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Author: M. Sarkar
Publisher: Springer
ISBN: 1137007001
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
This book offers a fresh contextual reading of Paradise Lost that suggests that a recovery of the vital intellectual ferment of the new science, magic, and alchemy of the seventeenth century reveals new and unexpected aspects of Milton's cosmos and chaos, and the characters of the angels and Adam and Eve. After examining the contextual references to cabalism, hermeticism, and science in the invocations and in the presentation of chaos and Night, the book focuses on the central stage of the epic action, Milton's unique cosmos, at once finite and infinite, with its re-orientation of compass points. While Milton relies on the new astronomy, optics and mechanics in configuring his cosmos, he draws upon alchemy to suggest that the imagined prelapsarian cosmos is the crucible within which vital re-orientations of authority could have taken place.
Author: M. Sarkar
Publisher: Springer
ISBN: 1137007001
Category : Literary Criticism
Languages : en
Pages : 239
Get Book Here
Book Description
This book offers a fresh contextual reading of Paradise Lost that suggests that a recovery of the vital intellectual ferment of the new science, magic, and alchemy of the seventeenth century reveals new and unexpected aspects of Milton's cosmos and chaos, and the characters of the angels and Adam and Eve. After examining the contextual references to cabalism, hermeticism, and science in the invocations and in the presentation of chaos and Night, the book focuses on the central stage of the epic action, Milton's unique cosmos, at once finite and infinite, with its re-orientation of compass points. While Milton relies on the new astronomy, optics and mechanics in configuring his cosmos, he draws upon alchemy to suggest that the imagined prelapsarian cosmos is the crucible within which vital re-orientations of authority could have taken place.
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author: Leland Ryken
Publisher: Crossway
ISBN: 1433547066
Category : Religion
Languages : en
Pages : 110
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Book Description
Most people are familiar with the classics of Western literature, but few have actually read them. Written to equip readers for a lifetime of learning, this beginner's guide to reading the classics by renowned literary scholar Leland Ryken answers basic questions readers often have, including "Why read the classics?" and "How do I read a classic?" Offering a list of some of the best works from the last 2,000 years and time-tested tips for effectively engaging with them, this companion to Ryken's Christian Guides to the Classics series will give readers the tools they need to read, interact with, and enjoy some of history's greatest literature.
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 482
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Book Description
Paradise Lost remains as challenging and relevant today as it was in the turbulent intellectual and political environment in which it was written. This edition aims to bring the poem as fully alive to a modern reader as it would have been to Milton's contemporaries. It provides a newly edited text of the 1674 edition of the poem-the last of Milton's lifetime-with carefully modernized spelling and punctuation.
Author: Thomas Matthew Vozar
Publisher: Oxford University Press
ISBN: 0198875967
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
No author in the English canon seems more deserving of the epithet sublime than John Milton. Yet Milton's sublimity has long been dismissed as an invention of eighteenth-century criticism. The poet himself, the story goes, could hardly have had any notion of the sublime, a concept that only took shape in the decades after his death with the advent of philosophical aesthetics. Such a narrative, however, fails to account for the fact that Milton is one of the first writers in English to refer to Longinus, the author traditionally associated with the Ancient Greek treatise On the Sublime. This book argues that Milton did have an idea of the sublime—one that came to him from Longinus but also from a larger classical tradition that offered a pre-aesthetic predecessor to the aesthetic concept of the sublime. Thomas Vozar shows that Longinus was better known in early modern England than has been previously appreciated; that various notions of sublimity beyond that of Longinus would have been available to Milton and his contemporaries; and that such notions of the sublime were integral to Milton's rhetorical, scientific, and theological imagination. Additional material relating to the early modern reception of Longinus is provided in the appendices, which contain the first bibliographical study of copies of Longinus in English private libraries to 1674 and an edition of a newly discovered seventeenth-century English translation of Longinus. Far from being anachronistic, Milton's "abstracted sublimities" touch on almost every aspect of his thought, from rhetoric to politics, from science to theology. Making substantive contributions to literary scholarship, classical reception studies, and the history of ideas, Milton, Longinus, and the Sublime in the Seventeenth Century returns the sublime to its proper place at the forefront of Milton criticism, re-evaluates the diffusion of Longinian texts and concepts in early modern Europe, and records a crucial missing chapter in the history of the sublime.
Author: Alexander von Humboldt
Publisher:
ISBN:
Category : Astronomy
Languages : en
Pages : 454
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Book Description
Author: John Milton
Publisher:
ISBN: 9781515437550
Category : Fiction
Languages : en
Pages : 276
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Book Description
Author: Denise Gigante
Publisher: Yale University Press
ISBN: 0300133057
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
div What does eating have to do with aesthetic taste? While most accounts of aesthetic history avoid the gustatory aspects of taste, this book rewrites standard history to uncover the constitutive and dramatic tension between appetite and aesthetics at the heart of British literary tradition. From Milton through the Romantics, the metaphor of taste serves to mediate aesthetic judgment and consumerism, gusto and snobbery, gastronomes and gluttons, vampires and vegetarians, as well as the philosophy and physiology of food. The author advances a theory of taste based on Milton’s model of the human as consumer (and digester) of food, words, and other commodities—a consumer whose tasteful, subliminal self remains haunted by its own corporeality. Radically rereading Wordsworth’s feeding mind, Lamb’s gastronomical essays, Byron’s cannibals and other deviant diners, and Kantian nausea, Taste resituates Romanticism as a period that naturally saw the rise of the restaurant and the pleasures of the table as a cultural field for the practice of aesthetics. /DIV
Author: Kristin Flieger Samuelian
Publisher: Routledge
ISBN: 100038778X
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
The Moving Body and the English Romantic Imaginary explores ways in which England in the Romantic period conceptualized its relation both to its constituent parts within the United Kingdom and to the larger world through discussions of dance, dancing, and dancers, and through theories of dance and performance. As a referent that both engaged and constructed the body—through physical training, anatomization, spectacle and spectatorship, pathology, parody, and sentiment—dance worked to produce an English exceptional body. Discussions of dance in fiction and periodical essays, as well as its visual representation in print culture, were important ways to theorize points of contact as England was investing itself in the world as an economic and imperial power during and after the Revolutionary period. These formulations offer dance as an engine for the reconfiguration of gender, class, and national identity in the print culture of late eighteenth- and nineteenth-century England.
Author: E.L. Risden
Publisher: McFarland
ISBN: 1476694931
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Barring such illnesses as claustrophobia or agoraphobia, or situations such as medical isolation or incarceration, most people move naturally from smaller to larger spaces and back again without giving the process much thought. But paying attention to our own movement in space yields all sorts of sensory experiences from something relaxing to something terrifying or even astonishingly beautiful. Our sense of expandable/contractible space can influence how we process everything from Japanese gardens to mountain hikes and desert expanses. Writers often expand or contract spaces around their characters for dramatic effect, character building, and even thematic purposes. Marie de France used expanded spaces for adventure and travel and contracted spaces first for romance, and then for spiritual devotion. Chaucer used expanded spaces for adventure, pilgrimage, and danger and contracted spaces for conviviality and storytelling. Dante and Milton created expansive cosmologies but focused on small spaces for both suffering and incredible spiritual achievement. This study of literary spatiality yields fascinating results, reflects useful techniques for reading, and reminds us of the value of all sorts of different approaches to analysis and artistic enjoyment.
