Author: Z. Skoulding
Publisher: Springer
ISBN: 1137368047
Category : Social Science
Languages : en
Pages : 229
Book Description
This book focuses on the role of the city, and its processes of mutual transformation, in poetry by experimental women writers. Readings of their work are placed in the context of theories of urban space, while new visions of the contemporary city and its global relationships are drawn from their innovations in language and form.
Contemporary Women's Poetry and Urban Space
Author: Z. Skoulding
Publisher: Springer
ISBN: 1137368047
Category : Social Science
Languages : en
Pages : 229
Book Description
This book focuses on the role of the city, and its processes of mutual transformation, in poetry by experimental women writers. Readings of their work are placed in the context of theories of urban space, while new visions of the contemporary city and its global relationships are drawn from their innovations in language and form.
Publisher: Springer
ISBN: 1137368047
Category : Social Science
Languages : en
Pages : 229
Book Description
This book focuses on the role of the city, and its processes of mutual transformation, in poetry by experimental women writers. Readings of their work are placed in the context of theories of urban space, while new visions of the contemporary city and its global relationships are drawn from their innovations in language and form.
The Selling and Self-Regulation of Contemporary Poetry
Author: J.T. Welsch
Publisher: Anthem Press
ISBN: 1785273361
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
The Selling and Self-Regulation of Contemporary Poetry is the first book-length study of the contemporary poetry industry. By documenting radical changes over the past decade in the way poems are published, sold, and consumed, it connects the seemingly small world of poetry with the other, wider creative industries. In reassessing an art form that has been traditionally seen as free from or even resistant to material concerns, the book confronts the real pressures – and real opportunities – faced by poets and publishers in the wake of economic and cultural shifts since 2008. The changing role of anthologies, prizes, and publishers are considered alongside new technologies, new arts policy, and re-conceptions of poetic labour. Ultimately, it argues that poetry’s continued growth and diversification also leaves individuals with more responsibility than ever for sustaining its communities.
Publisher: Anthem Press
ISBN: 1785273361
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
The Selling and Self-Regulation of Contemporary Poetry is the first book-length study of the contemporary poetry industry. By documenting radical changes over the past decade in the way poems are published, sold, and consumed, it connects the seemingly small world of poetry with the other, wider creative industries. In reassessing an art form that has been traditionally seen as free from or even resistant to material concerns, the book confronts the real pressures – and real opportunities – faced by poets and publishers in the wake of economic and cultural shifts since 2008. The changing role of anthologies, prizes, and publishers are considered alongside new technologies, new arts policy, and re-conceptions of poetic labour. Ultimately, it argues that poetry’s continued growth and diversification also leaves individuals with more responsibility than ever for sustaining its communities.
Poetry, Architecture, and the New York School
Author: Mae Losasso
Publisher: Springer Nature
ISBN: 3031415205
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Poetry, Architecture, and the New York School: Something Like a Liveable Space examines the relationship between poetics and architecture in the work of the first generation New York School poets, Frank O’Hara, John Ashbery, Barbara Guest, and James Schuyler. Reappraising the much-debated New York School label, Mae Losasso shows how these writers constructed poetic spaces, structures, surfaces, and apertures, and sought to figure themselves and their readers in relation to these architextual sites. In doing so, Losasso reveals how the built environment shapes the poetic imagination and how, in turn, poetry alters the way we read and inhabit architectural space. Animated by archival research and architectural photographs, Poetry, Architecture, and the New York School marks a decisive interdisciplinary turn in New York School studies, and offers new frameworks for thinking about postmodern American poetry in the twenty-first century.
Publisher: Springer Nature
ISBN: 3031415205
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Poetry, Architecture, and the New York School: Something Like a Liveable Space examines the relationship between poetics and architecture in the work of the first generation New York School poets, Frank O’Hara, John Ashbery, Barbara Guest, and James Schuyler. Reappraising the much-debated New York School label, Mae Losasso shows how these writers constructed poetic spaces, structures, surfaces, and apertures, and sought to figure themselves and their readers in relation to these architextual sites. In doing so, Losasso reveals how the built environment shapes the poetic imagination and how, in turn, poetry alters the way we read and inhabit architectural space. Animated by archival research and architectural photographs, Poetry, Architecture, and the New York School marks a decisive interdisciplinary turn in New York School studies, and offers new frameworks for thinking about postmodern American poetry in the twenty-first century.
Geographies of Affect in Contemporary Literature and Visual Culture
Author:
Publisher: BRILL
ISBN: 9004442553
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
Geographies of Affect in Contemporary Literature and Visual Culture opens a dialogue between the literary and filmic works produced in Central Europe and in the Anglophone world. It relies on the concept of translocality to explore this corpus, offering new readings of contemporary Hungarian films as well as urban fiction and poetry in English. Calling attention to the role of affect in imagining city space, the volume investigates György Pálfi’s Taxidermia, Béla Tarr’s Family Nest, Teju Cole’s Open City, Toni Morrison’s Jazz, China Miéville’s Un Lun Dun, Chimamanda Adichie’s Americanah, and Patrick Neate’s City of Tiny Lights, among many other urban narratives. Contributors examine both widely explored emotions and under-researched affects, such as shame, fascination, and the role of withdrawal in contemporary literature and culture. Contributors: Tamás Bényei, Imola Bülgözdi, Fanni Feldmann, Zsolt Győri, Ágnes Györke, Brigitta Hudácskó, György Kalmár, Anna Kérchy, Márta Kőrösi, Jennifer Leetsch, Katalin Pálinkás, Miklós Takács, Pieter Vermeulen.
Publisher: BRILL
ISBN: 9004442553
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
Geographies of Affect in Contemporary Literature and Visual Culture opens a dialogue between the literary and filmic works produced in Central Europe and in the Anglophone world. It relies on the concept of translocality to explore this corpus, offering new readings of contemporary Hungarian films as well as urban fiction and poetry in English. Calling attention to the role of affect in imagining city space, the volume investigates György Pálfi’s Taxidermia, Béla Tarr’s Family Nest, Teju Cole’s Open City, Toni Morrison’s Jazz, China Miéville’s Un Lun Dun, Chimamanda Adichie’s Americanah, and Patrick Neate’s City of Tiny Lights, among many other urban narratives. Contributors examine both widely explored emotions and under-researched affects, such as shame, fascination, and the role of withdrawal in contemporary literature and culture. Contributors: Tamás Bényei, Imola Bülgözdi, Fanni Feldmann, Zsolt Győri, Ágnes Györke, Brigitta Hudácskó, György Kalmár, Anna Kérchy, Márta Kőrösi, Jennifer Leetsch, Katalin Pálinkás, Miklós Takács, Pieter Vermeulen.
Modern American Poetry and the Architectural Imagination
Author: Jo Gill
Publisher: Oxford University Press
ISBN: 0192638815
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Modern American Poetry and the Architectural Imagination: The Harmony of Forms assesses the relationship between architectural and poetic innovation in the United States across the twentieth century. Taking the work of five key poets as case studies and drawing on the work of a rich range of other writers, architects, artists, and commentators, this study proposes that by examining the sustained and productive—if hitherto overlooked—engagement between the two disciplines, we enrich our understanding of the complexity and interrelationship of both. The book begins by tracing the rise of what was conceived of as 'modern' (and often 'international style') architecture and by showing how poetry and architecture in the early decades of the century developed in dialogue, and within a shared, and often transnational, context. It then moves on to examine the material, aesthetic, and social conditions that helped shape both disciplines, offering new readings of familiar poems and bringing other pertinent resources to light. It considers the uses to which poets of the period put the insights of architecture—and vice versa. In closing, Gill turns to modern and contemporary architects' written accounts of their own practice, in memoirs and other commentaries, and examines how they have assimilated, or resisted, the practice and vision of poetry.
Publisher: Oxford University Press
ISBN: 0192638815
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Modern American Poetry and the Architectural Imagination: The Harmony of Forms assesses the relationship between architectural and poetic innovation in the United States across the twentieth century. Taking the work of five key poets as case studies and drawing on the work of a rich range of other writers, architects, artists, and commentators, this study proposes that by examining the sustained and productive—if hitherto overlooked—engagement between the two disciplines, we enrich our understanding of the complexity and interrelationship of both. The book begins by tracing the rise of what was conceived of as 'modern' (and often 'international style') architecture and by showing how poetry and architecture in the early decades of the century developed in dialogue, and within a shared, and often transnational, context. It then moves on to examine the material, aesthetic, and social conditions that helped shape both disciplines, offering new readings of familiar poems and bringing other pertinent resources to light. It considers the uses to which poets of the period put the insights of architecture—and vice versa. In closing, Gill turns to modern and contemporary architects' written accounts of their own practice, in memoirs and other commentaries, and examines how they have assimilated, or resisted, the practice and vision of poetry.
Literature in Motion
Author: Ellen Jones
Publisher: Columbia University Press
ISBN: 0231554834
Category : Literary Criticism
Languages : en
Pages : 164
Book Description
Literature is often assumed to be monolingual: publishing rights are sold on the basis of linguistic territories and translated books are assumed to move from one “original” language to another. Yet a wide range of contemporary literary works mix and meld two or more languages, incorporating translation into their composition. How are these multilingual works translated, and what are the cultural and political implications of doing so? In Literature in Motion, Ellen Jones offers a new framework for understanding literary multilingualism, emphasizing how authors and translators can use its defamiliarizing and disruptive potential to resist conventions of form and dominant narratives about language and gender. Examining the connection between translation and multilingualism in contemporary literature, she considers its significance for the theory, practice, and publishing of literature in translation. Jones argues that translation does not conflict with multilingual writing’s subversive potential. Instead, we can understand multilingualism and translation as closely intertwined creative strategies through which other forms of textual and conceptual hybridity, fluidity, and disruption are explored. Jones addresses both well-known and understudied writers from across the American hemisphere who explore the spaces between languages as well as genders, genres, and textual versions, reading their work alongside their translations. She focuses on U.S. Latinx authors Susana Chávez-Silverman, Junot Díaz, and Giannina Braschi, who write in different forms of “Spanglish,” as well as the Brazilian writer Wilson Bueno, who combines Portuguese and Spanish, or “Portunhol,” with the indigenous language Guarani, and whose writing is rendered into “Frenglish” by Canadian translator Erín Moure.
Publisher: Columbia University Press
ISBN: 0231554834
Category : Literary Criticism
Languages : en
Pages : 164
Book Description
Literature is often assumed to be monolingual: publishing rights are sold on the basis of linguistic territories and translated books are assumed to move from one “original” language to another. Yet a wide range of contemporary literary works mix and meld two or more languages, incorporating translation into their composition. How are these multilingual works translated, and what are the cultural and political implications of doing so? In Literature in Motion, Ellen Jones offers a new framework for understanding literary multilingualism, emphasizing how authors and translators can use its defamiliarizing and disruptive potential to resist conventions of form and dominant narratives about language and gender. Examining the connection between translation and multilingualism in contemporary literature, she considers its significance for the theory, practice, and publishing of literature in translation. Jones argues that translation does not conflict with multilingual writing’s subversive potential. Instead, we can understand multilingualism and translation as closely intertwined creative strategies through which other forms of textual and conceptual hybridity, fluidity, and disruption are explored. Jones addresses both well-known and understudied writers from across the American hemisphere who explore the spaces between languages as well as genders, genres, and textual versions, reading their work alongside their translations. She focuses on U.S. Latinx authors Susana Chávez-Silverman, Junot Díaz, and Giannina Braschi, who write in different forms of “Spanglish,” as well as the Brazilian writer Wilson Bueno, who combines Portuguese and Spanish, or “Portunhol,” with the indigenous language Guarani, and whose writing is rendered into “Frenglish” by Canadian translator Erín Moure.
The Cambridge Companion to British Poetry, 1945-2010
Author: Edward Larrissy
Publisher: Cambridge University Press
ISBN: 1107090660
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
This Companion brings together sixteen essays that explore the full diversity of British poetry since the Second World War. Focusing on famous and neglected names alike, from Dylan Thomas to John Agard, leading scholars provide readers with insight into the ongoing importance and profundity of post-war poetry.
Publisher: Cambridge University Press
ISBN: 1107090660
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
This Companion brings together sixteen essays that explore the full diversity of British poetry since the Second World War. Focusing on famous and neglected names alike, from Dylan Thomas to John Agard, leading scholars provide readers with insight into the ongoing importance and profundity of post-war poetry.
Seeking a Home for Poetry in a Nomadic World
Author: Silvia Panicieri
Publisher: Cambridge Scholars Publishing
ISBN: 1527546349
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
This thoroughly researched overview on one of the most absorbing literary phenomena of recent decades—the trespassing of cultural and linguistic borders—departs from the canonical point of view offered by the English works of the Nobel laureate, Russian-American poet and essayist Joseph Brodsky, to approach the work of the emerging Hungarian-English poet Ágnes Lehóczky. Through the epistemological filter offered by some guiding texts (such as Bauman, Hall, Braidotti, and many others), this study allows the reader to discover the recounting of a search for an identity, where the adoption of English as an artistic vehicle is only the first thread that unites the two “nomadic” authors. Striving to “locate” language and identity, Brodsky and Lehóczky face the limits of doing so, due to the fluid and nomadic nature of language itself. This suggests, if not answers, then new ways of expression, which draw the language of our future.
Publisher: Cambridge Scholars Publishing
ISBN: 1527546349
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
This thoroughly researched overview on one of the most absorbing literary phenomena of recent decades—the trespassing of cultural and linguistic borders—departs from the canonical point of view offered by the English works of the Nobel laureate, Russian-American poet and essayist Joseph Brodsky, to approach the work of the emerging Hungarian-English poet Ágnes Lehóczky. Through the epistemological filter offered by some guiding texts (such as Bauman, Hall, Braidotti, and many others), this study allows the reader to discover the recounting of a search for an identity, where the adoption of English as an artistic vehicle is only the first thread that unites the two “nomadic” authors. Striving to “locate” language and identity, Brodsky and Lehóczky face the limits of doing so, due to the fluid and nomadic nature of language itself. This suggests, if not answers, then new ways of expression, which draw the language of our future.
Space, Place and Poetry in English and German, 1960–1975
Author: Nicola Thomas
Publisher: Springer
ISBN: 3319902121
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
Space, Place and Poetry in English and German, 1960-1975 examines the work of Paul Celan, J. H. Prynne, Derek Mahon, Sarah Kirsch, Edwin Morgan and Ernst Jandl, bringing together postwar English- and German-language poetry and criticism on the theme of space, place and landscape. Nicola Thomas highlights hitherto underexplored connections between a wide range of poets working across the two language areas, demonstrating that space and place are vital critical categories for understanding poetry of this period. Thomas’s analysis reveals weaknesses in existing critical taxonomies, arguing for the use of ‘late modernist’ as a category with cross-cultural relevance, and promotes methodological exchange between the Anglophone and German traditions of landscape, space and place oriented poetic criticism, to the benefit of both.
Publisher: Springer
ISBN: 3319902121
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
Space, Place and Poetry in English and German, 1960-1975 examines the work of Paul Celan, J. H. Prynne, Derek Mahon, Sarah Kirsch, Edwin Morgan and Ernst Jandl, bringing together postwar English- and German-language poetry and criticism on the theme of space, place and landscape. Nicola Thomas highlights hitherto underexplored connections between a wide range of poets working across the two language areas, demonstrating that space and place are vital critical categories for understanding poetry of this period. Thomas’s analysis reveals weaknesses in existing critical taxonomies, arguing for the use of ‘late modernist’ as a category with cross-cultural relevance, and promotes methodological exchange between the Anglophone and German traditions of landscape, space and place oriented poetic criticism, to the benefit of both.
Poetry & Listening
Author: Zoë Skoulding
Publisher: Liverpool University Press
ISBN: 1789627591
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
Listening has always mattered in poetry, but how does poetry change when listening has been transformed? In Poetry & Listening: The Noise of Lyric, the field of sound studies, which has revolutionised research in contemporary music, is brought into dialogue with new lyric criticism. Examining poetry as mediated by performance, technology and translation, this book discovers how contemporary poetry has been re-energised by the influence of recorded sound and influenced by the creative methods that emerged with it. It offers an exploration of contemporary poetry’s acoustic contexts, moving beyond traditional analysis of poetic form to consider the social, political and ecological dimensions of a poem's sounds and silences. Through lucid engagement with a range of richly innovative English-language poetry from the UK and USA, it argues for the centrality of listening to a form of composition in which language not only represents sonic experience but is part of it. With reference to Jean-Luc Nancy’s distinction between hearing and listening, alongside other key theorists of sound and noise, it shows how poetry offers insights into sensory perception, and how it charts acoustic relationships between language and the environment.
Publisher: Liverpool University Press
ISBN: 1789627591
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
Listening has always mattered in poetry, but how does poetry change when listening has been transformed? In Poetry & Listening: The Noise of Lyric, the field of sound studies, which has revolutionised research in contemporary music, is brought into dialogue with new lyric criticism. Examining poetry as mediated by performance, technology and translation, this book discovers how contemporary poetry has been re-energised by the influence of recorded sound and influenced by the creative methods that emerged with it. It offers an exploration of contemporary poetry’s acoustic contexts, moving beyond traditional analysis of poetic form to consider the social, political and ecological dimensions of a poem's sounds and silences. Through lucid engagement with a range of richly innovative English-language poetry from the UK and USA, it argues for the centrality of listening to a form of composition in which language not only represents sonic experience but is part of it. With reference to Jean-Luc Nancy’s distinction between hearing and listening, alongside other key theorists of sound and noise, it shows how poetry offers insights into sensory perception, and how it charts acoustic relationships between language and the environment.