Author: P. TRABAUD
Publisher:
ISBN:
Category :
Languages : en
Pages : 54
Book Description
Critique de l'enseignement français. Discours, etc
Author: P. TRABAUD
Publisher:
ISBN:
Category :
Languages : en
Pages : 54
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 54
Book Description
L'enseignement est-il en crise?
Author: Driss Boukhssimi
Publisher:
ISBN: 9789981300729
Category :
Languages : fr
Pages : 194
Book Description
Publisher:
ISBN: 9789981300729
Category :
Languages : fr
Pages : 194
Book Description
British Museum Catalogue of Printed Books
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 632
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 632
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Biographie Universelle, Ancienne Et Moderne
Author:
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 1290
Book Description
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 1290
Book Description
The classical review
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
Book Description
Free Speech Bibliography
Author: Theodore Schroeder
Publisher:
ISBN:
Category : Censorship
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Censorship
Languages : en
Pages : 264
Book Description
Catalogue of Printed Books in the Library of the British Museum
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1048
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1048
Book Description
The Maghreb Review
Author:
Publisher:
ISBN:
Category : Africa, North
Languages : en
Pages : 714
Book Description
Publisher:
ISBN:
Category : Africa, North
Languages : en
Pages : 714
Book Description
Representing Belief
Author: Michael Paul Driskel
Publisher: Penn State Press
ISBN: 9780271042701
Category : Art
Languages : en
Pages : 248
Book Description
Representing Belief provides a detailed discussion and analysis of the forms and meanings in religious art of nineteenth-century France. This genre, usually assigned minimal importance by writers on the period, turns out to occupy a central place in the cultural history of the era, touching the core of the century's conflict between tradition and modernity, science and faith, ultramontanism and naturalism. Although it was generally assumed that this kind of art was of little importance in the evolution of modern painting, Driskel demonstrates that in reality it played a crucial role. Many of the artists discussed are firmly installed in the present canon (Delacroix, Ingres, Manet, Gauguin), while others (Flandrin, Orsel, Gleyre, Cazin) were major figures in their own time, though largely forgotten today. Writing from an interdisciplinary perspective and employing concepts derived from structuralist and poststructuralist theory, Driskel moves beyond simple formalism to restore a category of once-important works to a meaningful context, thereby offering others a model by which to discuss and interpret these paintings. Carefully charting the genealogies of hieraticism and naturalism, he demonstrates that a dramatic shift occurred in the 1860s and 1870s as naturalism gained acceptance among ultramontanes and the hieratic mode began to attract the interest of adherents to the belief system of modernism. Representing Belief is the first book to situate this art in its social and historical contexts and to approach it from this point of view.
Publisher: Penn State Press
ISBN: 9780271042701
Category : Art
Languages : en
Pages : 248
Book Description
Representing Belief provides a detailed discussion and analysis of the forms and meanings in religious art of nineteenth-century France. This genre, usually assigned minimal importance by writers on the period, turns out to occupy a central place in the cultural history of the era, touching the core of the century's conflict between tradition and modernity, science and faith, ultramontanism and naturalism. Although it was generally assumed that this kind of art was of little importance in the evolution of modern painting, Driskel demonstrates that in reality it played a crucial role. Many of the artists discussed are firmly installed in the present canon (Delacroix, Ingres, Manet, Gauguin), while others (Flandrin, Orsel, Gleyre, Cazin) were major figures in their own time, though largely forgotten today. Writing from an interdisciplinary perspective and employing concepts derived from structuralist and poststructuralist theory, Driskel moves beyond simple formalism to restore a category of once-important works to a meaningful context, thereby offering others a model by which to discuss and interpret these paintings. Carefully charting the genealogies of hieraticism and naturalism, he demonstrates that a dramatic shift occurred in the 1860s and 1870s as naturalism gained acceptance among ultramontanes and the hieratic mode began to attract the interest of adherents to the belief system of modernism. Representing Belief is the first book to situate this art in its social and historical contexts and to approach it from this point of view.