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Author: Sarah Kay
Publisher: Stanford University Press
ISBN: 9780804730792
Category : Literary Criticism
Languages : en
Pages : 412
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Book Description
Where does courtly literature come from? What is the meaning of courtly love? What is the relation between religious and secular culture in the Middle Ages, and why does it matter? This book addresses these questions by way of contradiction, which is central both to medieval logic and to most modern protocols of reading.
Author: Sarah Kay
Publisher: Stanford University Press
ISBN: 9780804730792
Category : Literary Criticism
Languages : en
Pages : 412
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Book Description
Where does courtly literature come from? What is the meaning of courtly love? What is the relation between religious and secular culture in the Middle Ages, and why does it matter? This book addresses these questions by way of contradiction, which is central both to medieval logic and to most modern protocols of reading.
Author: Jane Gilbert
Publisher: Boydell & Brewer
ISBN: 1843845954
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
Essays on aspects of medieval French literature, celebrating the scholarship of Sarah Kay and her influence on the field.
Author: Professor of French Language and Literature Simon Gaunt
Publisher: Oxford University Press on Demand
ISBN: 0199272077
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Examines the association of love and death in medieval French and Occitan courtly literature using an approach informed by Lacanian psychoanalysis and Jacques Derrida. Offers new readings of canonical authors and texts, including Bernart de Ventadorn, Jaufre Rudel, Chrétien de Troyes, Thomas's Tristan, the Prose Lancelot, the Tristan en prose, La Mort le roi Artu, Marie de France, Le Chastelaine de Vergy, Le Castelain deCouci, and Le Roman de la Rose.
Author: Arthur Gibson
Publisher: Peter Lang
ISBN: 9783039109166
Category : Literary Criticism
Languages : en
Pages : 536
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Book Description
The answer to the question 'what is literature?' has not been found. This is the first book-length attempt to find the answer, by one author, since Sartre in his 1948 book with the same title. The book addresses issues such as: how does literature speak to the world; what is great writing; what is originality; what sorts of truths are there, if any, in creative writing? The book uses hundreds of literary examples, and confronts them with philosophy. The book also explores some big questions about the meaning of life, and sets them against a range of literature. It asks questions like: how does great science relate to literature? The book advances the concept of counter-intuition, as part of the basis for answering the question 'what is literature?' The book is also concerned with practical matters, such as the ways literature is involved with war, corruption, rights, suffering and hope.
Author: Matilda Tomaryn Bruckner
Publisher: OUP Oxford
ISBN: 0191565261
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Matilda Tomaryn Bruckner provides the first book-length examination of all four verse continuations that follow Chrétien's unfinished Grail story, a powerful site of rewriting from the late twelfth through the fifteenth centuries. By focusing on the dialogue between Chrétien and the verse continuators, this study demonstrates how the patterns and puzzles inscribed in the first author's romance continue to guide his successors, whose additions and reinventions throw new light back on the problems medieval readers and writers found in the mother text: questions about society and the individual; love, gender relations, and family ties; chivalry, violence, and religion; issues of collective authorship and doubled heroes, interpretation, rewriting, and canon formation. However far the continuations appear to wander from the master text, the manuscript tradition supports an implicit claim of oneness extending across the multiplicity of discordant voices combined in a dozen different manuscript compilations, the varying ensembles in which most medieval readers encountered Chrétien's Conte. Indeed, considered as a group the continuators show remarkable fidelity in integrating his romance's key elements, as they respond sympathetically to the dynamic incongruities and paradoxical structure of their model, its desire for and deferral of ending, its non-Aristotelian logic of 'and/both' in which contiguity forces interpretation and further narrative elaboration. Unlike their prose competitors, the verse continuators remain faithful to the dialectical movement inscribed across the interlace of two heroes' intertwined stories, the contradictory yet complementary spirit that propels Chrétien's decentered Conte du Graal.
Author: Antony J. Hasler
Publisher: Cambridge University Press
ISBN: 1139496727
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print. The book is the first for some time to treat English and Scottish material of its period together, and responds to European literary contexts, the dialogue between vernacular and Latin matter, and current critical theory. In so doing it claims that public and occasional writing evokes a counter-discourse in the secrecies and subversions of medieval love-fictions. The result is a poetry that queries and at times cancels the very authority to speak that it so proudly promotes.
Author: Catherine Léglu
Publisher: Springer
ISBN: 3319906380
Category : Literary Criticism
Languages : en
Pages : 126
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Book Description
Samson and Delilah in Medieval Insular French investigates several different adaptations of the story of Samson that enabled it to move from a strictly religious sphere into vernacular and secular artworks. Catherine Léglu explores the narrative’s translation into French in medieval England, examining the multiple versions of the Samson narrative via its many adaptations into verse, prose, visual art and musical. Utilizing a multidisciplinary approach, this text draws together examples from several genres and media, focusing on the importance of book learning to secular works. In analysing this Biblical narrative, Léglu reveals the importance of the Samson and Delilah story as a point of entry into a fuller understanding of medieval translations and adaptations of the Bible.
Author: E. Jane Burns
Publisher: University of Pennsylvania Press
ISBN: 0812291247
Category : History
Languages : en
Pages : 335
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Book Description
Clothing was used in the Middle Ages to mark religious, military, and chivalric orders, lepers, and prostitutes. The ostentatious display of luxury dress more specifically served as a means of self-definition for members of the ruling elite and the courtly lovers among them. In Courtly Love Undressed, E. Jane Burns unfolds the rich display of costly garments worn by amorous partners in literary texts and other cultural documents in the French High Middle Ages. Burns "reads through clothes" in lyric, romance, and didactic literary works, vernacular sermons, and sumptuary laws to show how courtly attire is used to negotiate desire, sexuality, and symbolic space as well as social class. Reading through clothes reveals that the expression of female desire, so often effaced in courtly lyric and romance, can be registered in the poetic deployment of fabric and adornment, and that gender is often configured along a sartorial continuum, rather than in terms of naturally derived categories of woman and man. The symbolic identification of the court itself as a hybrid crossing place between Europe and the East also emerges through Burns's reading of literary allusions to the trade, travel, and pilgrimage that brought luxury cloth to France.
Author: Zrinka Stahuljak
Publisher: DS Brewer
ISBN: 1843842548
Category : Foreign Language Study
Languages : en
Pages : 214
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Book Description
This co-written book challenges assumptions about Chrétien as the author of a canon of works. In a series of exchanges, its five authors reassess the relationship between lyric and romance, between individuality and social conditions, and between psychology and medieval philosophy.
Author: William M. Reddy
Publisher: University of Chicago Press
ISBN: 0226706281
Category : History
Languages : en
Pages : 450
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Book Description
In the twelfth century, the Catholic Church attempted a thoroughgoing reform of marriage and sexual behavior aimed at eradicating sexual desire from Christian lives. Seeking a refuge from the very serious condemnations of the Church and relying on a courtly culture that was already preoccupied with honor and secrecy, European poets, romance writers, and lovers devised a vision of love as something quite different from desire. Romantic love was thus born as a movement of covert resistance. In The Making of Romantic Love: Longing and Sexuality in Europe, South Asia, and Japan, William M. Reddy illuminates the birth of a cultural movement that managed to regulate selfish desire and render it innocent—or innocent enough. Reddy strikes out from this historical moment on an international exploration of love, contrasting the medieval development of romantic love in Europe with contemporaneous eastern traditions in Bengal and Orissa, and in Heian Japan from 900-1200 CE, where one finds no trace of an opposition between love and desire. In this comparative framework, Reddy tells an appealing tale about the rise and fall of various practices of longing, underscoring the uniqueness of the European concept of sexual desire.
