Author: Madeleine de Scudéry
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
Book Description
Conversations upon several subjects ... Done into English by Mr. F. Spence
Author: Madeleine de Scudéry
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
Book Description
Conversations upon several subjects ... Done into English by Mr. F. Spence
Author: Madeleine de Scudéry
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
A Guide to the Best Fiction in English
Author: Ernest Albert Baker
Publisher: London : G. Routledge
ISBN:
Category : American fiction
Languages : en
Pages : 838
Book Description
Publisher: London : G. Routledge
ISBN:
Category : American fiction
Languages : en
Pages : 838
Book Description
British Museum Catalogue of printed Books
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 396
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 396
Book Description
A Guide to the Best Fiction
Author: Ernest Albert Baker
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 836
Book Description
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 836
Book Description
The English Novel in the Time of Shakespeare
Author: J. J. Jusserand
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 419
Book Description
"The English Novel in the Time of Shakespeare" by J. J. Jusserand, translated by Elizabeth Lee, offers a captivating exploration of the literary landscape during Shakespeare's era. Jusserand's scholarly work delves into the historical context and cultural influences that shaped the English novel during this period. Readers will gain a deeper understanding of the literary achievements of the time and the significant impact they had on the development of the novel as a literary form.
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 419
Book Description
"The English Novel in the Time of Shakespeare" by J. J. Jusserand, translated by Elizabeth Lee, offers a captivating exploration of the literary landscape during Shakespeare's era. Jusserand's scholarly work delves into the historical context and cultural influences that shaped the English novel during this period. Readers will gain a deeper understanding of the literary achievements of the time and the significant impact they had on the development of the novel as a literary form.
The English Novel in the Time of Shakespeare
Author: Jean Adrien Antoine Jules Jusserand
Publisher: Library of Alexandria
ISBN: 1465578374
Category : Fiction
Languages : en
Pages : 456
Book Description
Minute research has been made, in every country, into the origin of the drama. The origin of the novel has rarely tempted the literary archæologist. For a long time the novel was regarded as literature of a lower order; down almost to our time, critics scrupled to speak of it. When M. Villemain in his course of lectures on the eighteenth century came to Richardson, he experienced some embarrassment, and it was not without oratorical qualifications and certain bashful doubts that he dared to announce lectures on "Clarissa Harlowe" and "Sir Charles Grandison." He sought to justify himself on the ground that it was necessary to track out a special influence derived from England, "the influence of imagination united to moral sentiment in eloquent prose." But this neglect can be explained still better. We can at need fix the exact period of the origin of the drama. It is not the same with the novel. We may go as far back as we please, yet we find the thin ramifications of the novel, and we may say literally that it is as old as the world itself. Like man himself, was not the world rocked in the cradle of its childhood to the accompaniment of stories and tales? Some were boldly marvellous; others have been called historical; but very often, in spite of the dignity of the name, the "histories" were nothing but collections of traditions, of legends, of fictions: a kind of novel. This noble antiquity might doubtless have been invoked as a further justification by M. Villemain and have confirmed the reasons drawn from the "moral sentiment and eloquence" of novels, reasons which were such as to rather curtail the scope of his lectures. In England as much and even more than with any other modern nation, novelists can pride themselves upon a long line of ancestors. They can, without abusing the license permitted to genealogists, go back to the time when the English did not inhabit England, when London, like Paris, was peopled by latinised Celts, and when the ancestors of the puritans sacrificed to the god Thor. The novelists indeed can show that the beginning of their history is lost in the abysm of time. They can recall the fact that the Anglo-Saxons, when they came to dwell in the island of Britain, brought with them songs and legends, whence was evolved the strange poem of "Beowulf," the first epic, the most ancient history, and the oldest English romance. In it, truth is mingled with fiction; besides the wonders performed by the hero, a destroyer of monsters, we find a great battle mentioned by Gregory of Tours, where the Frenchmen, that were to be, cut to pieces the Englishmen that were to be; the first act of that bloody tragedy continued afterwards at Hastings, Crécy, Agincourt, Fontenoy, and Waterloo.
Publisher: Library of Alexandria
ISBN: 1465578374
Category : Fiction
Languages : en
Pages : 456
Book Description
Minute research has been made, in every country, into the origin of the drama. The origin of the novel has rarely tempted the literary archæologist. For a long time the novel was regarded as literature of a lower order; down almost to our time, critics scrupled to speak of it. When M. Villemain in his course of lectures on the eighteenth century came to Richardson, he experienced some embarrassment, and it was not without oratorical qualifications and certain bashful doubts that he dared to announce lectures on "Clarissa Harlowe" and "Sir Charles Grandison." He sought to justify himself on the ground that it was necessary to track out a special influence derived from England, "the influence of imagination united to moral sentiment in eloquent prose." But this neglect can be explained still better. We can at need fix the exact period of the origin of the drama. It is not the same with the novel. We may go as far back as we please, yet we find the thin ramifications of the novel, and we may say literally that it is as old as the world itself. Like man himself, was not the world rocked in the cradle of its childhood to the accompaniment of stories and tales? Some were boldly marvellous; others have been called historical; but very often, in spite of the dignity of the name, the "histories" were nothing but collections of traditions, of legends, of fictions: a kind of novel. This noble antiquity might doubtless have been invoked as a further justification by M. Villemain and have confirmed the reasons drawn from the "moral sentiment and eloquence" of novels, reasons which were such as to rather curtail the scope of his lectures. In England as much and even more than with any other modern nation, novelists can pride themselves upon a long line of ancestors. They can, without abusing the license permitted to genealogists, go back to the time when the English did not inhabit England, when London, like Paris, was peopled by latinised Celts, and when the ancestors of the puritans sacrificed to the god Thor. The novelists indeed can show that the beginning of their history is lost in the abysm of time. They can recall the fact that the Anglo-Saxons, when they came to dwell in the island of Britain, brought with them songs and legends, whence was evolved the strange poem of "Beowulf," the first epic, the most ancient history, and the oldest English romance. In it, truth is mingled with fiction; besides the wonders performed by the hero, a destroyer of monsters, we find a great battle mentioned by Gregory of Tours, where the Frenchmen, that were to be, cut to pieces the Englishmen that were to be; the first act of that bloody tragedy continued afterwards at Hastings, Crécy, Agincourt, Fontenoy, and Waterloo.
Second Series of Bibliographical Collections and Notes on Early English Literature, 1474-1700
Author: William Carew Hazlitt
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 740
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 740
Book Description
Second series of bibliographical collections and notes on early English literature, 1474-1700
Author: W.C. Hazlitt
Publisher: Рипол Классик
ISBN: 1176449648
Category : History
Languages : en
Pages : 731
Book Description
Publisher: Рипол Классик
ISBN: 1176449648
Category : History
Languages : en
Pages : 731
Book Description
Collections and Notes
Author: William-Carew Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 740
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 740
Book Description