Critical Edition (in Two Volumes) of William Blake's Jerusalem PDF Download
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Author: Karl Kiralis
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Karl Kiralis
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Karl Kiralis
Publisher:
ISBN:
Category :
Languages : en
Pages : 806
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Author: William Blake
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 381
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Book Description
The poem was inspired by the apocryphal story that a young Jesus, accompanied by his uncle Joseph of Arimathea, a tin merchant, travelled to what is now England and visited Glastonbury during the unknown years of Jesus. The legend is linked to an idea in the Book of Revelation describing a Second Coming, wherein Jesus establishes a new Jerusalem. The Christian Church in general, and the English Church in particular, has long used Jerusalem as a metaphor for Heaven, a place of universal love and peace. In the most common interpretation of the poem, Blake implies that a visit by Jesus would briefly create heaven in England, in contrast to the "dark Satanic Mills" of the Industrial Revolution. Blake's poem asks questions rather than asserting the historical truth of Christ's visit. Thus the poem merely implies that there may, or may not, have been a divine visit, when there was briefly heaven in England. William Blake (1757 – 1827) was a British poet, painter, visionary mystic, and engraver, who illustrated and printed his own books. Blake proclaimed the supremacy of the imagination over the rationalism and materialism of the 18th-century. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.
Author: Gerald Eades Bentley
Publisher: U of Minnesota Press
ISBN: 0816657068
Category : Reference
Languages : en
Pages : 413
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A Blake Bibliography was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The aim of this book is to list every reference to William Blake published between 1757 and 1863 and every criticism and edition of his works from the beginning to the present. Partly because of the deluge of scholarship in the last forty years, it includes perhaps twice as many titles as Sir Geoffrey Keynes's great bibliography of 1921. An introductory essay on the history of Blake scholarship puts the most significant works into perspective, indicates the best work that has been done, and points to some neglected areas. In addition, all the most important references and many of the less significant ones are briefly annotated as to subject and value. Because many of the works are difficult to locate, specimen copies of all works published before 1831 have been traced to specific libraries. Each of Blake's manuscripts is also traced to its present owner. Two areas which have received relatively novel attention are early references to Blake (before 1863) and important sale and exhibition catalogues of his works. In both areas there are significant number of important entries which have not been noticed before by Blake scholars. The section on Blake's engravings for commercial works receives especially detailed treatment. A few of the titles listed here have not been described previously in connection with Blake.
Author: William Blake
Publisher: e-artnow
ISBN: 8027236770
Category : Art
Languages : en
Pages : 371
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Book Description
The poem was inspired by the apocryphal story that a young Jesus, accompanied by his uncle Joseph of Arimathea, a tin merchant, travelled to what is now England and visited Glastonbury during the unknown years of Jesus. The legend is linked to an idea in the Book of Revelation describing a Second Coming, wherein Jesus establishes a new Jerusalem. The Christian Church in general, and the English Church in particular, has long used Jerusalem as a metaphor for Heaven, a place of universal love and peace. In the most common interpretation of the poem, Blake implies that a visit by Jesus would briefly create heaven in England, in contrast to the "dark Satanic Mills" of the Industrial Revolution. Blake's poem asks questions rather than asserting the historical truth of Christ's visit. Thus the poem merely implies that there may, or may not, have been a divine visit, when there was briefly heaven in England. William Blake (1757 – 1827) was a British poet, painter, visionary mystic, and engraver, who illustrated and printed his own books. Blake proclaimed the supremacy of the imagination over the rationalism and materialism of the 18th-century. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 922
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Author: William Blake
Publisher:
ISBN:
Category :
Languages : en
Pages : 406
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Author: Morton D. Paley
Publisher:
ISBN:
Category :
Languages : en
Pages : 302
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Author: Minna Doskow
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838630907
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Jerusalem represents the culmination of Blake's artistic endeavor in poetry and picture. The author approaches Blake's masterpiece from within rather that without, in an attempt to find a clue to the poem's structure in the poetry itself.
Author: William Blake
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 160
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