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Author: Robert Rentoul ReedJr.
Publisher: University Press of Kentucky
ISBN: 0813186544
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
Divine retribution, Robert Reed argues, is a principal driving force in Shakespeare's English history plays and three of his major tragedies. Reed finds evidence of the playwright's growing ingenuity and maturing skill in his treatment of the crime of political homicide, its impact on events, and God's judgment on the criminal. Reed's analysis focuses upon Tudor concepts that he shows were familiar to all Elizabethans—the biblical principle of inherited guilt, the doctrine that God is the fountainhead of retribution, with man merely His instrument, and the view that conscience serves a fundamentally divine function—and he urges us to look at Shakespeare within the context of his time, avoiding the too-frequent tendency of twentieth-century critics to force a modern world view on the plays. Heaven's power of vengeance provides an essential unifying theme to the plays of the two historical tetralogies, Julius Caesar, Hamlet, and Macbeth. By analyzing these plays in the light of values held by Shakespeare's contemporaries, Reed has made a substantial contribution toward clarifying our understanding of the plays and of Elizabethan England.
Author: Robert Rentoul ReedJr.
Publisher: University Press of Kentucky
ISBN: 0813186544
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
Divine retribution, Robert Reed argues, is a principal driving force in Shakespeare's English history plays and three of his major tragedies. Reed finds evidence of the playwright's growing ingenuity and maturing skill in his treatment of the crime of political homicide, its impact on events, and God's judgment on the criminal. Reed's analysis focuses upon Tudor concepts that he shows were familiar to all Elizabethans—the biblical principle of inherited guilt, the doctrine that God is the fountainhead of retribution, with man merely His instrument, and the view that conscience serves a fundamentally divine function—and he urges us to look at Shakespeare within the context of his time, avoiding the too-frequent tendency of twentieth-century critics to force a modern world view on the plays. Heaven's power of vengeance provides an essential unifying theme to the plays of the two historical tetralogies, Julius Caesar, Hamlet, and Macbeth. By analyzing these plays in the light of values held by Shakespeare's contemporaries, Reed has made a substantial contribution toward clarifying our understanding of the plays and of Elizabethan England.
Author: Robert R. Reed
Publisher:
ISBN: 9780608185071
Category :
Languages : en
Pages : 231
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Book Description
Author: Emma Smith
Publisher: Shakespeare Survey
ISBN: 1316517128
Category : Drama
Languages : en
Pages : 459
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Book Description
Shakespeare Survey is a yearbook of Shakespeare studies and production. The theme for Volume 74 is 'Shakespeare and Education'. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey.
Author: Emma Smith
Publisher: Cambridge University Press
ISBN: 1009041991
Category : Literary Criticism
Languages : en
Pages : 459
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Book Description
Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 74 is 'Shakespeare and Education. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.
Author: John E. Curran Jr
Publisher: Routledge
ISBN: 1317124030
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Building on current scholarly interest in the religious dimensions of the play, this study shows how Shakespeare uses Hamlet to comment on the Calvinistic Protestantism predominant around 1600. By considering the play's inner workings against the religious ideas of its time, John Curran explores how Shakespeare portrays in this work a completely deterministic universe in the Calvinist mode, and, Curran argues, exposes the disturbing aspects of Calvinism. By rendering a Catholic Prince Hamlet caught in a Protestant world which consistently denies him his aspirations for a noble life, Shakespeare is able in this play, his most theologically engaged, to delineate the differences between the two belief systems, but also to demonstrate the consequences of replacing the old religion so completely with the new.
Author: Larry S. Champion
Publisher: University of Delaware Press
ISBN: 9780874133875
Category : Drama
Languages : en
Pages : 188
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Book Description
This work focuses on thirteen English Renaissance plays: the Anonymous Famous Victories of Henry V and Edward III, the apocryphal plays Sir John Oldcastle and Thomas, Lord Cromwell, the pseudo-Shakespearean Edmund Ironside, and Shakespeare's 1, 2, 3 Henry VI, King John, Richard II, 1, 2 Henry IV, and Henry V. Discussed are the spectators in the socially mixed audience who responded differently, depending on individual political biases, and who had to be considered if the plays were to reach the stage.
Author: Ronald Knowles
Publisher: Bloomsbury Publishing
ISBN: 1349219789
Category : Literary Criticism
Languages : en
Pages : 94
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Book Description
This volume analyses leading critics from the 17th century to the 20th century who have commented on Henry IV, Parts I and II. Beginning with the significance of the Dering manuscript and Dryden's comments, the study continues with the dominance of Falstaff in eighteenth century debate in such figures as Dr. Johnson and Maurice Morgann. Neoclassical, Romantic and Victorian judgements are surveyed, particularly stressing German criticism. Consideration of negative and positive ideological readings from A.C.Bradley to Graham Holderness is followed by an appraisal of the conflict of two value systems within the plays: between art and history, the universal and the feudal.
Author: Thomas A. Pendleton
Publisher: Psychology Press
ISBN: 0815333013
Category : Kings and rulers in literature
Languages : en
Pages : 309
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Book Description
This collection of essays provides a selection of criticism on Shakespeares Henry VI. Topics include feminist commentaries, the principal of unity in the trilogy, the tradition of illumination of the plays, textual variations, and anachronism and allegory.
Author: Jonathan Hart
Publisher: Routledge
ISBN: 1000389723
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
First published in 1992, Theater and World is a detailed exploration of Shakespeare’s representation of history and how it affects the relation between theatre and world. The book focuses primarily on the Second Tetralogy (Richard II, Henry IV Part I, Henry IV Part II, and Henry V) and includes a wealth of analysis and interpretation of the plays. In doing so, it explores a wide range of topics, including the relation between literary and theatrical representations and the world; the nature of illusion and reality; genre; the connection between history and fiction (especially plays); historiography and literary criticism or theory; poetry and philosophy; and irony, both rhetorical and philosophical. Theater and World continues to have lasting relevance for anyone with an interest in Shakespeare’s words and his representation of history in particular.
Author: Timothy Horan
Publisher: McFarland
ISBN: 1476650195
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
This book explores the supernatural and prophetic elements within Shakespeare's ten plays of English history: King John, Richard II, Henry IV (Parts One and Two), Henry V, Henry VI (Parts One, Two and Three), Richard III, and Henry VIII. Treating each as a form of nonfiction, it analyzes these plays and their prophecies through the lens of free will or fate, demonstrating how Shakespeare's characters are entangled with cosmic forces and the occult. The author makes several intriguing discoveries regarding Shakespeare's plays, beliefs, and the world he lived in.
