Author: Heinrich Schenker
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 408
Book Description
Manual of Simple and Double Counterpoint
Author: Ernst Friedrich Richter
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 208
Book Description
Counterpoint in Composition
Author: Felix Salzer
Publisher: Columbia University Press
ISBN: 023107039X
Category : Composition (Music)
Languages : en
Pages : 504
Book Description
-- Stanley Persky, City University of New York
Publisher: Columbia University Press
ISBN: 023107039X
Category : Composition (Music)
Languages : en
Pages : 504
Book Description
-- Stanley Persky, City University of New York
Text-Book of Simple and Double Counterpoint
Author: Hugo Riemann
Publisher: Forgotten Books
ISBN: 9780364426968
Category : Music
Languages : en
Pages : 230
Book Description
Excerpt from Text-Book of Simple and Double Counterpoint: Including Imitation or Canon; Translated From the German The teacher, who has not preceded the writing of two-part counterpoint with the study of harmony and with exercises having predetermined chords, cannot do better than to instruct pupils in the writing and constant rewriting of exercises in the hepe that among many false efforts the desired counterpoint may be found. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780364426968
Category : Music
Languages : en
Pages : 230
Book Description
Excerpt from Text-Book of Simple and Double Counterpoint: Including Imitation or Canon; Translated From the German The teacher, who has not preceded the writing of two-part counterpoint with the study of harmony and with exercises having predetermined chords, cannot do better than to instruct pupils in the writing and constant rewriting of exercises in the hepe that among many false efforts the desired counterpoint may be found. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Counterpoint Simplified (Classic Reprint)
Author: Francis Lodowick York
Publisher: Forgotten Books
ISBN: 9780266806868
Category : Music
Languages : en
Pages : 162
Book Description
Excerpt from Counterpoint Simplified Counterpoint was the earliest form of artistic musical composi tion. It was the outgrowth of the simplest attempts of two sing ers to sing together without producing discordant effects. In Counterpoint then, we are primarily concerned with the movement of voices or parts, and the student should endeavor from the begin ning to accustom himself to follow each part in its movement, to think, so to say, horizontally, instead of thinking as in Harmony, perpendicularly. It is to be remembered too, that Counterpoint is primarily a series of consonances, dissonances being introduced only under careful restrictions. There are three most important principles to be observed in all writing of Counterpoint. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780266806868
Category : Music
Languages : en
Pages : 162
Book Description
Excerpt from Counterpoint Simplified Counterpoint was the earliest form of artistic musical composi tion. It was the outgrowth of the simplest attempts of two sing ers to sing together without producing discordant effects. In Counterpoint then, we are primarily concerned with the movement of voices or parts, and the student should endeavor from the begin ning to accustom himself to follow each part in its movement, to think, so to say, horizontally, instead of thinking as in Harmony, perpendicularly. It is to be remembered too, that Counterpoint is primarily a series of consonances, dissonances being introduced only under careful restrictions. There are three most important principles to be observed in all writing of Counterpoint. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
SchenkerGUIDE
Author: Thomas Pankhurst
Publisher: Routledge
ISBN: 1135871027
Category : Music
Languages : en
Pages : 298
Book Description
SchenkerGUIDE is an accessible overview of Heinrich Schenker's complex but fascinating approach to the analysis of tonal music. The book has emerged out of the widely used website, www.SchenkerGUIDE.com, which has been offering straightforward explanations of Schenkerian analysis to undergraduate students since 2001. Divided into four parts, SchenkerGUIDE offers a step-by-step method to tackling this often difficult system of analysis. Part I is an introduction to Schenkerian analysis, outlining the concepts that are involved in analysis Part II outlines a unique and detailed working method to help students to get started on the process of analysis Part III puts some of these ideas into practice by exploring the basics of a Schenkerian approach to form, register, motives and dramatic structure Part IV provides a series of exercises from the simple to the more sophisticated, along with hints and tips for their completion.
Publisher: Routledge
ISBN: 1135871027
Category : Music
Languages : en
Pages : 298
Book Description
SchenkerGUIDE is an accessible overview of Heinrich Schenker's complex but fascinating approach to the analysis of tonal music. The book has emerged out of the widely used website, www.SchenkerGUIDE.com, which has been offering straightforward explanations of Schenkerian analysis to undergraduate students since 2001. Divided into four parts, SchenkerGUIDE offers a step-by-step method to tackling this often difficult system of analysis. Part I is an introduction to Schenkerian analysis, outlining the concepts that are involved in analysis Part II outlines a unique and detailed working method to help students to get started on the process of analysis Part III puts some of these ideas into practice by exploring the basics of a Schenkerian approach to form, register, motives and dramatic structure Part IV provides a series of exercises from the simple to the more sophisticated, along with hints and tips for their completion.
Counterpoint: Cantus firmus and two-voice counterpoint
Author: Heinrich Schenker
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 408
Book Description
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 408
Book Description
Modal Counterpoint, Renaissance Style
Author: Peter Schubert
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 372
Book Description
The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.
Publisher: Oxford University Press, USA
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 372
Book Description
The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.
Study of Counterpoint
Author: Johann Fux
Publisher: W. W. Norton & Company
ISBN: 9780393002775
Category : Music
Languages : en
Pages : 164
Book Description
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.
Publisher: W. W. Norton & Company
ISBN: 9780393002775
Category : Music
Languages : en
Pages : 164
Book Description
The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.
First Year Counterpoint (two and Three Voices)
Author: Thomas Tapper
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 124
Book Description
Counterpoint Applied in the Invention, Fugue, Canon and Other Polyphonic Forms
Author: Percy Goetschius
Publisher: Franklin Classics
ISBN: 9780342033256
Category :
Languages : en
Pages : 330
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Franklin Classics
ISBN: 9780342033256
Category :
Languages : en
Pages : 330
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.