Cornelis Cort: accomplished plate-cutter from Hoorn in Holland PDF Download
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Author: Manfred Sellink
Publisher: University of Washington Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 240
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Book Description
Catalogus bij een expositie over de belangrijkste Nederlandse reproductiegraveur (1533-1578).
Author: Manfred Sellink
Publisher: University of Washington Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 240
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Book Description
Catalogus bij een expositie over de belangrijkste Nederlandse reproductiegraveur (1533-1578).
Author: Huigen Leeflang
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Huigen Leeflang
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 298
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Book Description
Author: Arthur J. DiFuria
Publisher: BRILL
ISBN: 9004462066
Category : Art
Languages : en
Pages : 884
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Book Description
This volume examines how and why many early modern pictures operate in an ekphrastic mode.
Author: Walter Melion
Publisher: BRILL
ISBN: 9004275037
Category : History
Languages : en
Pages : 549
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Book Description
Anthropomorphism – the projection of the human form onto the every aspect of the world – closely relates to early modern notions of analogy and microcosm. What had been construed in Antiquity as a ready metaphor for the order of creation was reworked into a complex system relating the human body to the body of the world. Numerous books and images - cosmological diagrams, illustrated treatises of botany and zoology, maps, alphabets, collections of ornaments, architectural essays – are entirely constructed on the anthropomorphic analogy. Exploring the complexities inherent in such work, the interdisciplinary essays in this volume address how the anthropomorphic model is fraught with contradictions and tensions, between magical and rational, speculative and practical thought. Contributors include Pamela Brekka, Anne-Laure van Bruaene, Ralph Dekoninck, Agnès Guiderdoni, Christopher P. Heuer, Sarah Kyle, Walter S. Melion, Christina Normore, Elizabeth Petcu, Bertrand Prevost, Bret Rothstein, Paul Smith, Miya Tokumitsu, Michel Weemans, and Elke Werner.
Author: Francis Ames-Lewis
Publisher: Routledge
ISBN: 1351552309
Category : Art
Languages : en
Pages : 282
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Book Description
The immense effect that Michelangelo had on many artists working in the sixteenth century is widely acknowledged by historians of Italian Renaissance art. Yet until recently greater stress has been placed on the individuality of these artists' styles and interpretation rather than on the elucidation of their debts to others. There has been little direct focus on the ways in which later sixteenth-century artists actually confronted Michelangelo, or how those areas or aspects of their artistic production that are most closely related to his reveal their attitudes and responses to Michelangelo's work. Reactions to the Master presents the first coherent study of the influence exerted by Michelangelo's work in painting and sculpture on artists of the late-Renaissance period including Alessandro Allori, Agnolo Bronzino, Battista Franco, Francesco Parmigianino, Jacopo Pontormo, Francesco Salviati, Raphael, Giorgio Vasari, Marcello Venusti, and Alessandro Vittoria. The essays focus on the direct relations, such as copies and borrowings, previously underrated by art historians, but which here form significant keys to understanding the aesthetic attitudes and broader issues of theory advanced at the time.
Author: Michael Gaudio
Publisher: U of Minnesota Press
ISBN: 0816648468
Category : Art
Languages : en
Pages : 235
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Book Description
In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.
Author: Bruce Cole
Publisher: Routledge
ISBN: 0429975260
Category : Art
Languages : en
Pages : 259
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Book Description
This up-to-date, well-illustrated, and thoughtful introduction to the life and works of one of the giants of Western Painting also surveys the golden age of Venetian Painting from Giovanni Bellini to Veronese and its place in the history of Western art. Bruce Cole, Distinguished Professor of Fine Arts at Indiana University and author of numerous books on Italian Renaissance art, begins with the life and work of Giovanni Bellini, the principal founder of Venetian Renaissance painting. He continues with the paintings of Giorgione and the young Titian whose work embodied the new Venetian style. Cole discusses and explains all of Titian's major works--portraits, religious paintings, and nudes--from various points of view and shows how Venetian painting of this period differed from painting in Florence and elsewhere in Italy and became a distinct and fully-developed style of its own.
Author: Pieter Bruegel
Publisher:
ISBN:
Category :
Languages : en
Pages : 304
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Book Description
Author: David Platzker
Publisher: Hudson Hills
ISBN: 9781555951931
Category : Art
Languages : en
Pages : 134
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Book Description
This volume surveys the history of printmaking with a particular focus on artists and works that expanded the boundaries of various media, including woodcuts, etchings, engravings, lithographs, mezzo-tints, screen prints and more, right up to the digital and photographic processes of today. Originally published in hardback in 2000 this title received excellent reviews. Now republished in paperback making it more accessible to an even wider market 84 colour illustrations
