Author: Reginald Owen Morris
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 144

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Book Description

Author: Reginald Owen Morris
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 144

Get Book Here

Book Description

Author: Reginald Owen Morris
Publisher:
ISBN:
Category : Counterpoint
Languages : en
Pages : 144

Get Book Here

Book Description

Author: H. Owen Reed
Publisher: Alfred Music Publishing
ISBN: 9780757916663
Category : Music
Languages : en
Pages : 212

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Book Description
A revision of the classic 1964 edition exploring counterpoint techniques beyond the stylistic base of the baroque tradition. This practical 194-page book contains a glossary of terms, a bibliography for further study, and a subject index. There is also an index of musical examples, and the included CDs contain recordings of musical examples from the text. Includes perforated exercise pages for students.

Author: Robert Stewart
Publisher: Scarecrow Press
ISBN: 1461722942
Category : Music
Languages : en
Pages : 240

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Book Description
This is a music theory text that presents a systematic approach to polyphonic composition in the ecclesiastical style of Palestrina. It is designed for use in beginning and intermediate level courses in modal counterpoint and helps students develop a systematic and reliable method to compare individual composers and stylistic trends of the Renaissance. It contains a comprehensive collection of Palestrina's works as well as selections from Lassus. Tear-out exercises can be used in conjunction with the text.

Author: Charlotte Smith
Publisher: University of Delaware Press
ISBN: 9780874133271
Category : Music
Languages : en
Pages : 162

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Book Description
This volume explores the expressive power of sixteenth-century vocal polyphony, giving special emphasis to the development of aural familiarity with the style. Every element of sixteenth-century counterpoint is defined, described, and liberally illustrated, included for analysis and singing are complete compositions and movements by Palestrina, Lasso, Victoria, Byrd, Morales, and Joaquin.

Author: Robert Gauldin
Publisher: Waveland Press
ISBN: 1478608757
Category : Music
Languages : en
Pages : 320

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Book Description
Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.

Author: Knud Jeppesen
Publisher: Courier Corporation
ISBN: 0486318877
Category : Music
Languages : en
Pages : 322

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Book Description
First paperback edition of classic introductory text features history of contrapuntal theory, technical features, "species" exercises in 2-, 3- and 4-part counterpoint; canon, motet, Mass, more. Includes many musical examples.

Author: Robert Gauldin
Publisher: Waveland Press
ISBN: 1478608765
Category : Music
Languages : en
Pages : 351

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Book Description
Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.

Author: Arthur Tillman Merritt
Publisher: Read Books Ltd
ISBN: 1473386861
Category : Music
Languages : en
Pages : 233

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Book Description
A. Tillman Merritt graduated from the University of Missouri in 1924 and was the first recipient of a new degree, Bachelor of Fine Arts, in 1926. That autumn he came to Harvard as a graduate student in music; recognition of his unusual talent was immediate. In February, 1927, he was asked to be Walter Piston's teaching assistant in music theory. This book is intended to be an introduction and guide to the early study of counterpoint, and deals with the construction of the single line and with the combination of two lines, three lines, and four lines.