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Author: Stephen Knight
Publisher: Palgrave Macmillan
ISBN: 9780333791783
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Stephen Knight's book is a full analytic survey of crime fiction from its origins in the nineteenth century to the most recent developments. Knight explains how and why the various forms of the genre evolved, explores major authors and movements, and argues that the genre as a whole has three parts: the early development of Detection, the growing emphasis on Death, and the modern celebration of Diversity. The best criticism is cited and the book provides full references and a helpful chronology, making this a highly-readable complete study of a popular and still relatively underexamined genre.
Author: Stephen Knight
Publisher: Palgrave Macmillan
ISBN: 9780333791783
Category : Literary Criticism
Languages : en
Pages : 240
Get Book Here
Book Description
Stephen Knight's book is a full analytic survey of crime fiction from its origins in the nineteenth century to the most recent developments. Knight explains how and why the various forms of the genre evolved, explores major authors and movements, and argues that the genre as a whole has three parts: the early development of Detection, the growing emphasis on Death, and the modern celebration of Diversity. The best criticism is cited and the book provides full references and a helpful chronology, making this a highly-readable complete study of a popular and still relatively underexamined genre.
Author: John Scaggs
Publisher: Psychology Press
ISBN: 9780415318259
Category : Fiction
Languages : en
Pages : 192
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Book Description
Provides a lively introduction to what is both a wide-ranging and hugely popular literary genre. Accessible and clear, this comprehensive overview is the essential guide for all those studying crime fiction.
Author: Martin Priestman
Publisher: Cambridge University Press
ISBN: 9780521008716
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
This Companion covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the 'detective' fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in the eighteenth-century literature, French and Victorian fiction, women and black detectives, crime on film and TV, police fiction and postmodernist uses of the detective form.
Author: Peter Messent
Publisher: John Wiley & Sons
ISBN: 1118326547
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
The Crime Fiction Handbook presents a comprehensive introduction to the origins, development, and cultural significance of the crime fiction genre, focusing mainly on American British, and Scandinavian texts. Provides an accessible and well-written introduction to the genre of crime fiction Moves with ease between a general overview of the genre and useful theoretical approaches Includes a close analysis of the key texts in the crime fiction tradition Identifies what makes crime fiction of such cultural importance and illuminates the social and political anxieties at its heart. Shows the similarities and differences between British, American, and Scandinavian crime fiction traditions
Author: Maurizio Ascari
Publisher: Springer
ISBN: 0230234534
Category : Fiction
Languages : en
Pages : 236
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Book Description
This book takes a look at the evolution of crime fiction. Considering 'criminography' as a system of inter-related sub-genres, it explores the connections between modes of literature such as revenge tragedies, the gothic and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology.
Author: Richard Bradford
Publisher: OUP Oxford
ISBN: 0191642703
Category : Literary Criticism
Languages : en
Pages : 153
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Book Description
Crime fiction has been one of the most popular genres since the 19th century, but has roots in works as varied as Sophocles, Herodotus, and Shakespeare. In this Very Short Introduction Richard Bradford explores the history of the genre, by considering the various definitions of 'crime fiction' and looking at how it has developed over time. Discussing the popularity of crime fiction worldwide and its various styles; the role that gender plays within the genre; spy fiction, and legal dramas and thrillers; he explores how the crime novel was shaped by the work of British and American authors in the 18th and 19th centuries. Highlighting the works of notorious authors such as Edgar Allan Poe, Conan Doyle, Agatha Christie, and Raymond Chandler — to name but a few — he considers the role of the crime novel in modern popular culture and asks whether we can, and whether we should, consider crime fiction serious 'literature'. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Lucy Andrew
Publisher: Springer Nature
ISBN: 3030749894
Category : Fiction
Languages : en
Pages : 314
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Book Description
This book aims to establish the position of the sidekick character in the crime and detective fiction literary genres. It re-evaluates the traditional view that the sidekick character in these genres is often overlooked as having a small, generic or singular role—either to act as the foil to the detective in order to accentuate their own abilities at solving crimes, or else to simply tell the story to the reader. Instead, essays in the collection explore the representations and functions of the detective’s sidekick across a range of forms and subgenres of crime fiction. By incorporating forms such as children’s detective fiction, comics and graphic novels and film and television alongside the more traditional fare of novels and short stories, this book aims to break down the boundaries that sometimes exist between these forms, using the sidekick as a defining thread to link them together into a wider conceptual argument that covers a broad range of crime narratives.
Author: Heather Worthington
Publisher: Bloomsbury Publishing
ISBN: 023034433X
Category : Study Aids
Languages : en
Pages : 232
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Book Description
An insight into a popular yet complex genre that has developed over the nineteenth and twentieth centuries. The volume explores the contemporary anxieties to which crime fiction responds, along with society's changing conceptions of crime and criminality. The book covers texts, contexts and criticism in an accessible and user-friendly format.
Author: Julie H. Kim
Publisher: McFarland
ISBN: 0786473231
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
The crime fiction world of the late 1970s, with its increasingly diverse landscape, is a natural beginning for this collection of critical studies focusing on the intersections of class, culture and crime--each nuanced with shades of gender, ethnicity, race and politics. The ten new essays herein raise broad and complicated questions about the role of class and culture in transatlantic crime fiction beyond the Golden Age: How is "class" understood in detective fiction, other than as a socioeconomic marker? Can we distinguish between major British and American class concerns as they relate to crime? How politically informed is popular detective fiction in responding to economic crises in Scotland, Ireland, England and the United States? When issues of race and gender intersect with concerns of class and culture, does the crime writer privilege one or another factor? Do values and preoccupations of a primarily middle-class readership get reflected in popular detective fiction?
Author: Thomas W. Kniesche
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110426609
Category : Literary Collections
Languages : en
Pages : 346
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Book Description
A companion to contemporary German crime fiction for English-speaking audiences is overdue. Starting with the earlier Swiss “classics” Glauser and Dürrenmatt and including a number of important Austrian authors, such as Wolf Haas and Heinrich Steinfest, this volume will cover the essential writers, genres, and themes of crime fiction written in German. Where necessary and appropriate, crime fiction in media other than writing (TV-series, movies) will be included. Contemporary social and political developments, such as gender issues, life in a multicultural society, and the afterlife of German fascism today, play a crucial role in much of recent German crime fiction. A number of contributions to this volume will comment on the literary reflection of these issues in the texts. The goal of the volume is to make available to English-speaking audiences, to students, teachers and to a wider circle of interested readers, a series of articles on genres, topics, authors, and texts that will help them understand the scope and depth of German crime fiction, its ties to international traditions and also the specificity of the German context, its historical development and contemporary situation.
