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Author: Ezra Horbury
Publisher: Boydell & Brewer
ISBN: 1843845423
Category : Drama
Languages : en
Pages : 299
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Book Description
Examination of the motif of the prodigal son as treated in early modern drama, from Shakespeare to Beaumont and Fletcher.
Author: Ezra Horbury
Publisher: Boydell & Brewer
ISBN: 1843845423
Category : Drama
Languages : en
Pages : 299
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Book Description
Examination of the motif of the prodigal son as treated in early modern drama, from Shakespeare to Beaumont and Fletcher.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 76
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Book Description
Author: Willard Thorp
Publisher: Ardent Media
ISBN:
Category : English drama
Languages : en
Pages : 152
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Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 162
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Book Description
Author: Willard Thorp
Publisher: Ardent Media
ISBN:
Category : English drama
Languages : en
Pages : 148
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Book Description
Author: George Chapman
Publisher: Manchester University Press
ISBN: 9780719030925
Category : Drama
Languages : en
Pages : 260
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Book Description
This edition of Eastward Ho! is the most authoritative and reliable to date. It has a text more accurate than any other and an extensive introduction that examines the relationship between the three authors and the problem of their collaboration. R. W. Van Fossen takes a fresh look at the question of the printing of the first quarto, provides a full stage history, and, most important, presents a critical interpretation of the play that takes account of its historical, social and theatrical context.
Author: Sonia Massai
Publisher: Cambridge University Press
ISBN: 1108429629
Category : Drama
Languages : en
Pages : 251
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Book Description
A history of the reception of Shakespeare on the English stage focusing on the vocal dimensions of theatrical performance.
Author: Martin Wiggins
Publisher: Oxford University Press, USA
ISBN: 0199265720
Category : Drama
Languages : en
Pages : 537
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Book Description
Volume 3 covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.
Author: Anthony W. Johnson
Publisher: Routledge
ISBN: 131716329X
Category : Literary Criticism
Languages : en
Pages : 447
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Book Description
Twenty-two leading experts on early modern drama collaborate in this volume to explore three closely interconnected research questions. To what extent did playwrights represent dramatis personae in their entertainments as forming, or failing to form, communal groupings? How far were theatrical productions likely to weld, or separate, different communal groupings within their target audiences? And how might such bondings or oppositions among spectators have tallied with the community-making or -breaking on stage? Chapters in Part One respond to one or more of these questions by reassessing general period trends in censorship, theatre attendance, forms of patronage, playwrights’ professional and linguistic networks, their use of music, and their handling of ethical controversies. In Part Two, responses arise from detailed re-examinations of particular plays by Shakespeare, Chapman, Jonson, Beaumont and Fletcher, Cary, Webster, Middleton, Massinger, Ford, and Shirley. Both Parts cover a full range of early-Stuart theatre settings, from the public and popular to the more private circumstances of hall playhouses, court masques, women’s drama, country-house theatricals, and school plays. And one overall finding is that, although playwrights frequently staged or alluded to communal conflict, they seldom exacerbated such divisiveness within their audience. Rather, they tended toward more tactful modes of address (sometimes even acknowledging their own ideological uncertainties) so that, at least for the duration of a play, their audiences could be a community within which internal rifts were openly brought into dialogue.
