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Author: Walter Arthur Copinger
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 636
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Book Description
Author: Walter Arthur Copinger
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 636
Get Book Here
Book Description
Author: Walter Arthur Copinger
Publisher: London : Sweet & Maxwell ; Toronto : Carswell
ISBN:
Category : Copyright
Languages : en
Pages : 650
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Book Description
Author: Walter Arthur Copinger
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 870
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Book Description
Author: Walter Arthur Copinger
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 636
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Book Description
Author: Michael D. Birnhack
Publisher: Oxford University Press
ISBN: 0199661138
Category : Law
Languages : en
Pages : 330
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Book Description
The history of colonial copyright is most often told from the perspective of the colonizers. Reversing the trend, this study of the early roots of copyright in the British Empire provides a sophisticated theoretical framework, contextualizing early copyright law as a form of globalization and examining its impact on colonial affairs and modern law.
Author: Walter Arthur Copinger
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1172
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 732
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Book Description
Author: Brad Sherman
Publisher: Kluwer Law International B.V.
ISBN: 9041142118
Category : Law
Languages : en
Pages : 458
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Book Description
Copyright is not, as is often thought, something that is periodically ‘extended’ to cover a new field or medium; rather, copyright redefines itself whenever its efficacy is challenged. While many factors have contributed to this process, the most consistent has been the challenges created by new technologies. The contributing authors build upon this insight to show that copyright law is, and has always been, a creature of technology. Each chapter focuses on a specific technology or group of technologies – photography, telegraphy, the phonogram, radio, film, the photocopier, the tape player, television, and computer programs – emphasizing the changes that each technology instigated and the challenges and opportunities it created. Perhaps the most profound insight of this extraordinary book is the authors’ claim – ably supported in a series of intriguing chapters – that the way the law responds and reacts to new technologies is always mediated by the political, social, economic, and cultural environment in which the interaction occurs. For example, these chapters describe and explain how: statutory schemes of remuneration arose from failures to effectively police new forms of piracy; persistent litigation and lobbying by copyright owners forces legislatures and courts to devise new laws; content (e.g., sporting events) generates new rules of access to broadcasts; and ‘fair copying’ (e.g., by libraries) is the necessary exception that proves the rule. As well as providing insight into the ways that copyright law interacted with old technologies when they were new, the book also offers important insights into problems and issues currently confronting copyright law and policy such as the appropriate scope of copyright and the relation between copyright and the public interest. With the broad perspectives opened by these essays, academics, practitioners and policymakers in the field will find themselves well equipped to deal with the problems that will inevitably be created by technologies in the future.
Author: Walter Arthur Copinger
Publisher: Рипол Классик
ISBN: 5875395052
Category : History
Languages : en
Pages : 829
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Book Description
Including chapters on mechanical contrivances and cinematographs: Together with international and foreign copyright, with the statutes relating thereto.
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1352
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Book Description
