Critiques and Essays on Modern Fiction, 1920-1951, Representing the Achievement of Modern American and British Critics PDF Download
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Author: John W. Aldridge
Publisher: New York : Ronald Press Company
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 648
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Book Description
Author: John W. Aldridge
Publisher: New York : Ronald Press Company
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 648
Get Book Here
Book Description
Author: John W. Aldridge
Publisher:
ISBN: 9780471069539
Category : American fiction
Languages : en
Pages : 0
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Book Description
Author: John Watson Aldridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 610
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Book Description
Author: John W. Aldridge
Publisher: New York : Ronald Press Company
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 648
Get Book Here
Book Description
Author:
Publisher:
ISBN: 9780826002754
Category : Fiction
Languages : en
Pages : 610
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 610
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Book Description
Author: John William Aldridge
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 610
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Book Description
Author: John W. Aldridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 610
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Book Description
Author: Doug Battersby
Publisher: Oxford University Press
ISBN: 019267806X
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
In the late nineteenth and early twentieth centuries, modernist writers developed new techniques for depicting characters' thoughts, feelings, and desires that revolutionized the novel form—a revolution novelists and critics are still reckoning with today. Troubling Late Modernism tracks how those techniques have been perversely reinvented by some of the most influential and innovative writers of the postwar period. Chapters on Vladimir Nabokov, Samuel Beckett, Toni Morrison, John Banville, J. M. Coetzee, and Eimear McBride reveal how these writers at once exploit and extend modernist forms of narration to cultivate disquieting affective attachments to protagonists compelled by violent or exploitative sexual desires. By interrogating the expressive power and ethical liabilities of modes of writing that give us intimate access to characters' inner lives, late modernism poses fundamental philosophical questions about emotion and its inseparability from knowledge and ethical deliberation. Whilst other historians of the novel have characterized late modernism's formal innovations as ethically and politically edifying, Troubling Late Modernism highlights their more disquieting potential for lending sympathy and profundity to sentiments deemed inadmissible in our everyday lives. Charting late modernism's characteristic fusion of aesthetic difficulty with emotional and ethical provocation demands an approach attuned to the experience of reading these disturbingly erotic narratives. In dialogue with recent debates about critical method, Troubling Late Modernism presents a new way of closely reading prose fiction that brings together the lessons of formalism and affect theory.
Author: Wayne C. Booth
Publisher: University of Chicago Press
ISBN: 0226065596
Category : Literary Criticism
Languages : en
Pages : 573
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Book Description
The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms—such as "the implied author," "the postulated reader," and "the unreliable narrator"—have become part of the standard critical lexicon. For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years—two decades that Booth describes as "the richest in the history of the subject."
