Author: Jon Mee
Publisher: OUP Oxford
ISBN: 0199591741
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
Around 1700 a new commercial society was emerging that thought of its values as the product of exchanges between citizens. A welter of publications-periodical essays, novels, and poetry-enjoined the virtues of conversation and were enthusiastically discussed in book clubs and literary societies, creating their own conversable worlds.
Conversable Worlds
Author: Jon Mee
Publisher: OUP Oxford
ISBN: 0199591741
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
Around 1700 a new commercial society was emerging that thought of its values as the product of exchanges between citizens. A welter of publications-periodical essays, novels, and poetry-enjoined the virtues of conversation and were enthusiastically discussed in book clubs and literary societies, creating their own conversable worlds.
Publisher: OUP Oxford
ISBN: 0199591741
Category : Literary Criticism
Languages : en
Pages : 330
Book Description
Around 1700 a new commercial society was emerging that thought of its values as the product of exchanges between citizens. A welter of publications-periodical essays, novels, and poetry-enjoined the virtues of conversation and were enthusiastically discussed in book clubs and literary societies, creating their own conversable worlds.
Literature, Language, and the Rise of the Intellectual Disciplines in Britain, 1680–1820
Author: Robin Valenza
Publisher: Cambridge University Press
ISBN: 1139482815
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
The divide between the sciences and the humanities, which often seem to speak entirely different languages, has its roots in the way intellectual disciplines developed in the long eighteenth century. As various fields of study became defined and to some degree professionalized, their ways of communicating evolved into an increasingly specialist vocabulary. Chemists, physicists, philosophers, and poets argued about whether their discourses should become more and more specialised, or whether they should aim to remain intelligible to the layperson. In this interdisciplinary study, Robin Valenza shows how Isaac Newton, Samuel Johnson, David Hume, Adam Smith, Samuel Taylor Coleridge and William Wordsworth invented new intellectual languages. By offering a much-needed account of the rise of the modern disciplines, Robin Valenza shows why the sciences and humanities diverged so strongly, and argues that literature has a special role in navigating between the languages of different areas of thought.
Publisher: Cambridge University Press
ISBN: 1139482815
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
The divide between the sciences and the humanities, which often seem to speak entirely different languages, has its roots in the way intellectual disciplines developed in the long eighteenth century. As various fields of study became defined and to some degree professionalized, their ways of communicating evolved into an increasingly specialist vocabulary. Chemists, physicists, philosophers, and poets argued about whether their discourses should become more and more specialised, or whether they should aim to remain intelligible to the layperson. In this interdisciplinary study, Robin Valenza shows how Isaac Newton, Samuel Johnson, David Hume, Adam Smith, Samuel Taylor Coleridge and William Wordsworth invented new intellectual languages. By offering a much-needed account of the rise of the modern disciplines, Robin Valenza shows why the sciences and humanities diverged so strongly, and argues that literature has a special role in navigating between the languages of different areas of thought.
Representing Humanity in the Age of Enlightenment
Author: Alexander Cook
Publisher: Routledge
ISBN: 1317320166
Category : History
Languages : en
Pages : 260
Book Description
The Enlightenment era saw European thinkers increasingly concerned with what it meant to be human. This collection of essays traces the concept of ‘humanity’ through revolutionary politics, feminist biography, portraiture, explorer narratives, libertine and Orientalist fiction, the philosophy of conversation and musicology.
Publisher: Routledge
ISBN: 1317320166
Category : History
Languages : en
Pages : 260
Book Description
The Enlightenment era saw European thinkers increasingly concerned with what it meant to be human. This collection of essays traces the concept of ‘humanity’ through revolutionary politics, feminist biography, portraiture, explorer narratives, libertine and Orientalist fiction, the philosophy of conversation and musicology.
Reading Samuel Johnson
Author: Phil Jones
Publisher: Liverpool University Press
ISBN: 1835536565
Category : Literary Criticism
Languages : en
Pages : 183
Book Description
This book examines how Samuel Johnson was assimilated by later writers, ranging from James Boswell to Samuel Beckett. It is as much about these writers as Johnson himself, showing how they found their own space, in part, through their response to Johnson, which helped shape their writing and view of contemporary literature.
Publisher: Liverpool University Press
ISBN: 1835536565
Category : Literary Criticism
Languages : en
Pages : 183
Book Description
This book examines how Samuel Johnson was assimilated by later writers, ranging from James Boswell to Samuel Beckett. It is as much about these writers as Johnson himself, showing how they found their own space, in part, through their response to Johnson, which helped shape their writing and view of contemporary literature.
The Spiritual Lives and Manuscript Cultures of Eighteenth-Century English Women
Author: Cynthia Aalders
Publisher: Oxford University Press
ISBN: 0198872305
Category : History
Languages : en
Pages : 292
Book Description
The Spiritual Lives and Manuscript Cultures of Eighteenth-Century English Women explores the vital and unexplored ways in which women's life writings acted to undergird, guide, and indeed shape religious communities. Through an exploration of various significant but understudied personal relationships- including mentorship by older women, spiritual friendship, and care for nonbiological children-the book demonstrates the multiple ways in which women were active in writing religious communities. The women discussed here belonged to communities that habitually communicated through personal writing. At the same time, their acts of writing were creative acts, powerful to build and shape religious communities: these women wrote religious community. The book consists of a series of interweaving case studies and focuses on Catherine Talbot (1721-70), Anne Steele (1717-78), and Ann Bolton (1743-1822), and on their literary interactions with friends and family. Considered together, these subjects and sources allow comparison across denomination, for Talbot was Anglican, Steele a Baptist, and Bolton a Methodist. Further, it considers women's life writings as spiritual legacy, as manuscripts were preserved by female friends and family members and continued to function in religious communities after the death of their authors. Various strands of enquiry weave through the book: questions of gender and religion, themselves inflected by denomination; themes related to life writings and manuscript cultures; and the interplay between the writer as individual and her relationships and communal affiliations. The result is a variegated and highly textured account of eighteenth-century women's spiritual and writing lives.
Publisher: Oxford University Press
ISBN: 0198872305
Category : History
Languages : en
Pages : 292
Book Description
The Spiritual Lives and Manuscript Cultures of Eighteenth-Century English Women explores the vital and unexplored ways in which women's life writings acted to undergird, guide, and indeed shape religious communities. Through an exploration of various significant but understudied personal relationships- including mentorship by older women, spiritual friendship, and care for nonbiological children-the book demonstrates the multiple ways in which women were active in writing religious communities. The women discussed here belonged to communities that habitually communicated through personal writing. At the same time, their acts of writing were creative acts, powerful to build and shape religious communities: these women wrote religious community. The book consists of a series of interweaving case studies and focuses on Catherine Talbot (1721-70), Anne Steele (1717-78), and Ann Bolton (1743-1822), and on their literary interactions with friends and family. Considered together, these subjects and sources allow comparison across denomination, for Talbot was Anglican, Steele a Baptist, and Bolton a Methodist. Further, it considers women's life writings as spiritual legacy, as manuscripts were preserved by female friends and family members and continued to function in religious communities after the death of their authors. Various strands of enquiry weave through the book: questions of gender and religion, themselves inflected by denomination; themes related to life writings and manuscript cultures; and the interplay between the writer as individual and her relationships and communal affiliations. The result is a variegated and highly textured account of eighteenth-century women's spiritual and writing lives.
Women's Literary Networks and Romanticism
Author: Andrew O. Winckles
Publisher: Oxford University Press
ISBN: 1786940604
Category : History
Languages : en
Pages : 326
Book Description
Andrew O. Winckles is Assistant Professor of CORE Curriculum (Interdisciplinary Studies) at Adrian College. Angela Rehbein is Associate Professor of English at West Liberty University.
Publisher: Oxford University Press
ISBN: 1786940604
Category : History
Languages : en
Pages : 326
Book Description
Andrew O. Winckles is Assistant Professor of CORE Curriculum (Interdisciplinary Studies) at Adrian College. Angela Rehbein is Associate Professor of English at West Liberty University.
A Choice of Inheritance
Author: David Bromwich
Publisher: Harvard University Press
ISBN: 9780674127753
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
For the last two centuries, literature has tested the authority of the individual and the community. With a historical as well as an interpretative emphasis, Bromwich explores this tension. He shows why the public-mindedness of the eighteenth century is as limited a model for readers now as the individualism of the nineteenth century.
Publisher: Harvard University Press
ISBN: 9780674127753
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
For the last two centuries, literature has tested the authority of the individual and the community. With a historical as well as an interpretative emphasis, Bromwich explores this tension. He shows why the public-mindedness of the eighteenth century is as limited a model for readers now as the individualism of the nineteenth century.
The Romantic Literary Lecture in Britain
Author: Sarah Zimmerman
Publisher: Oxford University Press
ISBN: 0192569562
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
At the beginning of the nineteenth century, the literary lecture arrived on London's cultural scene as an influential critical medium and popular social event. It flourished for two decades in the hands of the period's most prominent lecturers: Samuel Taylor Coleridge, John Thelwall, Thomas Campbell, and William Hazlitt. Lecturers aimed to shape auditors' reading habits, burnish their own professional profiles, and establish a literary canon. Auditors wielded their own considerable influence, since their sustained approbation was necessary to a lecturer's success, and independent series could collapse midway if attendance waned. Two chapters are therefore devoted to the auditors, whose creative responses to what they heard often constituted cultural works in their own right. Auditors wrote poems and letters about lecture performances, acted as patrons to lecturers, and hosted dinners and conversation parties that followed these events. Prominent auditors included John Keats, Mary Russell Mitford, Henry Crabb Robinson, Catherine Maria Fanshawe, and Lady Charlotte Bury. The Romantic public literary lecture is a fascinating cultural phenomenon in its own right, but understanding the medium has significant implications for some of the period's most important literary criticism, such as Coleridge's readings of Shakespeare and Hazlitt's Lectures on the English Poets (1818). The book's two main aims are to chart the emergence of the literary lecture as a popular medium and to develop a critical approach to these events by drawing on an interdisciplinary discussion about how to treat historical speaking performances.
Publisher: Oxford University Press
ISBN: 0192569562
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
At the beginning of the nineteenth century, the literary lecture arrived on London's cultural scene as an influential critical medium and popular social event. It flourished for two decades in the hands of the period's most prominent lecturers: Samuel Taylor Coleridge, John Thelwall, Thomas Campbell, and William Hazlitt. Lecturers aimed to shape auditors' reading habits, burnish their own professional profiles, and establish a literary canon. Auditors wielded their own considerable influence, since their sustained approbation was necessary to a lecturer's success, and independent series could collapse midway if attendance waned. Two chapters are therefore devoted to the auditors, whose creative responses to what they heard often constituted cultural works in their own right. Auditors wrote poems and letters about lecture performances, acted as patrons to lecturers, and hosted dinners and conversation parties that followed these events. Prominent auditors included John Keats, Mary Russell Mitford, Henry Crabb Robinson, Catherine Maria Fanshawe, and Lady Charlotte Bury. The Romantic public literary lecture is a fascinating cultural phenomenon in its own right, but understanding the medium has significant implications for some of the period's most important literary criticism, such as Coleridge's readings of Shakespeare and Hazlitt's Lectures on the English Poets (1818). The book's two main aims are to chart the emergence of the literary lecture as a popular medium and to develop a critical approach to these events by drawing on an interdisciplinary discussion about how to treat historical speaking performances.
Fictions of Friendship in the Eighteenth-Century Novel
Author: Bryan Mangano
Publisher: Springer
ISBN: 3319486950
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This book explores the reciprocal influence of friendship ideals and narrative forms in eighteenth-century British fiction. It examines how various novelists, from Samuel Richardson to Mary Shelley, drew upon classical and early modern conceptions of true amity as a model of collaborative pedagogy. Analyzing authors, their professional circumstances, and their audiences, the study shows how the rhetoric of friendship became a means of paying deference to the increasing power of readerships, while it also served as a semi-covert means to persuade resistant readers and confront aesthetic and moral debates head on. The study contributes to an understanding of gender roles in the early history of the novel by disclosing the constant interplay between male and female models of amity. It demonstrates that this gendered dialogue shaped the way novelists imagined character interiority, reconciled with the commercial aspects of writing, and engaged mixed-sex audiences.
Publisher: Springer
ISBN: 3319486950
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This book explores the reciprocal influence of friendship ideals and narrative forms in eighteenth-century British fiction. It examines how various novelists, from Samuel Richardson to Mary Shelley, drew upon classical and early modern conceptions of true amity as a model of collaborative pedagogy. Analyzing authors, their professional circumstances, and their audiences, the study shows how the rhetoric of friendship became a means of paying deference to the increasing power of readerships, while it also served as a semi-covert means to persuade resistant readers and confront aesthetic and moral debates head on. The study contributes to an understanding of gender roles in the early history of the novel by disclosing the constant interplay between male and female models of amity. It demonstrates that this gendered dialogue shaped the way novelists imagined character interiority, reconciled with the commercial aspects of writing, and engaged mixed-sex audiences.
Just Being Difficult?
Author: Jonathan D. Culler
Publisher: Stanford University Press
ISBN: 9780804747103
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
Is academic writing, particularly in the disciplines of literary theory and cultural studies, needlessly obscure? The claim has been widely circulated in the media and subject to passionate debate, but it has not been the subject of serious discussion. Just Being Difficult? provides learned and thoughtful analyses of the claim, of those it targets, and of the entire question of how critical writing relates to its intended publics and to audiences beyond them. In this book, a range of distinguished scholars, including some who have been charged with willful obscurity, argue for the interest and importance of some of the procedures that critics have preferred to charge with obscurity rather than confront in another way. The debate on difficult writing hovers on the edges of all academic writing that seeks to play a role in the public arena. This collection is a much-needed contribution to the discussion.
Publisher: Stanford University Press
ISBN: 9780804747103
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
Is academic writing, particularly in the disciplines of literary theory and cultural studies, needlessly obscure? The claim has been widely circulated in the media and subject to passionate debate, but it has not been the subject of serious discussion. Just Being Difficult? provides learned and thoughtful analyses of the claim, of those it targets, and of the entire question of how critical writing relates to its intended publics and to audiences beyond them. In this book, a range of distinguished scholars, including some who have been charged with willful obscurity, argue for the interest and importance of some of the procedures that critics have preferred to charge with obscurity rather than confront in another way. The debate on difficult writing hovers on the edges of all academic writing that seeks to play a role in the public arena. This collection is a much-needed contribution to the discussion.