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Author: James T. Henke
Publisher: Routledge
ISBN: 1351848380
Category : Performing Arts
Languages : en
Pages : 477
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Book Description
This title, first published in 1979, is a glossary of the bawdy vocabulary that was used in Renaissance Drama. One of the primary functions of this gloss of literary bawdy is to interpret imaginative uses of the language rather than simply record the generally accepted uses and meanings, with its principal task to make the dialogue of the plays more intelligible to the reader. With examples of bawdy language used in the works of Shakespeare, Ben Jonson and John Webster amongst many others, this title will be of great interest to students of literature and performance studies.
Author: James T. Henke
Publisher: Routledge
ISBN: 1351848380
Category : Performing Arts
Languages : en
Pages : 477
Get Book Here
Book Description
This title, first published in 1979, is a glossary of the bawdy vocabulary that was used in Renaissance Drama. One of the primary functions of this gloss of literary bawdy is to interpret imaginative uses of the language rather than simply record the generally accepted uses and meanings, with its principal task to make the dialogue of the plays more intelligible to the reader. With examples of bawdy language used in the works of Shakespeare, Ben Jonson and John Webster amongst many others, this title will be of great interest to students of literature and performance studies.
Author: SaraF. Matthews-Grieco
Publisher: Routledge
ISBN: 1351570455
Category : Art
Languages : en
Pages : 534
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Book Description
In Renaissance and early modern Europe, various constellations of phenomena-ranging from sex scandals to legal debates to flurries of satirical prints-collectively demonstrate, at different times and places, an increased concern with cuckoldry, impotence and adultery. This concern emerges in unusual events (such as scatological rituals of house-scorning), appears in neglected sources (such as drawings by Swiss mercenary soldier-artists), and engages innovative areas of inquiry (such as the intersection between medical theory and Renaissance comedy). Interdisciplinary analytical tools are here deployed to scrutinize court scandals and decipher archival documents. Household recipes, popular literary works and a variety of visual media are examined in the light of contemporary sexual culture and contextualized with reference to current social and political issues. The essays in this volume reveal the central importance of sexuality and sexual metaphor for our understanding of European history, politics and culture, and emphasize the extent to which erotic presuppositions underpinned the early modern world.
Author: Aidan Norrie
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501514024
Category : Drama
Languages : en
Pages : 253
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Book Description
This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.
Author: Douglas Bruster
Publisher: Cambridge University Press
ISBN: 9780521607063
Category : Biography & Autobiography
Languages : en
Pages : 192
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Book Description
Douglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the status of playwrights such as Shakespeare and the establishment of commercial theatres. He identifies in the drama a materialist vision which has its origins in the climate of uncertainty engendered by the rapidly expanding economy of London. His examples range from the economic importance of cuckoldry to the role of stage props as commodities, and the commercial significance of the Troy story in Shakespeare's Troilus and Cressida, and he offers new ways of reading English Renaissance drama, by returning the theatre and the plays performed there, to its basis in the material world.
Author: William Shakespeare
Publisher: McFarland
ISBN: 0786485973
Category : Biography & Autobiography
Languages : en
Pages : 423
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Book Description
This annotated version of As you Like it, one of the Bard's wittiest and bawdiest plays, provides a detailed guide to its Elizabethan language and its references. It restores the drama to the language of the First Folio of 1623, including the original spelling, capitalization and punctuation. Practical annotation provides insights into the puns, allusions and world-play that characterize all of Shakespeare's dramas. Appendices enumerate the typographical errors that have been corrected in this version, in addition to offering stage directions from the First Folio, lineation amendations and original character tags. This restorative, no-nonsense approach will appeal to both aficionados and newcomers to Shakespeare's plays.
Author: Mary Bly
Publisher: Oxford University Press, USA
ISBN: 9780198186991
Category : Drama
Languages : en
Pages : 234
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Book Description
Queer Virgins and Virgin Queans looks at the early modern theater through the lens of obscure and obscene puns--especially "queer" puns, those that carry homoerotic resonances and speak to homoerotic desires. In particular, it resurrects the operations of a small boys' company known as the first Whitefriars, which performed for about nine months in 1607-8. As a group, the plays performed by this company exhibit an unusually dense array of bawdy puns, whose eroticism is extremely interesting, given that the focus of eros is the male body. The laughter recoverable from Whitefriars plays harnesses the pun's inherent doubleness to homoerotic pleasure; in these plays, 'the bawdy hand of the dial' is always 'on the pricke of noone'. Mary Bly's analysis depends on the nature of punning itself, and the inflections of language and the creativity that marked Whitefriars punsters, with special emphasis on the effect of puns on an audience. What happens to audience members who sit shoulder to shoulder and laugh at homoerotic quibbles? What is the effect of catching a queer pun's double meaning in a group rather than while alone? How can we characterize those auditors, within the convoluted, if fascinating, theories of erotic identity offered by queer theorists?
Author: Richard Barnfield
Publisher: Susquehanna University Press
ISBN: 9781575910499
Category : Literary Collections
Languages : en
Pages : 404
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Book Description
Despite various influential writers' and critics' high praise of the poetry of Richard Barnfield (1574-1620/26?), his work has long been marginalized in English literary history because of its pervasive homoeroticism. Current interest in literary representations of gender and sexuality, in dissent from dominant ideologies, and in the early modern possibilities of same-sexual subjectivities, accounts for the renewed interest in Barnfield's poetry. This new collection of essays seeks to provide a forum for his evaluation and reinterpretation in accord with his topicality for literary studies today.
Author: Susan Gushee O'Malley
Publisher: University of Illinois Press
ISBN: 9780252071287
Category : History
Languages : en
Pages : 346
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Book Description
Containing the complete and annotated texts of six pamphlets written between 1609 and 1620, "Custome Is an Idiot" makes an invaluable contribution to the scholarship on early modern British cultural history, specifically on competing opinions about the role of women in society. During the early seventeenth century a fierce debate raged in British intellectual society regarding the role of women, how much is ordained by God, and how much is merely custom. The pamphlets that circulated at the time reveal a great deal about the terms of the debate, and these six constitute a significant body of primary literature, allowing the contending voices to be heard anew. Included here are two pamphlets about gossips by Samuel Rowlands, William Heale's treatise against wife-beating, Christopher Newstead's argument for the superiority of women, and Hic Mulier and Haec Vir, two pamphlets that address the theme of cross-dressing. Introductions by Susan Gushee O'Malley place each pamphlet in a wider context, and detailed annotations shed light on the individual texts.
Author: Valerie Traub
Publisher: University of Pennsylvania Press
ISBN: 0812247299
Category : History
Languages : en
Pages : 480
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Book Description
What do we know about early modern sex, and how do we know it? How, when, and why does sex become history? In Thinking Sex with the Early Moderns, Valerie Traub addresses these questions and, in doing so, reorients the ways in which historians and literary critics, feminists and queer theorists approach sexuality and its history. Her answers offer interdisciplinary strategies for confronting the difficulties of making sexual knowledge. Based on the premise that producing sexual knowledge is difficult because sex itself is often inscrutable, Thinking Sex with the Early Moderns leverages the notions of opacity and impasse to explore barriers to knowledge about sex in the past. Traub argues that the obstacles in making sexual history can illuminate the difficulty of knowing sexuality. She also argues that these impediments themselves can be adopted as a guiding principle of historiography: sex may be good to think with, not because it permits us access but because it doesn't.
Author: Elizabeth D. Harvey
Publisher: University of Chicago Press
ISBN: 9780226318752
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
This collection gathers new essays by critics and scholars who are currently reshaping our sense of the function and nature of seventeenth-century poetry. Contributors return to the New Critical canon of Renaissance poetry with fresh perspectives that emphasize considerations of gender, ideology, power, and language. In the first group of essays, David Norbrook, Annabel Patterson, John Guillory, Rosemary Kegl, and Stephen Orgel explore the various ways in which a text can be "political." Next, Arthur Marotti, Jane Tylus, and Jonathan Goldberg consider the circumstances of textual production and reception in the seventeenth century. Finally, Stanley Fish, Gordon Braden, Michael C. Schoenfeldt, and Maureen Quilligan discuss the particular forms of anxiety that result when seventeenth-century poets modify the traditional rhetoric of sexual desire to serve what seem to be erotic or religious purposes. These essays, accompanied by an extensive editors' introduction, intersect less in their shared enthusiasm for particular authors or interpretative methods than in a common interest in particular critical issues. They present the most exciting work by critics redefining Renaissance studies.
