Author: Sheila Callaghan
Publisher: Samuel French, Inc.
ISBN: 0573696705
Category : Family secrets
Languages : en
Pages : 80
Book Description
A mother's attempt to sell an expensive family lamp produces unexpected results.
Crawl, Fade to White
Author: Sheila Callaghan
Publisher: Samuel French, Inc.
ISBN: 0573696705
Category : Family secrets
Languages : en
Pages : 80
Book Description
A mother's attempt to sell an expensive family lamp produces unexpected results.
Publisher: Samuel French, Inc.
ISBN: 0573696705
Category : Family secrets
Languages : en
Pages : 80
Book Description
A mother's attempt to sell an expensive family lamp produces unexpected results.
The Lines Between the Lines
Author: Bess Rowen
Publisher: University of Michigan Press
ISBN: 0472126334
Category : Performing Arts
Languages : en
Pages : 259
Book Description
What is the purpose of a stage direction? These italicized lines written in between the lines of spoken dialogue tell us a great deal of information about a play's genre, mood, tone, visual setting, cast of characters, and more. Yet generations of actors have been taught to cross these words out as records of previous performances or signs of overly controlling playwrights, while scholars have either treated them as problems to be solved or as silent lines of dialogue. Stage directions can be all of these things, and yet there are examples from over one-hundred years of American playwriting that show that stage directions can also be so much more. The Lines Between the Lines focuses on how playwrights have written stage directions that engage readers, production team members, and scholars in a process of embodied creation in order to determine meaning. Author Bess Rowen calls the products of this method “affective stage directions” because they reach out from the page and affect the bodies of those who encounter them. Affective stage directions do not tell a reader or production team what a given moment looks like, but rather how a moment feels. In this way, these stage directions provide playgrounds for individual readers or production teams to make sense of a given moment in a play based on their own individual cultural experience, geographic location, and identity-markers. Affective stage directions enable us to check our assumptions about what kinds of bodies are represented on stage, allowing for a greater multitude of voices and kinds of embodied identity to make their own interpretations of a play while still following the text exactly. The tools provided in this book are as useful for the theater scholar as they are for the theater audience member, casting director, and actor. Each chapter covers a different function of stage directions (spoken, affective, choreographic, multivalent, impossible) and looks at it through a different practical lens (focusing on actors, directors, designers, dramaturgs, and readers). Every embodied person will have a slightly different understanding of affective stage directions, and it is precisely this diversity that makes these stage directions crucial to understanding theater in our time.
Publisher: University of Michigan Press
ISBN: 0472126334
Category : Performing Arts
Languages : en
Pages : 259
Book Description
What is the purpose of a stage direction? These italicized lines written in between the lines of spoken dialogue tell us a great deal of information about a play's genre, mood, tone, visual setting, cast of characters, and more. Yet generations of actors have been taught to cross these words out as records of previous performances or signs of overly controlling playwrights, while scholars have either treated them as problems to be solved or as silent lines of dialogue. Stage directions can be all of these things, and yet there are examples from over one-hundred years of American playwriting that show that stage directions can also be so much more. The Lines Between the Lines focuses on how playwrights have written stage directions that engage readers, production team members, and scholars in a process of embodied creation in order to determine meaning. Author Bess Rowen calls the products of this method “affective stage directions” because they reach out from the page and affect the bodies of those who encounter them. Affective stage directions do not tell a reader or production team what a given moment looks like, but rather how a moment feels. In this way, these stage directions provide playgrounds for individual readers or production teams to make sense of a given moment in a play based on their own individual cultural experience, geographic location, and identity-markers. Affective stage directions enable us to check our assumptions about what kinds of bodies are represented on stage, allowing for a greater multitude of voices and kinds of embodied identity to make their own interpretations of a play while still following the text exactly. The tools provided in this book are as useful for the theater scholar as they are for the theater audience member, casting director, and actor. Each chapter covers a different function of stage directions (spoken, affective, choreographic, multivalent, impossible) and looks at it through a different practical lens (focusing on actors, directors, designers, dramaturgs, and readers). Every embodied person will have a slightly different understanding of affective stage directions, and it is precisely this diversity that makes these stage directions crucial to understanding theater in our time.
The Transit Plays and Others
Author: Sheila Callaghan
Publisher: Original Works Publishing
ISBN: 1934962686
Category : Drama
Languages : en
Pages : 103
Book Description
FEATURING: THE TRANSIT PLAYS (Plane, Boat, Car, Bicycle, Train) Five very short absurd plays Minimal set 2 M, 2-3 F Each play revolves around one form of transportation; ferry, train, bicycle, plane, and car. Strangers attempt to form connections with one another, attaining varying degrees of success. * With theatrical staging, elevated and challenging language, and non-realistic elements. HE ATE THE SUN Minimal set 2 M, 1F A series of quick vignettes navigating the experience of one cowardly man losing his attractive yet shallow wife to a young, hot internet tycoon. Look out, he's got a gun. AMERICAN JACK Minimal Set 1M, 1F A fragmented and theatrical portrait of a Greek survivor of Nazi occupation, who subsequently builds a life for himself in America in the 70's brick by brick. SOAK Minimal Set 1M, 2F Heidi and David come to this space everyday. Something tragic happened here, but all that remains is the ghost of a German chanteuse, an accordion player, an iPod, and a shrine to Bjork. And everyone is drunk.
Publisher: Original Works Publishing
ISBN: 1934962686
Category : Drama
Languages : en
Pages : 103
Book Description
FEATURING: THE TRANSIT PLAYS (Plane, Boat, Car, Bicycle, Train) Five very short absurd plays Minimal set 2 M, 2-3 F Each play revolves around one form of transportation; ferry, train, bicycle, plane, and car. Strangers attempt to form connections with one another, attaining varying degrees of success. * With theatrical staging, elevated and challenging language, and non-realistic elements. HE ATE THE SUN Minimal set 2 M, 1F A series of quick vignettes navigating the experience of one cowardly man losing his attractive yet shallow wife to a young, hot internet tycoon. Look out, he's got a gun. AMERICAN JACK Minimal Set 1M, 1F A fragmented and theatrical portrait of a Greek survivor of Nazi occupation, who subsequently builds a life for himself in America in the 70's brick by brick. SOAK Minimal Set 1M, 2F Heidi and David come to this space everyday. Something tragic happened here, but all that remains is the ghost of a German chanteuse, an accordion player, an iPod, and a shrine to Bjork. And everyone is drunk.
Lascivious Something/Roadkill Confidential/That Pretty Pretty; Or, The Rape Play
Author: Sheila Callaghan
Publisher: Catapult
ISBN: 1593764146
Category : Drama
Languages : en
Pages : 337
Book Description
Sheila Callaghan is one of the most distinctive playwrights working in the theater today. Fiercely political, unblinkingly experimental, yet emotionally true, her writing is a refreshing combination of the compelling and the controversial. This volume collects three of her most recent plays to date. It includes: Lascivious Something, a heart-rending and disturbing exploration of failed love and shattered idealism at the dawn of the Reagan era, it follows a lapsed activist’s attempt to start life anew on a vineyard in Greece and what happens when the woman he left behind tracks him down; Roadkill Confidential, a noir-ish meditation on brutality and the intersection between fear and art, focused on an artist who uses the corpses of dead animals found on the side of the road as the medium for her creations; and That Pretty Pretty; Or, the Rape Play, which imagines our girls gone wild culture spiraling out to its most extreme ends while exploring issues of beauty, objectification, perversity, and naturalism in current society.
Publisher: Catapult
ISBN: 1593764146
Category : Drama
Languages : en
Pages : 337
Book Description
Sheila Callaghan is one of the most distinctive playwrights working in the theater today. Fiercely political, unblinkingly experimental, yet emotionally true, her writing is a refreshing combination of the compelling and the controversial. This volume collects three of her most recent plays to date. It includes: Lascivious Something, a heart-rending and disturbing exploration of failed love and shattered idealism at the dawn of the Reagan era, it follows a lapsed activist’s attempt to start life anew on a vineyard in Greece and what happens when the woman he left behind tracks him down; Roadkill Confidential, a noir-ish meditation on brutality and the intersection between fear and art, focused on an artist who uses the corpses of dead animals found on the side of the road as the medium for her creations; and That Pretty Pretty; Or, the Rape Play, which imagines our girls gone wild culture spiraling out to its most extreme ends while exploring issues of beauty, objectification, perversity, and naturalism in current society.
How I Did It
Author: Lawrence Harbison
Publisher: Hal Leonard Corporation
ISBN: 1495025985
Category : Performing Arts
Languages : en
Pages : 191
Book Description
(Applause Acting Series). For this book, Lawrence Harbison has interviewed successful playwrights who have developed relationships with theaters that regularly produce their plays, have had at least one major New York production, have their plays published by a licensor such as Dramatists Play Service or Samuel French, have received commissions, and have an agent. Harbison asks each of them the same question: How did you do it? How I Did It features an introduction by Theresa Rebeck and interviews with David Auburn, Stephen Belber, Adam Bock, Bekah Brunstetter, Sheila Callaghan, John Carlani, Eric Coble, Jessica Dickey, Kate Fodor, Gina Gionfriddo, Daniel Goldfarb, Kirsten Greenidge, Rinne Groff, Lauren Gunderson, Michael Hollinger, Rajiv Joseph, Greg Kotis, Neil LaBute, Deborah Zoe Laufer, Wendy MacLeod, Itamar Moses, Bruce Norris, Lynn Nottage, Aaron Posner, Adam Rapp, J.T. Rogers, Lloyd Suh, Carl Thomas, Sharr White, and Anna Ziegler. A valuable tool for playwrights daunted by the extremely difficult task of getting their work produced, as well as to playwriting students, How I Did It is full of stories of how it's done.
Publisher: Hal Leonard Corporation
ISBN: 1495025985
Category : Performing Arts
Languages : en
Pages : 191
Book Description
(Applause Acting Series). For this book, Lawrence Harbison has interviewed successful playwrights who have developed relationships with theaters that regularly produce their plays, have had at least one major New York production, have their plays published by a licensor such as Dramatists Play Service or Samuel French, have received commissions, and have an agent. Harbison asks each of them the same question: How did you do it? How I Did It features an introduction by Theresa Rebeck and interviews with David Auburn, Stephen Belber, Adam Bock, Bekah Brunstetter, Sheila Callaghan, John Carlani, Eric Coble, Jessica Dickey, Kate Fodor, Gina Gionfriddo, Daniel Goldfarb, Kirsten Greenidge, Rinne Groff, Lauren Gunderson, Michael Hollinger, Rajiv Joseph, Greg Kotis, Neil LaBute, Deborah Zoe Laufer, Wendy MacLeod, Itamar Moses, Bruce Norris, Lynn Nottage, Aaron Posner, Adam Rapp, J.T. Rogers, Lloyd Suh, Carl Thomas, Sharr White, and Anna Ziegler. A valuable tool for playwrights daunted by the extremely difficult task of getting their work produced, as well as to playwriting students, How I Did It is full of stories of how it's done.
F*cking Art
Author: Bekah Brunstetter
Publisher: Samuel French, Inc.
ISBN: 0573670366
Category : Drama
Languages : en
Pages : 105
Book Description
One of Manhattan's most established play festivals, the Samuel French Off-Off Broadway Short Play Festival fosters the work of young writers, giving them the exposure of publication and representation. The festival resulting in this collection was held July 15th-20th, 2008 at the Peter Jay Sharp Theatre on 42nd Street in New York City. From the initial submission pool, approximately 50 plays were chosen to be performed over a period of one week. A panel of judges comprised of New York area the
Publisher: Samuel French, Inc.
ISBN: 0573670366
Category : Drama
Languages : en
Pages : 105
Book Description
One of Manhattan's most established play festivals, the Samuel French Off-Off Broadway Short Play Festival fosters the work of young writers, giving them the exposure of publication and representation. The festival resulting in this collection was held July 15th-20th, 2008 at the Peter Jay Sharp Theatre on 42nd Street in New York City. From the initial submission pool, approximately 50 plays were chosen to be performed over a period of one week. A panel of judges comprised of New York area the
Funny, Strange, Provocative
Author: Clubbed Thumb (New York, N.Y.)
Publisher: Playscripts, Inc.
ISBN: 0970904622
Category : Drama
Languages : en
Pages : 317
Book Description
Featuring seven important vanguard playwrights all incubated by one award-winning experimental theater company.
Publisher: Playscripts, Inc.
ISBN: 0970904622
Category : Drama
Languages : en
Pages : 317
Book Description
Featuring seven important vanguard playwrights all incubated by one award-winning experimental theater company.
Popular Photography
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 202
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 202
Book Description
American Theatre
Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1186
Book Description
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1186
Book Description
Final Cut Pro HD For Dummies
Author: Helmut Kobler
Publisher: John Wiley & Sons
ISBN: 0764577735
Category : Computers
Languages : en
Pages : 470
Book Description
Edit video like a pro! “Save it in the edit” is a common saying among film professionals. Editing makes the difference between boring vacation movies and exciting travelogues…between the whole dull news conference and the highlights on the evening news. Whether you’re a budding Spielberg, a proud parent who wants two-year-old Junior’s every feat documented for posterity, or a band that wants your music video to rock, Final Cut Pro HD For Dummies tells you what you need to know to edit regular digital or high definition video like a pro. It covers the basics of capturing, importing, and editing digital videos, with detailed how-to for: Organizing your media Navigating the audio and video Timeline tracks and selecting clips and frames on the Timelines Getting fancier with split, roll, ripple, slip, and slide edits Working with audio, including mixing, editing out scratches and pops, and using filters to create effects Using Soundtrack to compose a musical score, even if you don’t know the difference between horns and strings Apply transitions such as 3D simulation, dissolve, iris, stretch and squeeze, and more Adding text for captions, opening titles, and closing credits Color-correcting video Compositing, rendering, and outputting your final product to tape, CD, DVD, or the Web Three bonus chapters online go into more depth about rendering, customizing the interface, and managing media so you can refine your skills even further. Final Cut Pro HD For Dummies was written by Helmut Kobler, a Los Angeles-based filmmaker, owner of K2Films, and a frequent contributor to Macaddict Magazine. Having this book next to your editing equipment is the next best thing to having him sit next to you and guide you through the editing process.
Publisher: John Wiley & Sons
ISBN: 0764577735
Category : Computers
Languages : en
Pages : 470
Book Description
Edit video like a pro! “Save it in the edit” is a common saying among film professionals. Editing makes the difference between boring vacation movies and exciting travelogues…between the whole dull news conference and the highlights on the evening news. Whether you’re a budding Spielberg, a proud parent who wants two-year-old Junior’s every feat documented for posterity, or a band that wants your music video to rock, Final Cut Pro HD For Dummies tells you what you need to know to edit regular digital or high definition video like a pro. It covers the basics of capturing, importing, and editing digital videos, with detailed how-to for: Organizing your media Navigating the audio and video Timeline tracks and selecting clips and frames on the Timelines Getting fancier with split, roll, ripple, slip, and slide edits Working with audio, including mixing, editing out scratches and pops, and using filters to create effects Using Soundtrack to compose a musical score, even if you don’t know the difference between horns and strings Apply transitions such as 3D simulation, dissolve, iris, stretch and squeeze, and more Adding text for captions, opening titles, and closing credits Color-correcting video Compositing, rendering, and outputting your final product to tape, CD, DVD, or the Web Three bonus chapters online go into more depth about rendering, customizing the interface, and managing media so you can refine your skills even further. Final Cut Pro HD For Dummies was written by Helmut Kobler, a Los Angeles-based filmmaker, owner of K2Films, and a frequent contributor to Macaddict Magazine. Having this book next to your editing equipment is the next best thing to having him sit next to you and guide you through the editing process.