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Author: Margaret Bent
Publisher: Routledge
ISBN: 1136534911
Category : Music
Languages : en
Pages : 350
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Book Description
Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.
Author: Margaret Bent
Publisher: Routledge
ISBN: 1136534911
Category : Music
Languages : en
Pages : 350
Get Book
Book Description
Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.
Author: Margaret Bent
Publisher: Routledge
ISBN: 1136534849
Category : Music
Languages : en
Pages : 339
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Book Description
Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.
Author: Thomas Benjamin
Publisher: Psychology Press
ISBN: 9780415971720
Category : Counterpoint
Languages : en
Pages : 214
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Book Description
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Robert Stewart
Publisher: Scarecrow Press
ISBN: 1461722942
Category : Music
Languages : en
Pages : 240
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Book Description
This is a music theory text that presents a systematic approach to polyphonic composition in the ecclesiastical style of Palestrina. It is designed for use in beginning and intermediate level courses in modal counterpoint and helps students develop a systematic and reliable method to compare individual composers and stylistic trends of the Renaissance. It contains a comprehensive collection of Palestrina's works as well as selections from Lassus. Tear-out exercises can be used in conjunction with the text.
Author: Thomas Benjamin
Publisher: Routledge
ISBN: 1135874387
Category : Music
Languages : en
Pages : 216
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Book Description
"The Craft of Modal Counterpoint" is the companion book to Benjamin's "The Craft of Tonal Counterpoint," recently republished in a second edition by Routledge. Modal counterpoint is the style of composition that was employed until the "tonal" revolution pioneered by Bach; it is the basis for most Early Music. Benjamin, a composer and pedagogue, offers a complete analysis of this important musical style. He begins by covering general aspects of the style, then covers in detail two, three, and four-part counterpoint. The Motet, an important form of vocal composition in this period, is studied separately. The book concludes with a brief anthology of key scores, 15 in all, for the student to study further. Also includes 132 musical examples.
Author: Douglass Green
Publisher: Routledge
ISBN: 1136935096
Category : Music
Languages : en
Pages : 452
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Book Description
Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.
Author: Reginald Owen Morris
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 146
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Book Description
Author: Karol Berger
Publisher: Cambridge University Press
ISBN: 9780521543385
Category : Music
Languages : en
Pages : 296
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Book Description
Clarifies the conventions governing the practice of implied accidentals in vocal polyphony from the fourteenth to sixteenth centuries.
Author: Stefano Mengozzi
Publisher: Cambridge University Press
ISBN: 0521884152
Category : Music
Languages : en
Pages : 305
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Book Description
A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.
Author: Markand Thakar
Publisher: Yale University Press
ISBN: 9780300046380
Category : Music
Languages : en
Pages : 344
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Book Description
Counterpoint manuals have long been central to the music education of composers, historians, and theorists. In this book a conductor uses counterpoint exercises to aid musicians in becoming sensitive to the fundamental ingredients of good music making.