disciplines
Languages : en
Pages : 250

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Book Description
Confessional Crises and Cultural Politics in Twentieth-Century America revolutionizes how we think about confession and its ubiquitous place in American culture. It argues that the sheer act of labeling a text a confession has become one of the most powerful, and most overlooked, forms of intervening in American cultural politics. In the twentieth century alone, the genre of confession has profoundly shaped (and been shaped by) six of America’s most intractable cultural issues: sexuality, class, race, violence, religion, and democracy.

Confessional Subjects

Confessional Subjects PDF Author: Susan David Bernstein
Publisher: Univ of North Carolina Press
ISBN: 9780807846247
Category : Literary Criticism
Languages : en
Pages : 226

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Book Description
Susan Bernstein examines the gendered power relationships embedded in confessional literature of the Victorian period. Exploring this dynamic in Charlotte Bronta's Villette, Mary Elizabeth Braddon's Lady Audley's Secret, George Eliot's Da

The Oxford Handbook of the Weimar Republic

The Oxford Handbook of the Weimar Republic PDF Author: Nadine Rossol
Publisher: Oxford University Press
ISBN: 0198845774
Category : History
Languages : en
Pages : 849

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Book Description
The Weimar Republic was a turbulent and pivotal period of German and European history and a laboratory of modernity. The Oxford Handbook of the Weimar Republic provides an unsurpassed panorama of German history from 1918 to 1933, offering an indispensable guide for anyone interested in the fascinating history of the Weimar Republic.

The Culture of Confession from Augustine to Foucault

The Culture of Confession from Augustine to Foucault PDF Author: Chloe Taylor
Publisher: Routledge
ISBN: 1135892806
Category : Philosophy
Languages : en
Pages : 313

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Book Description
This book is a genealogical study of confession. Drawing on the work of Michel Foucault as well as the history of Western confessional writings from Ancient Greece to contemporary pop culture, this book challenges the transhistorical and commonsense views of confession as an innate impulse resulting in the psychological liberation of the confessing subject. On the contrary, confessional desire is argued to be contingent and constraining, and alternatives to confessional subjectivity are explored.

A House Divided: Wittelsbach Confessional Court Cultures in the Holy Roman Empire, c. 1550-1650

A House Divided: Wittelsbach Confessional Court Cultures in the Holy Roman Empire, c. 1550-1650 PDF Author: Andrew L. Thomas
Publisher: BRILL
ISBN: 9004183701
Category : History
Languages : en
Pages : 415

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Book Description
This book is the only book-length monograph comparing the impact of confessional identity on both halves of the Wittelsbach dynasty which provided Bavarian dukes and German emperors as well as its implications for late Renaissance court culture. It demonstrates that religious conflict led to the development of distinctly confessional court cultures among the main Wittelsbach courts. Likewise, it illuminates how these confessional court cultures contributed significantly to the splintering of Renaissance humanism along religious lines in this era. Concomitantly, it sheds new light on the impact of late medieval dynastic competition on shaping the early modern Wittelsbach courts as well as the important role of Wittelsbach women in the creation and continuation of dynastic piety in their roles as wives, mothers, and patronesses of the arts.

Lit-Rock

Lit-Rock PDF Author: Ryan Hibbett
Publisher: Bloomsbury Publishing USA
ISBN: 150135471X
Category : Music
Languages : en
Pages : 273

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Book Description
Just as soon as it had got rolling, rock music had a problem: it wanted to be art. A mere four years separate the Beatles as mere kiddy culture from the artful geniuses of Sergeant Pepper's, meaning the very same band who represents the mass-consumed, "mindless" music of adolescents simultaneously enjoys status as among the best that Western culture has to offer. The story of rock music, it turns out, is less that of a contagious popular form situated in opposition to high art, but, rather, a story of high and low in dialogue--messy and contentious, to be sure, but also mutually obligated to account for, if not appropriate, one another. The chapters in this book track the uses of literature, specifically, within this relation, helping to showcase collectively its fundamental role in the emergence of the "pop omnivore."