Author: Pauline Kael
Publisher: Univ. Press of Mississippi
ISBN: 9780878058990
Category : Literary Collections
Languages : en
Pages : 230
Book Description
Interviews with Pauline Kael, movie critic for the New Yorker from 1968 to 1991.
Conversations with Pauline Kael
Author: Pauline Kael
Publisher: Univ. Press of Mississippi
ISBN: 9780878058990
Category : Literary Collections
Languages : en
Pages : 230
Book Description
Interviews with Pauline Kael, movie critic for the New Yorker from 1968 to 1991.
Publisher: Univ. Press of Mississippi
ISBN: 9780878058990
Category : Literary Collections
Languages : en
Pages : 230
Book Description
Interviews with Pauline Kael, movie critic for the New Yorker from 1968 to 1991.
Afterglow
Author: Francis Davis
Publisher: Da Capo Press
ISBN: 9780306812309
Category : Social Science
Languages : en
Pages : 144
Book Description
Publisher: Da Capo Press
ISBN: 9780306812309
Category : Social Science
Languages : en
Pages : 144
Book Description
Pauline Kael
Author: Brian Kellow
Publisher: Penguin
ISBN: 0143122207
Category : Biography & Autobiography
Languages : en
Pages : 441
Book Description
“A smart and eminently readable examination of the life and career of one of the twentieth century’s most influential movie critics.”—Los Angeles Times “Engrossing and thoroughly researched.”—Entertainment Weekly • A New York Times Book Review Notable Book of 2011 • The first major biography of the most influential, powerful, and controversial film critic of the twentieth century Pauline Kael was, in the words of Entertainment Weekly's movie reviewer Owen Gleiberman, "the Elvis or Beatles of film criticism." During her tenure at The New Yorker from 1968 to 1991, she was the most widely read and, often enough, the most provocative critic in America. In this first full-length biography of the legend who changed the face of film criticism, acclaimed author Brian Kellow (author of Can I Go Now?: The Life of Sue Mengers, Hollywood's First Superagent) gives readers a richly detailed view of Kael's remarkable life—from her youth in rural California to her early struggles to establish her writing career to her peak years at The New Yorker.
Publisher: Penguin
ISBN: 0143122207
Category : Biography & Autobiography
Languages : en
Pages : 441
Book Description
“A smart and eminently readable examination of the life and career of one of the twentieth century’s most influential movie critics.”—Los Angeles Times “Engrossing and thoroughly researched.”—Entertainment Weekly • A New York Times Book Review Notable Book of 2011 • The first major biography of the most influential, powerful, and controversial film critic of the twentieth century Pauline Kael was, in the words of Entertainment Weekly's movie reviewer Owen Gleiberman, "the Elvis or Beatles of film criticism." During her tenure at The New Yorker from 1968 to 1991, she was the most widely read and, often enough, the most provocative critic in America. In this first full-length biography of the legend who changed the face of film criticism, acclaimed author Brian Kellow (author of Can I Go Now?: The Life of Sue Mengers, Hollywood's First Superagent) gives readers a richly detailed view of Kael's remarkable life—from her youth in rural California to her early struggles to establish her writing career to her peak years at The New Yorker.
Movie Love
Author: Pauline Kael
Publisher:
ISBN: 9780714529530
Category : Motion pictures
Languages : en
Pages : 348
Book Description
Publisher:
ISBN: 9780714529530
Category : Motion pictures
Languages : en
Pages : 348
Book Description
The Age of Movies: Selected Writings of Pauline Kael
Author: Pauline Kael
Publisher: Library of America
ISBN: 1598531719
Category : Performing Arts
Languages : en
Pages : 1186
Book Description
A master film critic is at her witty, exhilarating, and opinionated best in this career-spanning collection featuring pieces on Bonnie and Clyde, The Godfather, and other modern movie classics “Film criticism is exciting just because there is no formula to apply,” Pauline Kael once observed, “just because you must use everything you are and everything you know.” Between 1968 and 1991, as regular film reviewer for The New Yorker, Kael used those formidable tools to shape the tastes of a generation. She had a gift for capturing, with force and fluency, the essence of an actor’s gesture or the full implication of a cinematic image. Kael called movies “the most total and encompassing art form we have,” and her reviews became a platform for considering both film and the worlds it engages, crafting in the process a prose style of extraordinary wit, precision, and improvisatory grace. Her ability to evoke the essence of a great artist—an Orson Welles or a Robert Altman—or to celebrate the way even seeming trash could tap deeply into our emotions was matched by her unwavering eye for the scams and self-deceptions of a corrupt movie industry. Here are her appraisals of era-defining films such as Breathless, Bonnie and Clyde, The Leopard, The Godfather, Last Tango in Paris, Nashville, along with many others, some awaiting rediscovery—all providing the occasion for masterpieces of observation and insight, alive on every page.
Publisher: Library of America
ISBN: 1598531719
Category : Performing Arts
Languages : en
Pages : 1186
Book Description
A master film critic is at her witty, exhilarating, and opinionated best in this career-spanning collection featuring pieces on Bonnie and Clyde, The Godfather, and other modern movie classics “Film criticism is exciting just because there is no formula to apply,” Pauline Kael once observed, “just because you must use everything you are and everything you know.” Between 1968 and 1991, as regular film reviewer for The New Yorker, Kael used those formidable tools to shape the tastes of a generation. She had a gift for capturing, with force and fluency, the essence of an actor’s gesture or the full implication of a cinematic image. Kael called movies “the most total and encompassing art form we have,” and her reviews became a platform for considering both film and the worlds it engages, crafting in the process a prose style of extraordinary wit, precision, and improvisatory grace. Her ability to evoke the essence of a great artist—an Orson Welles or a Robert Altman—or to celebrate the way even seeming trash could tap deeply into our emotions was matched by her unwavering eye for the scams and self-deceptions of a corrupt movie industry. Here are her appraisals of era-defining films such as Breathless, Bonnie and Clyde, The Leopard, The Godfather, Last Tango in Paris, Nashville, along with many others, some awaiting rediscovery—all providing the occasion for masterpieces of observation and insight, alive on every page.
When the Lights Go Down
Author: Pauline Kael
Publisher: Holt McDougal
ISBN:
Category : Performing Arts
Languages : en
Pages : 606
Book Description
A number of the movies she reviews have gay characters, and quite a number of the actors (Rock Hudson, Sir John Gielgud) are gay.--P. Thorslev.
Publisher: Holt McDougal
ISBN:
Category : Performing Arts
Languages : en
Pages : 606
Book Description
A number of the movies she reviews have gay characters, and quite a number of the actors (Rock Hudson, Sir John Gielgud) are gay.--P. Thorslev.
Kiss Kiss Bang Bang
Author: Pauline Kael
Publisher: Marion Boyars Publishers
ISBN: 9780714506586
Category : Motion pictures
Languages : en
Pages : 404
Book Description
Publisher: Marion Boyars Publishers
ISBN: 9780714506586
Category : Motion pictures
Languages : en
Pages : 404
Book Description
Reeling
Author: Pauline Kael
Publisher: Marion Boyars Publishers
ISBN: 9780714525822
Category : Motion pictures
Languages : en
Pages : 497
Book Description
Publisher: Marion Boyars Publishers
ISBN: 9780714525822
Category : Motion pictures
Languages : en
Pages : 497
Book Description
Bernardo Bertolucci
Author: Bernardo Bertolucci
Publisher:
ISBN: 9781578062041
Category : Performing Arts
Languages : en
Pages : 320
Book Description
Forty years of collected interviews with the influential filmmaker of The Last Emperor, Last Tango in Paris, and Little Buddha
Publisher:
ISBN: 9781578062041
Category : Performing Arts
Languages : en
Pages : 320
Book Description
Forty years of collected interviews with the influential filmmaker of The Last Emperor, Last Tango in Paris, and Little Buddha
Better Living Through Criticism
Author: A. O. Scott
Publisher: Penguin
ISBN: 1101980869
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."
Publisher: Penguin
ISBN: 1101980869
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."